(Malotte/arr. Christopher) SAB a cappella Albert Hay Malotte 's The Lord's Prayer arranged by Keith Christopher for SAB chorus a cappella.

From the Winged Joy-From the Winged Joy.

from the Opera The Newport Rivals-from the Opera The Newport Rivals.

The original orchestral score in piano reduction form for piano and alto sax in E flat. It was first premiered in 1989 at Maryville College Maryville Tennessee with Kenneth Radnofsky on teh saxophone. Duration 5 mins.

These three brand-new settings by the multi-talented Andr‚ Previn composed for and premiered by Ren‚e Fleming demonstrate once more why Emily Dickinson's poetry is irresistible to composers and singers. Contents: AsImperceptibly as Grief * Will There Really Be a Morning? * Good Morning Midnight.For Soprano and Piano. These threesettings by the multi-talented André Previn composed for and premiered by Renée Fleming demonstrate once more why Emily Dickinson's poetry is irresistible to composers and singers.

This wonderful American folk song arranged by Marie Pooler is available in SAB SSA and TTB.

Score-Full Score.

Part 3 of Choral Variations: Springfield Mountain-Part 3 of Choral Variations: Springfield Mountain.

This collection includes the songs: Hark! The Herald Angels Sing œ Silent Night œ Angels We Have Heard on High œ What Child is This œ Joy to the World. Includes piano reduction. Orchestral parts available on rental. Five holiday favourites arranged by Jeff Tyzik for SATB chorus with Piano reduction. This collection includes the songs: Hark! The Herald Angels Sing Silent Night Angels We Have Heard on High What Childis This and Joy to the World .

Margaret A. Vance 's Be Glad You're Alive! for SAB choir with Piano accompaniment.

Standard US Set (without european suppl. parts)-Arranged by John Cacavas (Grades 4-5).

Dale Warland Choral Series-Movement no. 2 from Nativity Suite the opening sounds of the instruments and voices in this setting of one of the most widely known of the Latin texts appropriate for Christmas are meant to conjure an air of mystery. The initial tone clusters approached by layering the voice parts suggest intimacy and the veiled quality suited to this traditional liturgical text. Other movements include: Welcome All Wonders (50600071) A Boy Was Born (50600073). Flute and Harp Parts available separately for the full suite (50600165). Movement no. 2 from Nativity Suite the opening sounds of the instruments and voices in this setting of one of the most widely known of the Latin texts appropriate for Christmas are meant to conjure an air of mystery.The initial tone clusters approached by layering the voice parts suggest intimacy and the veiled quality suited to this traditional liturgical text. Other movements include: Welcome All Wonders (50600071) A Boy Was Born(50600073). Flute and Harp Parts available separately for the full suite (50600165).

Rollo Dilworth Choral Series-This contemporary spiritual setting combines a familiar spiritual with a Biblical text from the book of Matthew. Featuring a first and last section with marked rhythms and heavy accents the middle section is rubato and expressive. The contrast should be stark. Marques L.A. Garrett 's Sit Down Servant for SATB choir unaccompanied. This contemporary setting combines a familiar spiritual with a Biblical text from the book ofMatthew. Featuring a first and last section with marked rhythms and heavy accents the middle section is rubato and expressive. The contrast should be stark.

Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series-Setting the poetry of Israeli heroine and poet Hannah Senesh this is a song of hope. Those who were lost in the death camps are stars whose light is with us long after their light life has been extinguished. The music reflects this hope as Broadway legend Jonathan Tunick employs his masterful abilities to create the mood.

For unaccompanied flute. Marais a 17th-Century composer and Bass Viol player wrote these variations for the specific purpose of having them transcribed for other instruments. The theme they were based on was very well-known at the time and is probablyof Portugese origin but has a 'typical Spanish flavour' - evoking the proud attitude and striking stage prescence of a Spanish dancer. These twenty four short variations vary widely in character though the interpretation of eachis left largely to the performer's judgement.

Dale Warland Choral Series-A setting of a sonnet by Amy Lowell commissioned by the Smith College Chorus explores conflicting emotions one finds in a relationship. The broad and lyrical music evokes the passion of new love and the fear that one day it may end. With piano two violins and viola. This Amy Lowell text is evocative and desperate almost cynical but it speaks of a real fear one finds in relationships. Dominick DiOrio has set this text with passion along with a sense of naivete asthe String Trio share and connect thematic material with the singers.

Craig Hella Johnson Choral Series-With long sections of aleatoric sounds a viola scordatura and a text filled with duality of imagery this is an anthem for the advanced and adventurous choir. The viola (or cello) is not an accompaniment instrument but rather a full musical partnerand will require a fine player. Michael Ippolito 's Rain Song for SATB choir with Viola or Cello. With long sections of aleatoric sounds a Viola scordatura and a text filled with duality of imagery this is an anthem for theadvanced and adventurous choir. The Viola (or Cello) is not an accompaniment instrument but rather a full musical partner and will require a fine player.

Andrea Ramsey Choral Series-Introducing Four Shape Note singing to your young singers this arrangement from the Sacred Harp is full of energy. Young singers will relate to the positive message and they will be surprised that 19th century music can be so much fun to sing.

Rollo Dilworth Choral Series-With a Portuguese text and rhythms in the popular Brazilian groove known as Capoeira this song of celebration begins with all voice parts emulating rhythm instruments. If all goes well a dance just might break out in the auditorium during the performance.

Craig Hella Johnson Choral Series-Written for the 100th anniversary of the St. Olaf choir this work is commensurate with ability of one of the great choirs in America. The music makes consistent use of divisi texture expansive arcs of musical phrase and coloristic harmonies that demand excellent intonation balance and blend - all hallmarks of the St. Olaf Choir sound. Written for the 100th anniversary of the St. Olaf choir this work is commensurate with ability of one of the great choirs in America. The music makes consistent use of divisi texture expansive arcs of musical phrase and coloristic harmonies that demand excellent intonation balance and blend - all hallmarks of the St. Olaf Choir sound.