Sonata 1 K6 - Sonata 33 K226-Volume 1 of this three-volume set of Scarlatti's Piano Sonatas including performance and editorial notes by Eiji Hashimoto.

Moved by the horrific Orlando night club shooting in June of 2016 Ellingboe set this poem to music as an outpouring of grief yet also of hope that all is not lost and that indeed This Is A Good World. The Kenneth Patchen poem was written and published during some of the darkest days of the Second World War. It reminds us that war will not last and though some do go mad God will not forget us.

Contents: Ballad Op. 15 œ Mazurek Op. 49 œ Nocturne Op. 40. Widely regarded as the most distinguished of Czech composers Antonin Dvorák (1841 - 1904) produced attractive and vigorous music possessed of clear formal outlines melodies that are both memorable and spontaneous-sounding and acolorful effective instrumental sense. These three pieces for Violin with Piano accompaniment comprise a slow Ballad (Op.15) a mysterious chordal Nocturne (Op.40) and a lively Mazurek (Mazurka)(Op.49). Theyare edited by Rok Klopcic.

Set of Parts-For Electric Violin Amplified Piano and Percussion. Paul Schoenfield is best known as a pianist and his performing credentials are certainly evident here in the highly idiomatic writing for all instruments. This 1980 piece for amplified Violin and Piano with optional Percussiondraws on the styles of Jazz blues and country diddling blending them and surrounding them with Ivesian dissonances in the Piano. Schoenfield notates the freedoms of the popular style with scrupulous accuracy - occasionalmarkings include 'out of tune' and '1/6-tone flat'. Such rousing music is a sure indication that the accompanied violin genre is not losing its vitality in America. Any (or all!) of these Three Country Fiddle Pieces would make astunning encore.

Jon Washburn Choral Series-This is a cheerful uptempo jazzy setting of a children's poem originally entitled The Boogie Woogie Beagle Blues. A delightfully whimsical change-of-pace for any fine choir! The Beagle And The Beluga And The Eagle's Fine Times by Scott MacMillan is a cheerful uptempo and jazzy setting of Sheree Fitch 's children's poem originally entitled “The Boogie Woogie BeagleBlues”. This delightfully whimsical piece features tongue-twisting lyrics that will entertain performers and audiences alike: There was a beagle Who loved bagels In fact he loved to beg forbagels Wagged his tail for bagels Whenever bugles blew One day the beagle met a beluga Who played the boogie woogie bugle The beagle giggled 'Hi Beluga!' Then played a jig with hiskazoo. Then the beagle and the beluga Eating bagels blowing bugles Met an eagle who was eager To eat some buttered bagels too... This piece for SATB choir was first performed by theVancouver Chamber Choir in 2010.

Piano Technique-Two intermediate piano duets to supplement any piano method these original pieces are like the Textures for Piano series based on a repeated bass line or textural idea. Two intermediate Piano duets to supplement any Piano method these original pieces are like the Textures for Piano series based on a repeated bass line or textural idea.

Judith Clurman Choral Series-This is an a cappella setting of Psalm 23 set in Hebrew. Composer Judith Shatin wrote this piece in 1995 and dedicated it to the memory of Prime Minister Yitzhak Rabin. This is an a cappella setting of Psalm 23 set in Hebrew. Composer Judith Shatin wrote this piece in 1995 and dedicated it to the memory of Prime Minister Yitzhak Rabin.

12 of Bach's finest Little Preludes for Piano fingered and revised by Carl Reinecke.

Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series-As part of the new Judith Clurman Rejoice: Honoring the Jewish Spirit series this rhythmic and energetic setting of Psalm 150 Praise the Lord Praise God in His Sanctuary is in Hebrew. A clear and concise Hebrew pronunciation guide is provided for this and all of the music in this new series. Larry Grossman : Halleluyah (Psalm 150) for SATB choir with Piano accompaniment. As part of the new Judith Clurman 'Rejoice: Honoring the Jewish Spirit' series this rhythmic andenergetic setting of Psalm 150 (Praise the Lord Praise God in His Sanctuary) is in Hebrew. A clear and concise Hebrew pronunciation guide is provided for this and all of the music in this new series.

VOCALISE OP. 34 NO. 14 is a song by Sergei Rachmaninov published in 1912 as the last of his FOURTEEN SONGS Op. 34. Written for voice (soprano or tenor) with piano accompaniment it contains no words but is sung using any one vowel (of the singer’schoosing). Rachmaninov's Vocalise is one of the few members of an elite repertory niche: popular non- avant-garde vocal works without text. It was dedicated to Antonina Nezhdanova who can be presumed to have possessed a singularly pleasingand flexible voice given the sustained almost violin-like character of the piece. The piece has also been arranged for orchestra piano various chamber ensembles and solo string instruments but this is the original song forHigh Voice and Piano.

16 Pieces by 10 Composers-16 pieces by Bartók Beethoven Brahms Chopin Debussy Grieg Liszt Rachmaninoff Schumann and Scriabin. All are at the early advanced level in a slim affordable volume. Includes - BARTËK - Allegro barbaro - BEETHOVEN: Adagio cantabile from Piano Sonata in c minor Pathétique Op. 13 - Adagio sostenuto from Piano Sonata in C-sharp minor Moonlight Op. 27 No. 2 - BRAHMS: Rhapsody in G minro Op. 79 No. 2 - Intermezzo in A Major from Six Pieces for Piano Op. 118 No. 2 - CHOPIN: Fantaisie-Impromptu in C-sharp minor Op. 66 (Posthumous) - Nocturne in E-flat Major Op. 9 No. 2 - Waltz in D-flat Major Minute Op. 64 No. 1 - DEBUSSY: Clair de lunefrom Suite bergamasque Arabesque No. 2 from Two Arabesques La cathÚdrale engloutie from Préludes Book 1 - GRIEG: Wedding Day at Troldhaugen from Lyric Pieces Op. 65 No. 6 - LISZT: Liebestraum No. 3 from Three Liebestraüme - Three Notturnos - RACHMANINOFF: Prelude in G minor Op. 23 No.5 - SCHUMANN: Warum? (Why?) from Fantasiestücke Op. 12 No. 3 - SCRIABIN: Prelude in A minor Op. 11 No. 2 16 pieces by Bartok Beethoven Brahms Chopin Debussy Grieg Liszt Rachmaninoff Schumann and Scriabin. All are at the early advanced level in a slim affordable volume. Includes - Bartok; Allegrobarbaro; Beethoven: Adagio cantabile from Piano Sonata in c minor Pathétique Op. 13; Adagio sostenuto from Piano Sonata in C-sharp minor Moonlight Op. 27 No. 2; Brahms: Rhapsody in G minro Op. 79 No. 2; Intermezzo in A Major from Six Pieces for Piano Op. 118 No. 2; Chopin: Fantaisie-Impromptu in C-sharp minor Op. 66 (Posthumous); Nocturne in E-flat Major Op. 9 No. 2; Waltz in D-flat Major Minute Op. 64 No. 1; Debussy: Clair de lunefrom Suite bergamasque Arabesque No. 2 from Two Arabesques La cathédrale engloutie from Préludes Book 1; GRIEG: Wedding Day at Troldhaugen from LyricPieces Op. 65 No. 6; Liszt: Liebestraum No. 3 from Three Liebestraume; Three Notturnos; Rachmaninoff: Prelude in G minor Op. 23 No.5; Schumann: Warum? (Why?) from Fantasiestucke Op. 12 No. 3; Scriabin: Prelude in Aminor Op. 11 No. 2

Dale Warland Choral Series-No. 1 in Nativity Suite the opening sounds of the instruments and voices in this setting are meant to invoke an air of mystery. The initial tone clusters approached by layering the voice parts should be presented very subtly in order toenhance the intimacy and the veiled quality suited to this traditional liturgical. The “alleluias” which reflect the significance of the Christmas Eve should be joyful. Other movements include: O Magnum Mysterium (50600072) A Boy WasBorn (50600073). No. 1 in Nativity Suite the opening sounds of the instruments and voices in this setting are meant to invoke an air of mystery. The initial tone clusters approached by layering the voice parts should be presentedvery subtly in order to enhance the intimacy and the veiled quality suited to this traditional liturgical. The alleluias which reflect the significance of the Christmas Eve should be joyful. Other movements include: O MagnumMysterium (50600072) A Boy Was Born (50600073). Flute and Harp Parts available separately for the full suite (50600165).

Hollywood composer arranger and Raymond Brock-commissioned composer J.A.C. Redford has become known in all medium for his ability to convey strong emotions in his music. This is especially true in this new work. Wide dynamic contrasts big ranges and a pulsating rhythm create a powerful new work for advanced choirs.

From Stabat Mater First Movement Schirmer Choral Classics-The first movement of the Pergolesi Stabat Mater with long descending lines suspensions and ornamentation will help build Baroque performance practice and vocal skills. This classic for treble voices is available for the first time as a single. From the three movement major work “ Stabat Mater ” modern editorial practices and contemporary scholarship has been brought to this newedition.

English Only. English text only.

Craig Hella Johnson Choral Series-In this beautiful poem by Dorothy Parker Mary knows her baby is holy simply because he is hers. She considers herself blessed whenever he reaches another birthday without even knowing how few he has left. Celebrating Mary the mother and Christmas Doug Brandt creates an inner voice of Mary in the altos and tenors while the outer voices create the ironic voice of both joy and heartbreak. In this beautiful poem by Dorothy Parker Mary knows her baby is holy simply because he is hers. She considers herself blessed whenever he reaches another birthday without even knowing how few he has left. Celebrating Mary themother and Christmas Doug Brandt creates an inner voice of Mary in the Altos and Tenors while the outer voices create the ironic voice of both joy and heartbreak.

10 Pieces by 10 Composers Edited by the Horn Virtuoso Barry Tuckwell-Includes works by Beethoven Cherubini Förster Haydn Mozart Rossini Schumann Strauss Telemann and von Weber. This title contains ten pieces by ten revered composers arranged by Horn virtuoso Barry Tuckwell . Barry Tuckwell has had an extensive performing career playing from a young age in the Melbourne andSydney Symphony Orchestra to playing First Horn in the London Symphony Orchestra. Pieces range from C minor to F Major. Composers include Beethoven Cherubini Forster Haydn Mozart Rossini Schumann Strauss Telemann and Von Weber .

Judith Clurman Choral Series-This arrangement by Doug Katsaros of The Star Spangled Banner our national anthem was first performed at the Macy's 4th of July Fireworks Spectacular on NBC television July 4 2014 soloist Idina Menzel Judith Clurman's Essential Voices USA and Sherrie Maricle's Diva Jazz Orchestra. In 1814 Francis Scott Key (1779-1843) wrote new words for a well-known drinking song by John Stafford Smith (1750-1836) 'To Anacreon in Heaven' to celebrate America's recent victory over the British. In 1931 Congress passeda law proclaiming ' The Star Spangled Banner ' to be the national anthem of the United States. This arrangement by Doug Katsaros was first performed at the Macy's 4th July Fireworks Spectacular onNBC television July 4th 2014. The performers were soloist Idina Menzel Judith Clurman's Essential Voices USA and Sherrie Maricle's Dive Jazz Orchestra. The recording of that performance has been added to the permanent archivesat F. McHenry in Balitmore MD. Text (Defence of Fort M'Henry by Francis Scott Key): O! say can you see by the dawn's early light What so proudly we hail'd at the twilight's last gleaming? Whose broadstripes and bright stars through the perilous fight O'er the ramparts we watch'd were so gallantly streaming And the rockets' red glare the bombs bursting in air Gave proof through the night that our flag was stillthere- O! say does that star-spangled banner yet wave O'er the land of the free and the home of the brave?

from CBS TV Production World War I - Miniscore-Condensed Score.

This series was designed to supplement traditional vocal instruction and works perfectly as preparatory literature for The First Book of Solos and The First Book of Solos Part II . Each piece is in English and has alimited vocal range as well as a piano accompaniment that is playable by a student pianist. The pieces include art songs folksongs humorous songs and suitable vintage popular songs and are all appropriate for contest solos. Thebook includes companion recorded accompaniments. Soprano Contents: Alice Blue Gown April Showers Butterflies (Schulz) Cradle Song (Brahms) Evening Prayer from Hansel and Gretel (Humperdinck) The False Prophet (Scott) Florian's Song (Godard) Golden Slumbers (English folksong) It Was a Lover and His Lass (Austin) Ladybird (Schumann) The Lilac Tree (Gartlin) The Little Sandman (arr. Brahms) My Little Heart (Weckerlin) The Nightingale (Alabieff) Oh! Dear What Can the Matter Be? (16th Century) Oh Pretty Birds (Rigel) The Rosebush (Himmel) TheSweetest Flower that Blows (Hawley) Two Marionettes (Cooke) The Willow Song (16th Century) The Willow Tree (arr. Reimann) The Winter It Is Past (arr. Hopekirk).This series was designed to supplement traditional vocal instruction and works perfectly as preparatory literature for The First Book of Solos and The First Book of Solos Part II . Each piece is in Englishand has a limited vocal range as well as a piano accompaniment that is playable by a student pianist. The pieces include art songs folksongs humorous songs and suitable vintage popular songs and are all appropriate for contestsolos. The accompanying CD includes professionally-recorded accompaniments. Soprano Contents: Alice Blue Gown · April Showers · Butterflies (Schulz) · Cradle Song (Brahms) · Evening Prayer from Hansel and Gretel(Humperdinck) · The False Prophet (Scott) · Florian's Song (Godard) · Golden Slumbers (English folksong) · It Was a Lover and His Lass (Austin) · Ladybird (Schumann) · The Lilac Tree (Gartlin) · The Little Sandman (arr. Brahms) ·My Little Heart (Weckerlin) · The Nightingale (Alabieff) · Oh! Dear What Can the Matter Be? (16th Century) · Oh Pretty Birds (Rigel) · The Rosebush (Himmel) · The Sweetest Flower that Blows (Hawley) · Two Marionettes (Cooke) ·The Willow Song (16th Century) · The Willow Tree (arr. Reimann) · The Winter It Is Past (arr. Hopekirk).