A generous collection of some of J.S. Bach's greatest works for keyboard violin cello and organ. Selected transcribed edited and arranged for unaccompanied flute by world-renowned flutist and educator Robert Stallman. Avaluable addition to any flute student's library.This book has been created by Robert Stallman especially for the intermediate-level flautist. At the same time it should prove valuable to any and all flautists who realise how essential the study of Bach is to their dailypractise. Johannes Brahms' famous dictum 'Study Bach: there you will find everything ' still holds true for all musicians. Bach stretches us all whatever our level of experience.

Book/CD package (2 CDs)-More great teaching material at the same level as the first volume. Over 30 songs in each volume with no song duplicated between voice types. A student could easily begin either in The First Book or The First Book Part II or the books may be used concurrently. More great teaching material at the same level as the first volume. Over 30 songs in each volume with no song duplicated between voice types. A student could easily begin either in The First Book or The First Book Part II or thebooks may be used concurrently.

Stephen Albert 's Tribute for Violin and Piano. Score and part. Duration: approx. 9 minutes. ' Tribute revolves on a dual axis comprised of two lyrical themes that generate theother musical ideas appearing throughout this one movement work. The first theme is given to the Piano in the opening and the second theme is announced by the Violin on the heels of the opening Piano section. Both themes aredeveloped and elaborated on woven in and around one another until they are at length transformed into new themes that are more dramatic and rhythmic than their lyrical forebears. The end of the work is announced when ahymn-like section commences in the Piano after a genuinely loud climatic section. ' - Stephen Albert Tribute was commissioned by the McKim fund for the Library of Congress 1988. The premiere performance took place on October 28 1988 Edna Mitchell Violin Frank Glazer Piano The Library of Congress Washington D. C.

Part Two of Choral Variations on American Folksongs-Part Two of Choral Variations.

Contents: Mignon's Lied * Es war ein Konig in Thule * Es muss ein Wunderbares sein * Freudvoll und Leidvoll * Die Schlusselblumen * In Liebeslust * Die Loreley * Du bist wie eine Blume * Oh! Quand je dors * S'il est un charmantgazon * Kling' leise mein Lied * Die drei Zigeuner.Contents: Mignon's Lied * Es war ein Konig in Thule * Es muss ein Wunderbares sein * Freudvoll und Leidvoll * Die Schlusselblumen * In Liebeslust * Die Loreley * Du bist wie eine Blume * Oh! Quand je dors * S'il est un charmantgazon * Kling' leise mein Lied * Die drei Zigeuner.

For flute and continuo (piano). A separate Continuo part is supplied. The Continuo part is also realised for performance with Piano. Edited by Louis Moyse.

Score and Parts-Grades 4-5 Morton Gould 's Santa Fe Saga for Orchestra. Suitable for musicians at a grade 4-5 standard.

For well over a century the G. Schirmer edition of 24 Italian Songs & Arias of the 17th and 18th Centuries has introduced millions of beginning singers to serious Italian vocal literature. Offered in two accessible keys suitablefor all singers it is likely to be the first publication a voice teacher will ask a first-time student to purchase. The classic Parisotti realizations result in rich satisfying accompaniments which allow singers pure musicalenjoyment. For ease of practice carefully prepared accompaniments are also recorded on CD by John Keene a New York-based concert accompanist and vocal coach who has performed throughout the United States for radio andtelevision. Educated at the University of Southern California Keene has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas. This fabulous book contains a superb selection of twenty-four Italian Songs and Arias from the seventeenth and eighteenth centuries written for Medium-High Voice. This book also contains access to online audio that features arecorded accompaniment on a separate track for each of the pieces in the book. All twenty-four pieces are set here for Medium-High Voice with Piano accompaniment and with lyrics and titles in both Italian andEnglish this is a versatile volume which can be used for vocal training or purely for enjoyment.

Score-A children's classic now available in this version for Soprano Boy Soprano and Full Orchestra. Duration ca. 18 minutes. Also available for Chamber Ensemble (Score #50482454) and Vocal Score (50482453). Full Score. A children's classic now available in this version for Soprano Boy Soprano and Full Orchestra. Duration ca. 18 minutes. Also available for Chamber Ensemble (Score #50482454) and Vocal Score (50482453).

Score (Critical Edition)- Charles Ives ' Postlude In F for Orchestra. Edited by Kenneth Singleton . Full score.

First performed in May 1960 this is a wonderful piece for SSAA Women's Chorus a cappella.

Score-Arranged for Concert Band (grades 4-5) by Calvin Custer.

Stephen Albert 's TreeStone for Soprano and Tenor soloists and Chamber Ensemble. TreeStone recieved its premiere on Junuary 16 1985 by David Hordon Tenor Lucy Shelton Sopranoand the Music Today Ensemble conducted by Gerard Schwarz at Merkin Concert Hall in New York City. Duration: approx. 38 minutes.

Score and Parts-For Brass Quintet.

From the popular opera The Ghosts of Versailles. The plot revolves around the playwright Beaumarchais who attempts to seduce Marie Antoinette's ghost with the help of characters from his plays Barber of Seville and Marriage ofFigaro. Hysterical chaos ensues as the story unfolds. From the popular opera The Ghosts of Versailles . The plot revolves around the playwright Beaumarchais who attempts to seduce Marie Antoinette's ghost with the help of characters from his plays Barber ofSeville and Marriage of Figaro . Hysterical chaos ensues as the story unfolds. For 2 Sopranos Mezzo-Soprano Baritone and Piano.

Poem by Herman Melville. David Diamond is on the faculty of Julliard. David Diamond 's Epitaph for Voice and Piano. This piece is a setting of text by Herman Melville (1819-1891) Beauty and youth with manners sweet and friends - Gold yet a mindnot unenriched had he Whom here low violets veil from eyes. But all these gifts transcended be: His happier fortune in this mound you see .

Four Madrigals was commissioned by the Dale Warland Singers and includes the following Madrigals: Lo! I Touch You œ Parted Lips œ When I Am Near to You œ Therefore I Say Stay. Four Madrigals was commissioned by the Dale Warland Singers and includes the following Madrigals: Lo! I Touch You · Parted Lips · When I Am Near to You · Therefore I Say Stay .

This lovely piece from the 1940s is back by popular demand. Ideal for study or recital. Also available for viola and piano. This lovely piece from the 1940s is back by popular demand. Ideal for study or recital. Also available for Viola and Piano.

John Duarte's sparkling suite of American folk songs commissioned for and premiered in New York in 1999 by Sharon Isbin is the centerpiece of her recent Grammy-winning album Dreams of a World. Includes a program note by the composer. John Duarte 's sparkling suite of American folk songs commissioned for and premiered in New York in 1999 by Sharon Isbin is the centerpiece of her recent Grammy-winning album Dreams of a World. Includes a program note bythe composer.

From 3 Motets.