Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

Forty -Eight Preludes and Fugues for the Piano in two volumes. Edited by Anthony Newman. Volume One contains 1-24.

Dialogue Version-French/English. Dialogue Version. The first production of Carmen took place at the Opera Comique Paris on the 3rd of March 1875. Although it was not well recieved in that first performance Carmen has become one of the most popular and well-lovedoperas in the world.

English Only. English Only.

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die StimmeBaritone I (Bass Clef) Part. Transcribed by Mayhew Lake. For band (Grade 4) orchestra military band woodwind ensemble saxophone ensemble brass ensemble string ensemble and/or mixed ensemble. Can accompany the Mixed ChorusOctavo No. 8212 (#50299350).

Five Incantations for the Piano by Giacinto Scelsi who some consider as the Charles Ives of Italy . These pieces like much of Scelsi's work reflect his interest in Indian mysticism and Islam. They were composed in 1953 and are dedicated to French surrealist poet Henri Michaux.

English Only. Translated by Blatt. Otto Nicolai became one of the few 'one-hit wonders' among classical composers. Although some of his operas had success during his lifetime it is really only his final opera The Merry Wives of Windsor that has become a repertory item but with its storyline wit and an abundance of memorable tunes it is not difficult to understand why. It was a rousing success from its first performance on March 9 1849 and the bubbly overture is still especially popular. The drama takes place in three acts to a libretto by Hermann von Mosenthal the English version being by Josef Blatt.

Italian/English. Ruggiero Leoncavallo's I Pagliacci was his first opera to be performed. The text by the composer is based on one of the cases encountered by Leoncavallo's father a police magistrate in Naples. The actual case concerned amiddle-aged actor who murdered his unfaithful wife. Leoncavallo sets his sordid subject matter to melodic material of high quality and great variety. The heart-rending aria 'Ridi Pagliaccio sul tuo amore infranto!' (Laugh and bemerry though your love betrayed you) has become the most famous number from the opera.

Score-The full score to William Schuman's Symphony No.3 .

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

Sheet Music Paul Creston's Dance Variations for Soprano and Orchestra is an unusual piece with a wordless voice taking the place of a melody instrument in a series of challenging variations on a minuet-style theme. This edition is in 'vocal score' format with a Piano reduction by the composer suitable either for study or performance.

Score-From American Ballads settings of familiar tunes for orchestra. Includes: I. Star-Spangled Overture (50347140) * II. Amber Waves (51347150) * III. Jubilo (50347160) * IV. Memorials (50347170) * V. Saratoga Quickstep (50347180) * and VI. Hymnal (50347190). Full Score. From American Ballads settings of familiar tunes for orchestra. Includes: I. Star-Spangled Overture (50347140) · II. Amber Waves (51347150) · III. Jubilo (50347160) · IV. Memorials (50347170) · V. Saratoge Quickstep(50347180) · and VI. Hymnal (50347190).

English Only. Piano and Vocal Score.

For Orchestra.

Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for chamber orchestra; one year later the composer transcribed it for a huge orchestra of twenty-seven wind instruments fourteen percussion instruments and strings. The rhythms are laid out precisely and have considerable visceral impact very much in a manner that recalls Igor Stravinsky's The Rite of Spring. However Revueltas' masterful orchestration and ability to evoke the ancient Maya civilization with decidedly modern music are uniquely his own. It is a unique orchestral spectacle something only Revueltas could have written and in its way it is one of the most brutal works of its time. The workbegins with a low note in the bassoon as the percussion plays the sinuous syncopated rhythm that drives the work. Soon a solo horn enters playing the first of this work's two major themes a muscular ominous motif. Other horns join the first one to play the theme growing louder and more emphatic but rigorously yoked to the underlying rhythm. Eventually the horns blast as loudly as they can with obsessive trills on the bassoon far underneath and the violins enter with the slashing second theme. The horns take up this new theme and bring it to a climax after which the music returns to its opening texture. This recapitulation brings with it a mood of foreboding. The rhythm becomes even more obsessive and finally the music reaches a massive climax during which both themes are played overlapping sometimes in part and sometimes in whole by woodwinds brass and violins in what sounds like a musical riot. The coda feels like the final dropping of a knife.

Study Score No. 21-Schoenberg composed his Fourth String Quartet Op. 37 on a commission from Elizabeth Sprague Coolidge. The four movements of the quartet are based on a single twelve-note row although this is fairly free. The first movement is in an abstract sonata form. Transitions are generally built around a hesitant chromatically sighing theme that first appears in the first violin. Marked Comodo (leisurely) the second movement is an intermezzo in A-B-A form. The recitative-like main theme of the third movement first appears in unison after which individual instruments begin to break away with their own lines. Variation technique is prominent in the rondo finale marked Allegro -transformations of the main theme are so great that it is occasionally difficult to recognize its return. This is the Schirmer edition of the Score to this work.

Score-This edition is the Full Score for Full Orchestra.

Italian/English. Translated by Machlis. Ruggiero Leoncavallo's I Pagliacci was his first opera to be performed. The text by the composer is based on one of the cases encountered by Leoncavallo's father a police magistrate in Naples. The actual case concerned a middle-aged actor who murdered his unfaithful wife. Leoncavallo sets his sordid subject matter to melodic material of high quality and great variety. The heart-rending aria 'Ridi Pagliaccio sul tuo amore infranto!' Laugh and be merry though your love betrayed you) has become the most famous number from the opera. This Schirmer edition of the Vocal Score is in Italian with an English version by Joseph Machlis.

Contents: LeClair: Gigue œ J.S. Bach: Bourr?e œ Chopin: Nocturne Op. Posthumous œ Taffanel: Scherzettino œ Faur?: Andantino œ Enesco: Presto œ Donh˜nyi: Aria Op. 48 No. 1. This is a compilation of good pieces to end a programme with. They are concise enjoyable and give the performer a fantastic chance to really demonstrate their technique. Flute with Piano accompaniment.

Great Performer's Edition. Great Performer's Edition.