High Voice in B-Flat and Piano-Sheet Music In the key of B flat.

Contents: Arabesque No. 1 * Arabesque No. 2 * Clair De Lune * Danse (Tarantelle Styrienne) * Hommage a Rameau (Images I) * Jardins Sous La Pluie * L'isle Joyeuse * La Soiree Dans Grenade * Masques * Mazurka * Passepied * RefletsDans L'eau (Images I) * Reverie * Sarabande (Suite).Contains 'Clair De Lune' and 13 additional piano compositions.

Sheet Music Composed by Wolfgang Amadeus Mozart (1756-1791). Taken from Sonata No.16 in A Major.

Formerly released as a collection in one volume (50481735) these individual concertos are now available to musicians at affordable prices. The editions are by Barry Tuckwell the most promiment French horn player of hisgeneration. Parts are included for both Horn in F and Natural Horn.Mozart's Horn Concertos are host to some of his most celebrated and playful melodies and are presented here in an authoritative yet affordable edition. Edited by Barry Tuckwell the most prominent French Horn player of hisgeneration parts have been included here for both the French Horn and the Natural Horn with a Piano reduction providing a full performance accompaniment. Horn Concerto No.1 is available - catalogue number HL50485603 HornConcerto No.2 is available - catalogue number HL50485604 Horn Concerto No.3 is available - catalogue number HL50485605.

Louis Kohler's Short School Of Velocity Without Octaves Op.242 for solo Piano.

Beethoven's Piano Sonata in G Major which has been revised and fingered by Hans von Bulow and Sigmund Lebert.

Morton Gould 's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction. This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall. The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.' After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'

The beautifully expressive Ave Verum Corpus arranged here for SAB with Piano accompaniment for rehearsal purposes.

For violin and piano. Piano reduction by Alojz Srebothjok. Violin part edited by Rok Klopcic.

With Hammond Registrations. (Fr/Eng) Arranged by T. Tertius Noble. (With Hammond Registration).

Contents: Sonata No. 1 in C Op. 1 Sonata No. 2 in F Sharp Minor Op. 2 Sonata No. 3 in F Minor Op. 5 Variations on a Theme by Robert Schumann Op. 9 Variations on an Original Theme Op. 21 No. 1 Variations on a Hungarian Song Op. 21 No. 2 Variations and Fugue on a Theme by Handel Op. 24 Variations on a Theme by Paganini Op. 35.Includes Piano Sonatas Op.1. Op.2 and Op.5.

This is Kinesias's aria from Adamo's recent opera Lysistrata. For baritone and piano. This is Kinesias's aria from Adamo's recent opera Lysistrata . For Baritone and Piano.

This pieces are a departure from the norm for composer Ernest Bloch but the change is a truly challenging and wonderful one. For Solo Piano.

From Amahl and the Night Visitors-Amahl and the Night Visitors was the first opera to be commissioned especially for television and was premiered in 1951. With this well-crafted setting by Lloyd Conley string orchestras can enjoy the charming stage music from this enduring holiday production. Gian Carlo Menotti (July 7 1911 – February 1 2007) was an Italian-born American composer and librettist who wrote the classic Christmas opera Amahl and the Night Visitors among about two dozen other operas intended to appeal topopular taste.

Contents: Romance sans paroles Op. 17 No. 3 * First Barcarolle Op. 26 * Third Impromptu Op. 34 * Fourth Nocturne Op. 36 * Fourth Barcarolle Op. 44 * Sixth Barcarolle Op. 70 * Clair de Lune Op. 46 No. 2 * Improvisation Op. 84 No. 5 * Berceuse Op. 56 No. 1. Study version by Isidor Philipp.

Celius Dougherty's songs are standards in the solo voice repertory. Now available in a well-crafted choral setting this cowboy classic makes an excellent feature for choirs of all levels. Available for SATB TTB and SA. Performance Time: Approx. 2:00 Celius Dougherty 's songs are standards in the solo voice repertory. Now available in a well-crafted choral setting this cowboy classic makes an excellent feature for choirs of all levels. Available for SATB TTB and SA.Performance Time: Approx. 2:00.

(from Requiem for Peace)-Part of a larger work Requiem for Peace this piece was built on a cantus firmus melody by Kuni Murai and honors the suffering civilians of the world who have been caught in the cross fire between warring nations. Duration: ca.5:00. Recording used by permission of Larry Nickel.

A star was His nightlight His quilt was the sky; And soft sang His mother in case He should cry. This tender setting is a lullaby to the Child in the manger and is equally effective in church or concert performances. Availablefor SATB SAB and 2-Part. Performance Time: Approx. 2:45

Low Voice in C and Piano-Sheet Music For Low Voice in the key of C Major.

An arrangement for a four-part SATB Choir of mixed voices with Piano accompaniment of this wonderful traditional English folk-song. Arranged by Margaret Vance.