Selected by the National Endowment for the Arts as an one of the American Masterpieces of choral music. A religious characteristic in the form of an anthem for four-part chorus of mixed voices with soprano solo. With Piano accompaniment for rehearsal purposes.

One Piano Four Hands.-One Piano Four Hands. Children's Games' for one piano four hands. Edited by David Goldberger.

Low Voice in D with Piano-Sheet Music Version for a Low Voice and Piano in the key of D.

The Witches' Dance is the second piece in Macdowell's Fantasy Pieces . The witches however seem to be more cheerful than wicked as there is little menace and a feeling of secret celebration.

All 24 preludes from Op.28 and the solitary prelude Op.45 edited and fingered by Carl Mikuli. Historical and analytical comments by James Huneker.

For SATB Choir A Cappella.

One Piano 4 Hands-One Piano Four Hands. Version for Piano Duet revised and fingered by W. Scharfenberg.

For violin and orchestra (piano reduction). Revised with Cadenzas by Sam Franko. With separate pull-out Violin part.

Sheet Music I Waited For The Lord is a beautiful duet for two Sopranos with Piano Accompaniment from Mendelssohn's Hymn of Praise . This is an expressive and emotive duet which serves as a wonderful recital piece.

Nos. 11-20. Edited by Ludwig Klee and Dr. Sigmund Lebert.

This is a wonderful setting to the tune of Greensleeves . It has been arranged for SATB choir by Alice Parker and Robert Shaw. This edition also features a Piano accompaniment for rehearsal purposes.

A version for SATB Choir and Piano accompaniment of the wonderful If With All Your Hearts from the Oratoirio Elijah . Arranged by Carl Deis.

Contents: La Bandoline (Couperin) * Two Old Dances (Marais) * La Milanese (d'Hervelois) * Chants Russes (Lalo) * M?lodie (Massenet) * Allegro Appassionata (Saint-Sa?ns) * Elegy (Faur?) * Papillon (Faur?) * Apr?s un R?ve (Faur?) * R?verie (Debssy) * Menuet (Debussy). The pieces contained in this album encompass 300 years of French music ranging from the gamba music of the Baroque period to the impressionism of Debussy. While the technical difficulties encountered in these selections seldom go beyond the intermediate level the interpretation requires versatility from the performer. The seventeenth century compositions should be played with crisp articulation and an incisive rhythm. The romantic pieces require a rich full tone whereas the selections by Faure and Debussy should be treated with subtlety of phrasing and tonal refinement.

Largo' from the opera Xerxes revised by Carl Deis and transcribed by A.R. Parsons for piano.

This piece was originally composed in 1989 with a new version created in 2002 commissioned by cellist Kate Dillingham and premiering in April 2002 at Merkin Concert Hall in New York City. This piece was originally composed in 1989 with a new version created in 2002 commissioned by cellist Kate Dillingham and premiering in April 2002 at Merkin Concert Hall in New York City.

from Brazilian Psalm-From Jean Berger's Brazilian Psalm this new arrangement is ideal for all types of ensembles. The exciting vibrancy of South American samba rhythms sets the tone for this buoyant setting. Optional percussion adds to the energy.Available for SATB SAB and SSA. Performance Time: Approx. 2:45 From Jean Berger's Brazilian Psalm this new arrangement is ideal for all types of ensembles. The exciting vibrancy of South American samba rhythms sets the tone for this buoyant setting. Optionalpercussion adds to the energy. Available for SATB SAB and SSA. Performance Time: Approx. 2:45

This work an unusual venture outside his favoured Piano Solo medium was written towards the end of the composer's tragically short life.

For SATB Choir A Cappella. Edited and arranged with English text alternative by James Pruett.

For unaccompanied violin. Study-version and preface by Harold Berkley.

Reinhold's Impromptu In C Sharp Minor from Opus 28 which has been edited and fingered by Louis Oesterle.