A range of Flute music (with piano accompaniment) for the Intermediate player selected from the Louis Moyse Flute Collection. Includes selections by Mozart Brahms and Debussy.

Italian/English. Translated by Martin. The 1815 masterpiece 'Il Barbiere Di Siviglia' is widely considered the greatest of comic operas. The libretto of 'The Barber of Seville' was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina in the process outwitting her ward Dr. Bartolo who fancies her for himself. Rosina's aria 'Una voce poco fa' is probably the most popular of all coloratura arias. This is the Schirmer edition of the Vocal Scoreand is in Italian with an English translation by Ruth and Thomas Martin and notes and essays Robert Laerence and Estelle Liebling.

Great Performer's Edition. Contents: Bethena Ragtime Waltz œ The Easy Winners œ Elite Syncopations œ The Entertainer œ The Ragtime Dance œ The Strenuous Life. Six popular Joplin rags arranged for Violin and Piano. This is a Great Performer's Edition edited by Itzhak Perlman.

Italian/English. Translated by Martin. Libretto by Angelo Anelli. Comic Opera in Two Acts. English Version by Ruth and Thomas Martin.

German/English. Translated by MacFarren. Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth a girl he once loved. Elisabeth's uncle the landgrave organises a singing competition between Tannhauser and Wolfram who also loves her. Wolfram's song is simple and moving while Tannhauser confused by Venus outrages the audience by singing of profane love.He is banished to Rome on a pilgrimage to seek redemption and Elisabeth follows him with Wolfram. After much searching she gives up and dies just missing Tannhauser who Wolfram discovers creeping back to Venus the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score edited and translated into English by Natalia MacFarren.

Score-Influential American composer and educator William Schuman wrote this Concerto for Piano and Orchestra between 1938 and 1942. This score format of this superb concerto and contains full orchestration for study purposes.

Study Score-For Medium Voice (Mezzo-Soprano/Baritone) and String Quartet. For medium voice and string quartet. Text by Matthew Arnold.

Siegfried is the third of the four operas that constitute Richard Wagner ’s ‘Der Ring des Nibelungen’ (The Ring of the Nibelung). Wagner wrote the libretto and music for this cycle of four epic operas over the course of about twenty-six years from 1848 to 1874. The Ring premiered at the Bayreuth Festspielhaus over 4 days from 13 to 17 August 1876. This part of the cycle is primarily inspired by the story of the legendary hero Sigurd in Norse mythology. Siegfried is a man without fear and he expresses to his foster father Mime his wish to learn to fear. Mime tells him that the wise learn fear quickly but the stupid find it moredifficult. Siegfried learns fear when he discovers the sleeping Brünnhilde in Act 3. G. Schirmer Opera Score Editions presents Richard Wagner ’s Siegfried with both the original German lyrics and in English translation (translated by Frederick Jameson). The Orchestra parts have been transcribed into a Piano accompaniment and dramatisation instructions added where relevant. The Voice parts which are true to the original feature chorus solo and duet sections of the characters: Siegfried (Tenor) Mime (Tenor) The Wanderer (Bass) Alberich (Bass) Fafner (Bass) Erda (Alto) and Brunhilde (Soprano).

A Spanish-inspired piece for Flute and Guitar by Louis Moyse dedicated to Felix and Sara Kitroser.

Chorus with Baritone solo and orchestra-For baritone chorus and orchestra. Work for Baritone Mixed Chorus and Orchestra with text by Pablo Neruda.

At the time this Concerto was written the valve horn - the forerunner of today's French Horn - had not been developed and the player had to insert different lengths of tubing to play in different keys and use hand stopping to play any notes that were not in the harmonic series. Considering this this piece must have been extremely difficult when written - it is rather less so with a modern horn but still a challenge. This is the Great Performers Edition edited by Barry Tuckwell. It contains parts for Horn in F and also for Horn in D.

Contents: Sonata I in E minor œ Sonata II in G minor œ Sonata III in A minor œ Sonata IV in G Major œ Sonata V in C Major œ Sonata VI in B minor œ Sonata VII in F Major. Seven Sonatas for Flute and Piano accompaniment by George Frideric Handel with a Realisation of the Figured Bass by Louis Moyse.

For All Organs-Tonal Dynamic Registrations by Cohn. Contents: Monk: Abide With Me Holden: All Hail The Power Of Jesus' Name Thome: Andante Religioso (Theme) Mascagni: Ave Maria (from Cavalleria Rusticana) Mozart: Ave Verum (Jesu Word of God Incarnate) Spillman: Away In A Manger Wagner: Bridal Chorus (from Lohengrin) Rodney: Calvary (Theme) Wesley: The Church's One Foundation De Giardini: Come Thou Almighty King Pitts: Come To The Church In The Wildwood Deep River Bourgeois: Doxology Willis: Fairest Lord Jesus The First Nowell Redhead: Go To Dark Gethsemane Stainer:Processional to Calvary (from Crucifixion) God So Loved The World (from Crucifixion) Bradbury: He Leadeth Me Just as I Am Heav'n Heav'n S. Adams: The Holy City Dykes: Holy Holy Holy Lead KindlyLight Granier: Hosanna Handel: I Know That My Redeemer Liveth (from Messiah) Mendelssohn: O Rest In the Lord (from Elijah) If With All Your Hearts (from Elijah) Parker: Jerusalem Gould: Jesus Saviour Pilot Me Little David Play On Your Harp Lutkin: The Lord Bless You and Keep You Allitsen: The Lord Is My Light Mason: Nearer My God To Thee Redner: O Little Town of Bethlehem Barnby: O Perfect Love - Barnby; Sullivan: Onward Christian Soldiers Humperdinck: Prayer (from Hansel And Gretel) Prayer of Thanksgiving (Netherlands Folk Tune) Roll Jordan Roll Nevin: TheRosary Gruber: Silent Night Holy Night Star Of The East Steal Away To Jesus Sibelius: Trust (Finlandia) Handel: Trust In The Lord (from Xerxes) Cherubini: Veni Jesu Amor Mi Mendelssohn: Wedding March (from A Midsummer Night's Dream) Converse: What A Friend We Have In Jesus.A huge collection of favorite Sacred melodies arranged for Organ by Gregory P. Cohn ideal for use during church services.

Contents: Bolero de los Picaros (Surinach) Dancin Game: Rialto Bridge (Fetler) Gymnopedie No. 2 (Satie) Gymnopedie No. 3 (Satie) The Last Django in Paris (Puma) Lento (Feld) Madroños (Torroba) Nightshade Rounds (MacCombie) Serenade (Stepleton) Serenades of Unicorn (Rautavaara) Weeping Willow (Joplin).A selection of music spanning the 20th Century. Although some of the pieces in this book is suitable for a good Grade 7-8 player (such as Satie's Gymnopedie ) much of it is beyond this level. The book would therefore suit a guitarist of this standard who intends to continue studying beyond Grade 8.

3 Spanish Christmas Carols of the 16 Cent.-The popular edition of the Renaissance work that Noah Greenberg prepared for New York Pro Musica. Duration: ca. 4:50.

Dramatic cantata for SATB Chorus ATBB soloists and orchestra (piano reduction).

G. Schirmer Opera Anthology-Contents: Mozart: O wie ängstlich (Die Entfuhrung aus dem Serail) Frisch zum Kampfe! (Die Entfuhrung aus dem Serail) Dalla sua pace (Don Giovanni) Il mio tesoro (Don Giovanni) Un' auraamorosa (Così fan tutte) Dies Bildnis ist bezaubernd schon (Die Zauberflote) - Rossini: Ecco ridente in cielo (Il Barbiere di Siviglia) - Donizetti: Quanto è bella (L'Elisir d'Amore) Una furtiva lagrima (L'Elisir d'Amore) Spirto gentil (La Favorita) Com' è gentil (Don Pasquale) - Flotow: Ach! so fromm (Martha) - Nicolai: Horch die Lerche (Die Lustigen Weiber vonWindsor) - Verdi: Questa o quella (Rigoletto) La Donna è mobile (Rigoletto) De' miei bollenti spiriti (La Traviata) Dal labbro il canto estasïato vola (Falstaff) - Gounod: Salut!demeure chaste et pure (Faust) - Bizet: Je crois entendre encore (Les Pécheurs de Perles) La fleur que tu m'avais jettée (Carmen) - Tchaikovsky: Lenski's Aria (Eugen Onegin) - Massenet: Enfermant les yeus (Manon) Pourquoi me réveiller (Werther) - Lalo: Vainemant ma bien-aimée (Le Roi d'Ys) - Puccini: Che gelida manina (La Bohème) Amore grillo (Madama Butterfly) Firenze è come un alberto fiorito (Gianni Schicchi) - Cilea: é la solita storia del pastore (L'Arlesiana) - Giordano: Amor ti vieta (Fedora) - Britten: Inkslinger's Song (Paul Bunyan) -Weill: Lonely House (Street Scene) - Menotti: I know that you all hate me (The Saint of Bleecker Street) - Barber: Outside this house (Vanessa) - Hoiby: Caliban's Aria (The Tempest).Carefully chosen arias to anticipate the needs of singers teachers and coaches for years to come. Includes historical notes plot synopses and translations for study. Edited by Robert Larsen.

For unaccompanied violin. In two movements for advanced players. Duration: ca. 5 minutes. A fast-moving Sonata for unaccompanied Violin in two movements. This piece is suitable for advanced players. Duration: ca. 5 minutes.

A set of attractive and melodic duets beginning at an early grade level with Book 1 and advancing progressively through Book 5. The primo and secondo parts are written at equal levels and greatly enhance the enjoyment and rewards of ensemble playing. A set of attractive and melodic duets beginning at an early grade level with Book 1 and advancing progressively through Book 5. The primo and secondo parts are written at equal levels and greatly enhance the enjoyment and rewards of ensemble playing.

Standard US Set (incl. Score - ohne europäische Zusatzstimmen)-Grades 4-5