The text by an anonymous 15th century poet is illuminated by the legato and expressive phrases of this evocative work. From the Craig Hella Johnson Choral Series. Performance Time: Approx. 6:00 The text by an anonymous 15th century poet is illuminated by the legato and expressive phrases of this evocative work. From the Craig Hella Johnson Choral Series. Performance Time: Approx. 6:00.

Contents: Consolations Nos. I-VI œ Liebestraume (Dream of Love). Edited by Rafael Jossefy.

Morton Gould 's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction. This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall. The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.' After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'

Schirmer's Library of Musical Classics: Brahms Sonata For Violin And Piano In D Minor with pull out violin part. Edited by Franz Kneisel and Harold Bauer.

Christ Lay in Death's Dark Prison-German/English. With English Translation. For Easter.

Full Chorus Of Women's Voices-Arranged for full chorus of Women's voices (SSAA) a cappella with the original Portuguese words and music.

Under The Willow Tree is a wondeful piece for SATB Choir and Piano from the Opera Vanessa .

Score- Duke Ellington 's Come Sunday arranged by Mike Tomaro for Jazz Ensemble. Come Sunday was originally composed as part of Ellington 's suite Black Brown andBeige. After a disappointing critical response to its first performance in 1943 Ellington divided the three-part suite into six shorter sections leaving in 'Come Sunday' and 'Work Song'. It is this version that herecorded for an album of the same title in 1958.

For violin and orchestra (piano reduction). First Movement of Niccolo Paganini's Violin Concerto No.1 In D which has been freely transcribed for modern concert performance and supplied with a Piano accompaniment by August Wilhelmj.

O Heiland reiß die Himmel auf' from Two Motets Op.74. This motet is based on the old German Catholic song of the same name. For SATB Choir A Cappella. English and German texts.

German/English. Vocal Score Schirmer Edition. 'Historia von der Geburt Jesu Christi' edited by Arthur Mendel.

A star was His nightlight His quilt was the sky; And soft sang His mother in case He should cry. This tender setting is a lullaby to the Child in the manger and is equally effective in church or concert performances. Availablefor SATB SAB and 2-Part. Performance Time: Approx. 2:45

Thirty daily exercises for high voice. These exercises form a transition from the Grand Style to the extreme difficulties of vocalisation. Vol 294 Schirmer's library of musical classics.

30 Christmas Carols for SSA choir with Piano accompaniment.

Johannes Brahms' Der Abend Op.64 No.2 for SATB Choir (Mixed Voices) and Piano with English Version by Alice Parker.

Sleepers Wake-German/English. Bach's sacred cantata No.140: Sleeper's Wake a rousing work for SATB Chorus with Piano Accompaniment. English translation by Henry Drinker.

Medium Voice in G and Piano-Sheet Music Version for Medium Voice and Piano in the key of G.

This piece is often known as the Crown of Roses . and is arranged for SATB Choir.

For Mixed Voice Choir A Cappella.

For a cappella SATB voices with text by Louise Bogan. Includes piano accompaniment for rehearsal purposes.