Craig Hella Johnson Choral Series-This setting of a traditional Irish blessing speaks of those who give support in times of trial with a musical tapestry of unadorned a cappella mixed chorus using soft dissonances and free-flowing counterpoint. The occasional divisi creates a sonic wash of color and overtones. Together in song we do not walk alone.

Judith Clurman Choral Series-Jazz Musician Tedd Firth has created this new arrangement of the classic melody and text for Judith Clurman and her professional choir Essential Voices USA. Beginning with a lush a cappella opening it moves into a jazz ballad style. Perfect fornew beginnings graduations and of course ringing in the new year. This arrangement of the traditional Auld Lang Syne was arranged by jazz musician Tedd Firth for Judith Clurman and her professional choir Essential Voices USA. Beginningwith a lush a cappella opening this work moves into a jazz ballad style. Perfect for new beginnings graduations and of course ringing in the new year.

Craig Hella Johnson Choral Series-Commissioned by the Gay Men's Chorus of Washington D.C. this new voicing becomes even more meaningful in turbulent times. This traditional Irish blessing speaks of those who give support in times of trial with a musical tapestry of unadorned a cappella mixed chorus. The occasional divisi creates a sonic wash of color and overtones. Together in song we do not walk alone. Commissioned by the Gay Men's Chorus of Washington D.C. this new voicing becomes even more meaningful in turbulent times. This traditional Irish blessing speaks of those who give support in times of trial with a musical tapestryof unadorned a cappella mixed chorus. The occasional divisi creates a sonic wash of color and overtones. Together in song we do not walk alone.

Rollo Dilworth Choral Series-This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light and articulate singing. There is wonderful contrast between the lively passages and lyrical legato sections making wonderfulcontrasts. Kevin A. Memley 's The Time Of Roses for SSAA choir a cappella. This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light andarticulate singing. There is wonderful contrast between the lively passages and lyrical legato sections.

Score and Parts-Grades 4-5

Songs in English for Classical Voice Students-Joan Boytim has selected some of the easisest songs in English from The First Book of Solos series and transposed them for a different voice type for many of the selections in Introduction to Art Song making the songs available to more students. Additionally other suitable songs not found in other Boytim collections have been included. Each voice type has a unique song list. These books may be used by students in traditional voice lessons or by voice classes. In Introduction To Art Song Joan Boytim has selected some of the easiest songs in English from The First Book of Solos series and transposed them for different Voice types making the songs availableto more students. Additionally other suitable songs not found in other Boytim collections have been included. Each Voice type has a unique song list. These books are perfect for use by students in traditional Voicelessons or by Voice classes. This volume for Baritone/Bass features the songs The Black Dress Down By The Sally Gardens Weep You No More Under The Greenwood Tree Wayfaring Stranger and more.

6 Works from the 20th and 21st Centuries-Six works for trumpet and piano which are suitable for the advanced high school or college level player. Features music by Arutiunian Dello Joio Heiden Husa Peaslee and Whitney. Includes pull-out trumpet part. Six works for trumpet and piano which are suitable for the advanced high school or college level player. Features music by Arutiunian Dello Joio Heiden Husa Peaslee and Whitney. Includes pull-out trumpet part.

G. Schirmer Autograph Edition-Composer John Harbison writes: Rubies is a version of Thelonious Monk's Ruby My Dear which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piece reflecting my first musical passions my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes I chose to make a version of Monk's tune first in a chamber-musical contrapuntal manner then in the grand orchestral style I had always heard lurking there. Dur: 5:30 (Recorded live by the Rutgers Symphony Band - Peter Stanley Martin guest conductor)Composer John Harbison writes: ' Rubies is a version of Thelonious Monk's 'Ruby My Dear' which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piecereflecting my first musical passions my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes I chose to make a version of Monk's tune first in a chamber-musical contrapuntal manner then inthe grand orchestral style I had always heard lurking there .' Dur: 5:30 (Recorded live by the Rutgers Symphony Band - Peter Stanley Martin guest conductor).

Jameson Marvin Choral Series-Described as choral counterpoint for church choirs these two short selections God Thoughts and Majesty of Mountains are gems that can be used as responses in worship or combined as a lovely anthem. These two short selections from Jameson Marvin 's Hymns and Anthems can be described as choral counterpoint for church choirs. God Thoughts and Majesty ofMountains are two gems can be used as responses in worship or combined as a lovely anthem.

The green movement seems so contemporary it comes as a shock to find the words of this music were written by Hildegard von Bingen of the 12th century. Kirke Mechem has created a round that cleverly employs an unending circle-of-fifths progression to capture the The Green movement seems so contemporary it comes as a shock to find the words of this music were written by Hildegard von Bingen of the 12th century. Kirke Mechem has created a round that cleverlyemploys an unending circle-of-fifths progression to capture the “never stopping” reality of the round. Commissioned by the Peninsula Women's Chorus Martin Benvenuto Artistic Director. Duration: Ca. 4 minutes 30 seconds.

Andrea Ramsey Choral Series-The first release of the Andrea Ramsey Choral Series is an amazingly beautiful piece by Stuart Chapman Hill. The text (by the composer) is thought provoking and perfect for women's choir in high school and up. The ranges are appropriate the piano is supportive but independent. This beautiful piece by Stuart Chapman Hill is the first release of the Andrea Ramsey Choral Series. The text written by Chapman Hill himself is thought provoking and perfect for women's choir fromhigh school age upwards. The ranges are appropriate and the Piano is supportive but independent.

Dale Warland Choral Series-Written for the Clarion Chamber Chorale of Omaha Nebraska this Gerard Manley Hopkins poem Spring and Fall is full of beautiful figurative and profound language. It speaks to the human condition in a compact way. And although the subject is complex the message is simple and requires similar simplicity in performance with freedom and rubato in this powerful and inspirational composition. Composed for the Clarion Chamber Chorale of Omaha Nebraska Dale Warland 's To A Young Child is a setting of the Gerard Manley Hopkins poem 'Spring and Fall'. This work for SATB choira cappella is full of beautiful figurative and profound language. It speaks to the human condition in a compact way. And although the subject is complex the message is simple and requires similar simplicity in performance withfreedom and rubato in this powerful and inspirational composition.

Jon Washburn Choral Series-In this setting the composer employs warm lush harmonic language along with a lovely lyrical treatment of the familiar bedtime poem by Thomas Dekker. It was premiered at the Vancouver Chamber Choir's semi-annual Youth and Music concert in 2015. In this setting for SATB choir the Canadian composer Matthew Emery employs warm lush harmonic language along with a delightful lyrical treatment of the familiar bedtime poem by Thomas Dekker . Lullaby was performed for the first time at the Vancouver Chamber Choir's Youth and Music concert in 2015.

Contents: Air on the G String (Bach) Aurore (Fauré) Barcarolle Beau Soir (Debussy) Canzonetta (Tchaikovsky) Hejre Kati (Hubay) Kol Nidrei (Bruch) L'abeille (Schubert) Largo (Handel) Menuet (Boccherini) Obertass (Wieniawski) Reverie Romance (Wieniawski) Serenade (Schubert) Serenade (Haydn) Serenata (Moszkowski) Wiegenlied (Brahms) The Swan (Saint-Saëns) Träume (Wagner Walther's Prize Song (Wagner).A choice collection of perennial favourites by such masters as Bach Brahms Debussy Handel Haydn Saint-Saens Schubert Tchaikovsky and Wagner.

Dale Warland Choral Series-With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart in simple and poignant language that is so often a creative departure from mainstream religious writings and liturgy. This thoughtful choral reflection profound in its simplicity conveys the intimacy and immediacy of faith in the daily workings of a strong people who lived close to the earth their lives indelibly entwined with the divine. With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart in simple and poignant language that is so often a creative departure from mainstream religious writings and liturgy.This thoughtful choral reflection profound in its simplicity conveys the intimacy and immediacy of faith in the daily workings of a strong people who lived close to the earth their lives indelibly entwined with the divine.

Here is a text by contemporary American poet Jenna Lanzaro that sparkles with energy. It demands the same from the music and the music delivers. The opening motive is a cell that germinates into an overwhelming force. The haunting harmonies and melodies gradually unfold into a complex cacophonous climax and conclude with that opening material from which the piece is generated.

10 Pieces by 9 Composers-Includes: J.S. BACH: Cello Suite No. 1 in G Major BWV 1007 · J.S. BACH: Sonata in G minor BWV 1029 · BOCCHERINI: Sonata in A Major · CORELLI: Sonata in D minor · LOCATELLI: Sonata in D Major · MARCELLO: Sonata in E minor · SAMMARTINI: Sonata in G Major · SCARLATTI: Sonata in D minor · VALENTINI: Sonata in E Major · VIVALDI: Sonata in A minor This volume contains 10 Baroque pieces by 9 different composers including Boccherini Corelli Bach Locatelli Marcello Sammartini Scarlatti Valentini and Vivaldi.

Rollo Dilworth Choral Series-With lyricism and sonority this is the perfect concert closer or graduation song easily-learned and yet full and lush with immaculate craftsmanship. An Old Irish Blessing by Kevin A. Memley for SATB choir with Piano accompaniment. With lyricism and sonority this is the perfect concert closer or graduation song easily-learned and yet full and lushwith immaculate craftsmanship.

Contents: Nocturne (Boulanger) œ Nocturne in B Flat (Field) œ Nocturne No. 2 Op. 9 (Chopin). Three stirring Piano Nocturnes by Field Chopin and Boulanger arranged by James Galway for Flute and Piano.

G. Schirmer Autograph Edition-Composer John Harbison writes: Rubies is a version of Thelonious Monk's Ruby My Dear which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piece reflecting my first musical passions my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes I chose to make a version of Monk's tune first in a chamber-musical contrapuntal manner then in the grand orchestral style I had always heard lurking there. Dur: 5:30Composer John Harbison writes: ' Rubies is a version of Thelonious Monk's 'Ruby My Dear' which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piecereflecting my first musical passions my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes I chose to make a version of Monk's tune first in a chamber-musical contrapuntal manner then inthe grand orchestral style I had always heard lurking there .' Dur: 5:30.