Encompasses exciting styles and sounds of the twentieth century. Musically interesting and technically pianistic these original solos enable the student to enjoy the jazz and rock idioms. Book 1 begins with early grade material and progresses in difficulty through Book 5.The second volume of Jazz piano solos and the predecessor of Rock Rhythm and Rag this book contains ten original piano solos in 20th Century styles to enable the beginner Piano student to enjoy the idioms of Rock andJazz. Original pieces by Stecher Horowitz and Gordon.

Intermediate Piano Solo-The world's best loved classical music is now made accessible to pianists in these new solo arrangements. Fourteen titles from this perennial favorite have been skillfully arranged to retain the beauty and integrity of the original music. Contents: Sinfonia · Comfort Ye My People · But Who May Abide · O Thou That Tellest Good Tidings to Zion · Pastoral Symphony · Glory to God · He Shall Feed His Flock · He Was Despised · Lift Up Your Heads · How Beautiful are the Feet · Hallelujah · I Know That My Redeemer Liveth · The Trumpet Shall Sound · If God Be for Us.The world's best loved classical music is now made accessible to pianists in these new solo arrangements. Fourteen titles from this perennial favorite have been skillfully arranged to retain the beauty and integrity of the original music. Contents: Sinfonia · Comfort Ye My People · But Who May Abide · O Thou That Tellest Good Tidings to Zion · Pastoral Symphony · Glory to God · He Shall Feed His Flock · He Was Despised · Lift Up Your Heads · How Beautiful are the Feet · Hallelujah · I Know That My Redeemer Liveth · The Trumpet Shall Sound · If God Be for Us.

G. Schirmer Opera Anthology-Contents: Handel: V'adoro pupille (Giulio Cesare) - Mozart: Porgi amor (Le Nozze di Figaro) Dove sono (Le Nozze Figaro) Deh vieni non tardar (Le Nozze di Figaro) Bester Jungling (DerSchauspieldirektor) Batti batti bel Masetto (Don Giovanni) Vedrai carino (Don Giovanni) Ach ich fuhl's (Die Zauberflote) - Beethoven: O wär' ich schon mit dir vereint (Fidelio) -C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) - Verdi: Caro nome (Rigoletto) Saper vorreste (Un Ballo in Maschera) Sul fil d'un soffio etesio (Falstaff) - Gounod: The JewelSong (Faust) Ah! Je veux vivre (Roméo et Juliette) - Bizet: Je dis que rien ne m 'épouvante (Carmen) - Offenbach: Elle a fui la tourterelle! (Les Contes d'Hoffmann) - Massenet: Adieu notrepetite table (Manon) - Leoncavallo: Ballatella (I Pagliacci) - Puccini: Mi chiamano Mimì (La Bohème) Donde lieta (La Bohème) Quando men vo (La Bohème) Un bel dì(Madama Butterfly) O mio babbino caro (Gianni Schicchi) Signore ascolta (Turandot) Tu che di gel sei cinta (Turandot) - Menotti: The Black Swan (The Medium) Monica's Waltz (The Medium) -Moore: Willow Song (The Ballad of Baby Doe) The Silver Aria (The Ballad of Baby Doe) - Mechem: Fair Robin I love (Tartuffe).Carefully chosen arias to anticipate the needs of singers teachers and coaches for years to come. Includes historical notes plot synopses and translations for study. Edited by Robert L. Larsen.

Set of Parts-Grades 4-5

For Tenor and Chamber Orchestra. Stephen Albert 's Into Eclipse for Tenor and Chamber Orchestra. Full score. ' Into Eclipse is based on Ted Hughes' adaptation of Seneca's Oedipus. The five episodes chosen astexts for this musical setting form an abbreviated version in song of this Roman dramatisation of the Oedipus myth . Seneca's play has no external action. As Peter Brook informs us in his introduction to the play '...it takes place nowhere...possibly it was read aloud in the bathhouse to friends.' It therefore seemed possible to take the essential elements of the tale and transform them into a rather complete musical statement that wasnon-theatrical yet dramatic in its own terms. Into Eclipse is thus not a monodrama nor even a solo oratorio but rather a 'Herosong.' It is somewhat in the tradition but not of course in the manner of earlyballadeers and minstrels who often set ancient stories and myths to music and performed these musical narratives for both court and country village . The story is sung from different viewpoints (that of Creon thechorus of citizens and of course Oedipus the king) all encompassed within the bounds of one man's voice and his complement of instruments. There is no concious attempt to 'paint' or emphasise particular words or phrases withinthe text nor was there an effort to musically heighten Seneca's already nightmarish vision with its withering onslaught of bloodthirsty images. To do so seemed to risk weighing down the cycle in a morbid atmosphere one filledwith caricature and the grotesque .' - Stephen Albert The full-Orchestra version of Into Eclipse was premiered on September 8 1986 by the Seattle Symphony with Gary Lakes Tenor andGerard Schwarz conductor. It is also available in a version for Tenor and Chamber Ensemble [Flute/Piccolo Clarinet/Piccolo Clarinet Horn Trumpet Percussion (2 players) Harp Piano and Strings]. This version was premiered on

Score-For double orchestra and brass choir. Morton Gould 's Venice for Double Orchestra and Brass Choir. Full score. Commissioned by Milton Katims for the Seattle Symphony Orchestra pursuant to a grant from the U.S. Office of Education Department of Health Education and Welfare under Title III of the Elementary and Secondary Education Act of 1965. First performance May 2 1967 by the Seattle and Spokane Symphony Orchestra under the direction of MiltonKatims in Kennedy Pavilion Gonzaga University Spokane Wash. assisted by the Gonzaga U. Brass Choir and Spokane Junior Symphony.

Set of Parts-For string orchestra (2-2-1-1-1). Set of Parts. For string orchestra (2-2-1-1-1).

Encompasses exciting styles and sounds of the twentieth century. Musically interesting and technically pianistic these original solos enable the student to enjoy the jazz and rock idioms. Book 1 begins with early grade material and progresses in difficulty through Book 5.Stecher Horowitz and Gordon. The predecessor of Rock Rhythm and Rag original piano solos in 20th Century styles for the piano student. Arranged progressively from the early beginner.

Latin.

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

This vocal score is a new and revised edition of the well-known opera that made television history on Christmas Eve 1951. This vocal score is a new and revised edition of the well-known opera that made television history on Christmas Eve 1951.

Italian/English. Translated by Ducloux. With its famous arias and ensembles Aida has become one of the most popular operas ever written and familiarity only brings new details to the listener's attention. The drama takes place over four acts and the libretto was prepared by Antonio Ghislanzoni based on a text by French author Camille du Locle. This is the Schirmer edition of the Vocal Score with Piano reduction. Italian and English text - English translation by Walter Ducloux.

German/English. Wagner's sense of what he wanted to do with the Ring drama changed by the time he returned to Siegfried. When he began the Ring he had clearly seen Siegfried as the hero of the drama but the desire to more fully explore Wotan'spredicament impelled him to expand the project. Siegfried and Mime quarrel Siegfried demands that the sword Nothung be mended but Mime cannot do so much to his own chagrin – he wants to win the Ring back for himself. TheWanderer – a disguised Wotung tells Mime that Nothung can be forged only by one who has never known fear. This is Siegfried and he repairs the sword himself smashing the anvil as he leaves to reclaim the Ring. He arrives atFafner’s lair and kills him. As he dies Fafner warns that whoever put Siegfried up to this deed is plotting his death as well. From the The Forest Bird Siegfried learns of the Nibelung hoard the Tarnhelm and all-powerful Ring and also of Brünnhilde who sleeps on a fire-encircled rock - a bride who can be won only by a hero who knows no fear. Mime and Alberich (who had recognised the Wanderer and heeded his warning to fear Mime) quarrel over thespoils withdrawing when Siegfried reappears carrying the Tarnhelm and the Ring. Mime tries to persuade Siegfried to take a cup of poisoned drink and Siegfried kills him. Siegfried sets out to climb the mountain. He meetsWotan who asks him about his exploits but the youth splinters the Wanderer's spear with a single stroke of Nothung. Wotan realises he is old and must go to Valhalla but bequeaths the world to the redemptive power ofBrünnhilde's love. Siegfried goes on to the top of the mountain where he discovers an armed sleeping figure – the first woman he has ever seen. At last sensing fear he summons the courage to kiss her. Brünnhilde roused from herlong slumber realises that Siegfried has come. Throwing herself into Siegfried's arms she bids farewell to Valhalla and abandons herself to human love. This is the Schirmer edition of the Libretto in the original German

French/English. 'The Telephone' is a one-act 20-minute opera buffa for two singers. The story is that Lucy spends most of her time on the telephone and when Ben her boyfriend visits her intending to propose the telephone keeps ringing interrupting Ben every time he is about to pop the question. Eventually the audience and Ben realize that the telephone is not only Lucy's means of remaining connected to the world but also a defense mechanism. Ben decides to penetrate this shield by leaving the apartment and using a pay phone to get through to her. Once Ben has Lucy's undivided attention he asks her to marry him and she agrees. This is the Schirmer edition of the Vocal Score with aFrench translation by Leon Kochnitzky.

English.

Johann Sebastian Bach's 'Suite in B Minor' for Orchestra here arranged for Flute and Piano and edited by Louis Moyse. Includes the famous 'Badinerie'.

with Piano Accompaniment-Contents: Adagio (Mozart) Gymnopedie No. 2 (Satie) Intermezzo (Granados) Theme from New World Symphony (Dvorak) Notturno (Borodin) Sicilienne (Fauré) Sonata (Marcello) Sonata (Telemann) The Swan (Le Cygne) The Swan of Tuonela (Sibelius) Tristan and Isolde Theme (Wagner) When I Am Laid in Earth (Purcell) Where E'er You Walk (Handel).A fantastic collection of solos for the English Horn player. Transcribed and edited by Thomas Stacy for Horn with piano accompaniment. Featured pieces includes Faure's Sicilienne Borodin's Notturno and Mozart's Adagio K.58a .

Intermediate Piano Solo-Contents: Blue Nocturne œ Chords on Parade œ Mechanical Men œ Pop Goes a Tarantella œ Sailing œ The Tumblers œ Mambolina. Mark Nevin 's Piano Favorites contains seven solos for the intermediate grade pianist including Blue Nocturne Chords on Parade Mechanical Men Pop Goes a Tarantella Sailing The Tumblers and Mambolina .

Compiled by John O'Reilly for various percussion instruments with piano. Contents: SNARE DRUM: The Phantom Drummer (Weinberger) Two Unaccompanied Solos (Colgrass) Introduction and Rondo (O'Reilly) Metal 'N' Wood (O'Reilly) MULTIPLE PERCUSSION: Two for One (O'Reilly) Trinote (O'Reilly) Fireworks (O'Reilly) TIMPANI: Lament (O'Reilly) Primeval Dance (O'Reilly) Three Designs for ThreeTimpani (Muczynski) Sonata for 2 or 3 Timpani and Piano (Tcherepnin) Two Pieces (Carter) MALLET PERCUSSION: Gymnopedie (Satie) Allegro (Loeillet) Adagio and presto (Handel) Cool(Bernstein) Tarantella (Prokofiev) Scherzo (O'Reilly) Concertino Op. 21 (Creston).Selected and edited by John O'Reilly. With piano accompaniment. Includes 'Gymnopedie' (Satie) 'Cool' (Bernstein) 'Fireworks' (O'Reilly) and 'Adagio and Presto' (Handel).

Contains 3 Gymnopedies and 3 Gnossiennes. Erik Satie's popular Gymnopedies and Gnossiennes for piano transcribed for the guitar by Peter Kraus.