Corrected revised edition incorporating newly discovered details from Barber's personal conducting copy. Includes extensive historical preface. <strong>Concerto</strong> for Violin with Piano reduction. Corrected revised edition incorporating newly discovered details from Barber's personal conducting copy. Includes extensive historical preface.

The Collected Piano Music-A stunning comprehensive volume prepared in cooperation with the Smithsonian Institution. The world's first jazz critical edition. Contents: New Orleans Blues (New Orleans Joys) Grandpa's Spells WolverineBlues (The Wolverines) Mamanita Frog-I-More Rag (Froggie Moore/Sweetheart O'Mine) London Blues (London Cafe Blues/Shoe Shiner's Drag) Shreveport Stomp Big Foot Ham (Big Fat Ham/Ham and Eggs) Tom Cat Blues (Midnight Mama) Stratford Hunch (Chicago Breakdown) Perfect Rag (Sporting House Rag) Mr. Jelly Lord Black Bottom Stomp (Queen of Spades) Dead Man Blues CannonballBlues Billy Goat Stomp Wild Man Blues (Ted Lewis Blues) Georgia Swing Boogaboo Seattle Hunch Frances (Fat Frances) Dixie Knows Kansas City Stomp (Kansas City Stomps) Jelly Roll Blues (Original Jelly Roll Blues/Chicago Blues) Fickle Fay Creek (Soap Suds) Jungle Blues Sweet Peter Hyena Stomp State and Madison Bert Williams Freakish Pep Creepy Feeling Spanish Swat The Pearls Fingerbuster (Fingerbreaker) Honky Tonk Music The Crave Mister Joe (Buffalo Blues) King Porter Stomp Ferdinand 'Jelly Roll' Morton (1890-1941) was the first great jazz artist - a composer pianist and bandleader. His wide-ranging tastes and diverse influences shaped all his compositions. This is a complete edition of 'Jelly Roll' Morton's work containing every piece he ever published or recorded as a piano solo. Compiled by James Dapogny this vast book also contains a biography a chronological list of compositions illustrations and notes on each piece.

English Only. Translated by Reese. Tchaikovsky wrote Eugene Onegin in 1878 using a libretto by Konstantin Shilovsky based on the epic poem by Pushkin. Flirtatious Olga and shy bookish Tatyana are sisters Olga being happily engaged to Lenski. One day Lenski arrives with a friend Eugene Onegin and Tatyana is smitten. She writes him a letter but he rudely rebuffs her and she is devastated. At the dance that night he dances with Olga making Lenski jealous also. They fight a duel in which Lenski is killed. Six years later Tatyana has become a beauty and married Prince Gremin unbeknownst to Onegin who has become a wanderer. Onegin enters Gremin’s house for a party seesTatyana falls in love and pleads with her to come with him but Tatyana though confessing she still loves him refuses him – she is married. Eugene is left alone and heartbroken. This is the Schirmer edition of the Vocal Score in an English translation by Henry Reese.

German/English. 'Das Rheingold' is the first part of Wagner's 'Ring Cycle'. Alberich a gnome of the Nibelung discovers the all-powerful Rhine Gold and fashions a ring out of it knowing that whoever wears it will rule the world but mustrenounce love. The gods Wotan and his wife Fricka have build a new castle and paid the giants by promising them Fricka's sister Freia who grows the golden apples that give the gods their power. After a struggle she is kidnappedand all the gods begin to age and weaken. To get her back they decide to steal the Ring and bargain with the giants. br>Meanwhile Alberich has been forcing others to mine gold and Mime makes a helmet the 'Tarnhelm' out ofit thinking this will help him seize the Ring. Alberich steals the Tarnhelm but the gods arrive and trick both it the Ring and his gold out of him taking him prisoner. In a fury he curses the Ring to bring death and envy to allwho posess it. The gods use the Ring and helmet to bargain with the giants. They win Freia back and go home to their new castle but as they leave the giant Fafner murders his brother Fasolt to claim the ring continuingits bloody history...

Italian/English. Translated by Martin. Long neglected and misunderstood 'Cosi Fan Tutte' (Thus Do All Women) emerged from obscurity in the twentieth century and has come to be regarded as among Mozart's finest works. The Libretto is by Lorenzo da Ponte and tells of two friends Ferrando and Guglielmo who wager with Don Alfonso that their lovers Fiordiligi and Dorabella will remain constant in their absence. To prove the point they depart under false pretences and return as 'Albanians' to try to woo the women away. Each of the six characters receives an equally insightful musical portrayal for example Fiordiligi transcends her role as the victim of cruel manipulation revealing a complex personality that issincere capable of growth and inarguably sympathetic. In contrast Guglielmo never progresses beyond concern for his own ego and interests; his music therefore remains within the stock traditions of opera buffa. The ambigous nature of the ending (who actually loves whom?) can be seen as appropriate given the emotional issues aired during the drama. This is the Schirmer edition of the Vocal Score with an English version by Ruth and Thomas Martin.

Self-taught American composer Paul Creston devoted his energies to composition only from 1932 and recgogition was slow to come but when the accolades and honors did arrive they were many and impressive. Creston's music is distinctly tonal in the modern American idiom and possessed of a strong rhythmic sense. This 'Concertino' is approximately 15 minutes long. Reduction for marimba and piano. Orchestral parts are available on rental from G. Schirmer.

Score-Study Score for Barber's Overture To School For Scandal .

Score and Parts-Arranged by Don Owen for concert band - Grades 4-5.

Score and Parts-For flute cello or viola and piano. For Flute Cello (Bassoon or Viola) and Continuo.

Contents: The Cascades œ The Chrysanthemum œ Weeping Willow œ Something Doing œ Swipesy œ The Entertainer œ Palm Leaf Rag œ The Great Crush Collision. Arranged and edited by E. Power Biggs. Includes 'The Entertainer' 'The Cascades' 'Weeping Willow' and 'Palm Leaf Rag'.

Sarah Louise Dittenhaver 's Fast Train At Night for solo Piano.

German/English. Translated by Cardelli. Mozart's little-known one-act comic opera 'The Impresario' was commissioned by the Emperor Joseph II of Austria for a winter party he was giving. The libretto by Johann Gottleib Stephanie (The Younger) is about the tribulations of an impresario trying to mount a performance of an opera so it is likely Mozart hard at work on 'The Marriage of Figaro' derived a certain wry satisfaction from setting it. This is the Schirmer edition of the Vocal Score with an English adaptation by Giovanni Cardelli.

Seven happy songs for unison two- and three-part voices with Piano accompaniment about a menagerie of animals by Carolyn Jennings. Includes Bandicoot Giraffes Penguin Sloth Whale (Aqua Blues) Rhinoceros and Panda . The texts are taken from Maryann Hoberman's The Raucous Ark . Informative and fun!

Great Performer's Edition. For unaccompanied viola. As part of the Great Performer's Edition available here are J.S. Bach's Five Suites For Viola as edited by William Primrose.

Score- At the turn of this century it was the habit of all the royal families of Europe to gather annually for social and state occasions. The great houses of England Austria Spain Germany Russia Sweden Denmark Italy et al were in reality one clan since royal blood was only bred to royal blood in those days. At these fashionable assemblies matches were made courtships begun hunts were staged balls dinners and receptions filled thenights and intrigue was rampant. Sarajevo a city in central Yugoslavia provided the setting for the royal outing in the spring of 1914. Pomp and splendor attended the ruling heads of state who officiated at ceremonies and ledparades. All this magnificence is captured in Morton Gould 's ' Sarajevo Suite ' written originally for a CBS documentary television series entitled 'World War I.' This adaptation for Concert Band wasmade from the composer's original score by Louis Brunelli.

Score- Vaclav Nelhybel 's Caucasian Passacaglia for Orchestra. Score.

Score and Parts-The writing of William Schumann is considered by many to be the pinnacle of contemporary band styling. This extraordinary work has been a staple of the band repertoire for many years and has been found on virtually every state contest list.

French/English. Translated by Ducloux. Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an attempt to reform the Italian opera seria. The libretto is noble and grand and this must have inspired Gluck for his approach to the score is also monumental as well as orchestral in nature. The opera opens after the death of Euridice to a funereal choral tableau which is pierced by the cries of the anguished Orfeo. Huge dramatic choruses of shades and furies contrast starkly with the solo recitatives and arias of Orfeo as he searches for Euridice. The third act is particularly beautiful as Gluck and Calzabigi turn the shade of Euridice into a complex lover and wife unwilling tofollow her husband blindly out of Hades even though she has been called back to life. Her arguments and pleadings her passion and confusion create the torment in Orfeo that results in her being sent back to hell. This is the Schirmer edition of the Vocal Score with English words by Walter Ducloux taking precedance over the French original.

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die StimmeBaritone II (Bass Clef) Part. Transcribed by Mayhew Lake. For band (Grade 4) orchestra military band woodwind ensemble saxophone ensemble brass ensemble string ensemble and/or mixed ensemble. Can accompany the Mixed ChorusOctavo No. 8212 (#50299350).

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die StimmeTranscribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8.Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme