For four French horns three trumpets three trombones tuba and timpani. This work is a short sequence of transformations of the plain-song Christe Du Lamm Gotts . It is scored for Brass Ensemble (Four Horns 3 Trumpets 3 Trombones Tuba) and Timpani).

Study Score No. 127- Charles Fussel 's Three Processionals for Orchestra. Three Processionals is drawn from ideas contained in an earlier work by the composer Voyages based on the poetry of HartCrane. ' In this work I was interested in connecting Hart Crane's use of sea images as a basic vocabulary for his cycle of love poems with Debussy's orchestral sea poem La Mer. The third processional concludes with adirect quote from Debussy. Hart Crane's poems in their profound concentrated language first warn the child that his beautiful and joyous seashore games touch a vast ocean whose depths are cruel And in the following poem loveitself is the great force which sweeps over and moves every aspect of life. To survive this 'tidal wedge' is a fearful and exhilarating struggle and we are frequently 'over-taken' by its power plus the knowledge of ourlimits '. - Charles Fussel

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performance by by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation.

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. Two Pianos Four Hands. 2 Copies needed to perform.

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

Italian/English. Translated by Ducloux. Giuseppe Verdi was always fascinated by the plays of Shakespeare and wrote three operas based on them. The music for 'Macbeth' whose libretto is by Francesco Maria Piave and Andrea Maffeiis is dramatic and very difficult for the singers particularly the soprano playing Lady Macbeth. This is the Schirmer Edition of the Vocal Score with Italian and English text - the English translation is by Walter Ducloux.

For Bb trumpet French horn and trombone. Robert Muczynski's Voyage Op.27 for Bb trumpet French horn and trombone.

Contens: Sonata No. 1 œ Virginia Sonatinas Nos. 1 2 and 3. David Carr Glover 's Three Sonatinas And A Sonata for Piano solo. ' These four works published for the first time in a single volume were composed to fill the gap that exists in teaching material for the student who has passed beyond the elementary stages of Piano instruction but who is not quite ready to play the Sonatinas of Clementi and the other masters. They are all in Sonata Allegro form. They also have the dual purpose of providing recital pieces of brief duration varied mood and hopefully of attractive musical content. All with all my compositions they have been thoroughly 'researched' with manystudents so that they are most teachable and rewarding for both teacher and pupil alike I hope you will enjoy them . - David Carr Glover

German/English. The final episode of the Ring cycle 'Gotterdammerung' is itself a colossal work - one of the longest evenings of opera in the standard repertory. Musically Wagner has gained such mastery of his music drama and his use of musicalmotives that he treats both with superb freedom - the handling of Leitmotives in this opera can be thought of as one of the most powerful psychological achievements in art. This is the Schirmer edition of the Libretto in theoriginal German with an English translation by Stewart Robb.

Italian/English. Translated by Auden-Kallman. He's handsome cunning and utterly merciless. Don Giovanni's lustful desires have left a trail of heartbreak and shattered dreams; but in the wake of a life lived to excess and devoid of honour his day of reckoning finally approaches ... pursued by those he has wronged he is soon to discover the awful consequences of his actions (Opera Queensland review Aug 2003) The premiere of Don Giovanni took place to great public and critical acclaim in Prague on October 29 1787. The Opera is in two acts with a libretto by Lorenzo Da Ponte based on the play by Tirso De Molina. The English version is by W.H. Auden and Chester Kallman.

German/English. Based on the legend of Tristan and Isolda Wagner's 'Tristan und Isolde' has long been acknowledged as the beginning of musical modernism. It is said that the entire opera is an attempt to resolve the tension setestablished in the first eight bars. In the story Isolde plots to kill Tristan the man who is taking her to be betrothed to King Marke of Cornwall. She deeply resents him as she had nursed him back to health after abattle only to find he was the slayer of her fiancé Morold. Isolde asks her companion Brangäne to prepare a potion that will cause death but instead she brews a love-potion. Both drink it and fall hopelessly for each other. Theycontinue their affair when they reach Cornwall but are spied on by Mark’s man Melot who wounds Tristan. Tended by Kurwenal he holds onto life just long enough for Isolde to reach him then falls and dies. As Isolde standsstricken by grief Marke and Melot arrive to pardon the lovers but Kurwenal does not believe this kills Melot and is himself killed. Isolde feels Tristan calling to her from the ‘realm of night’ and even as Brangäne tries topersuade her to live falls dead next to him.

Italian/English. Verdi's 'Simon Boccanegra' was based on the play of the same name by Antonio Gutierrez - the author also of 'Il Trovatore'. It was adapted into a libretto by Francesco Piave and Giuseppe Montanelli but this resulted in an almostincomprehensible plot. Verdi set about a substantial revision of the text with Arrigo Boito and it is this version which stands today. This edition contains the original Italian text plus an English version by Mary Ellis Peltz.

Two Pianos Four Hands. Includes set of parts for each player. Version for Two Pianos as arranged by Jean Francaix. Set of parts for each performer. Please note: two scores needed to perform.

Contents: Canzona in D Minor Christ Lag in Todesbanden Doric Toccata & Fugue Herzlich Thut Mich Verlang In Dulci Jubilo Jesu Meine Freude (My Joy) Liebster Jesu Wir Sind Hier Passacaglia & Fugat C Minor Pastorale Prelude & Fugue in A Minor Prelude & Fugue in C Prelude & Fugue in E Flat Prelude & Fugue in E Minor Prelude & Fugue in G Minor Prelude & Fuguein G Minor Sleepers Awake (Wachet Auf) Sonata II Toccata & Fugue in D Minor.A compilation of J.S. Bach's most famous works for Organ edited by Eduoard Nies-Berger Charles-Marie Widor and Albert Schweitzer.

For Timpani-Contents: Medea's Meditation and Dance of Vengeance (Barber) Piano Concerto (Barber) Second Essay for Orchestra (Barber) Toccata Festiva (Barber) Overture to Candide (Bernstein) On theWaterfront (Bernstein) The Age of Anxiety (Bernstein) Orchester Ornament (Blacher) Variations on a Theme of Paganini (Blacher) Variations for Orchestra (Carter) Sinfonia India (Chàvez) Invocation and Dance (Creston) Third Symphony (Harris) Sixth Symphony (Hartmann) Symphonic Metamorphosis (Hindemith) The Planets (Holst) Overture Colas Breugnon (Kabalevsky) Fourth Symphony (Nielsen) Carmina Burana (Orff) Fourth Symphony (Piston) Classical Symphony (Prokofiev) Sixth Symphony (Prokofiev) Sensemaya (Revueltas) Judith (Schuman) New EnglandTriptych (Schuman) Sixth Symphony (Schuman) Sixth Symphony (Shostakovich) Seventh Symphony (Shostakovich) Seventh Symphony (Sibelius) Don Juan (R. Strauss) Salome's Dance (R. Strauss) Jeu de Cartes (Stravinsky) The Rite Of Spring (Stravinsky) Polka and Fugue from Shvanda (Weinberger).This collection has been put together to help the learning Timpani player prepare for the particular challenges present in 20th Century Orchestral music. It would therefore be extremely useful for the intermediate player who is soon to be joining their first full-scale symphony orchestra as the guidance in this book may well last them throughout their time there! Cues are given as well as tips as to the instrumentation of movements the prominence of each part within the overall sound and lengths of rests. Compiled and annotated by Alan Abel. Includes Bernstein's 'Overture To Candide' Holst 'The Planets' and Carl Orff's 'Carmina Burana'.

For unaccompanied violin. Six colourful and extremely challenging Sonatas for Solo Violin.

Contents: Knoxville: Summer of 1915 * Three Scenes from Vanessa (Do not utter a word; Must the winter come so soon?; Under the willow tree) * Andromache's Farewell * Two Scenes from Antony and Cleopatra (Give me some music; Death of Cleopatra). Reduction for Voice and Piano. Operatic and concert scenes. Includes 'Knoxville: Summer Of 1915' 'Three Scenes From 'Vanessa 'Andromache's Farewell' and 'Two Scenes From Anthony And Cleopatra'.

Contents: Alkan: Fantasy in A b Op. 76 No. 1 C.P.E. Bach: Klavierstuck Solfeggietto J.S. Bach: Gavotte in E Bartok: Etude for the Left Hand Berens: 9 Etudes (from The Training of theLeft Hand Op. 89) Berger: Etude for the Left Hand Op. 12 No. 9 Blumenfeld: Etude Op. 36 Bonimici: Etude No. 3 Op. 273 Chopin: Etude in E b Minor Op. 10 No. 6 Czerny: Etude forOne Hand Ganz: Capriccio in E b Op. 26 No. 2 Godowsky: Elegy Meditation Greulich: Etude for Left Hand (from Etudes de Salon Op. 19) Kalkbrenner: Four-Voiced Fugue Kohler:Exercise in Arpeggio Melody from Weber's Freischutz Rhythmic Studies Three Folk Songs for the Left Hand Liszt: Hungary's God Marzsen: La Ricordanza Moskowski: Etude Op. 92 No. 4 Reger: FourSpecial Studies Reinecke: Finale (from Sonata for the Left Hand Op. 179) Saint-Saëns: Moto Perpetuo Op. 135 No. 3 Scriabin: Nocturne Op. 9 No. 2; Prelude Op. 9 No. 1 Tappert: 2Exercises (Nos. 22 and 45 from 48 Exercises for the Left Hand ) Zichy: Viennese Pranks.Music for Piano for Left Hand compiled by Raymond Lewenthal - either for students who have temporarily or permanently lost the use of one hand or for pianists of all levels (above approx Grade 5-6) who believe their left-hand playing is not as accomplished as their right (which may well include every pianist!). These pieces vary in difficulty. Some are technical studies can be considered part of a programme of study yet they are not just exercises; many of these pieces are extremely interesting and well-written and eminantly suitable for recital. The book includes some very useful notes about the history of left-hand music and practice techniques.

on the Chorale-These critico-practical editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of composition andoffer extensive observations based on historical evidence and traditional performance on topics such as registration ornamentation and phrasing. A fundamental component of the organist's library. Volume 6: 77harmonizations and miscellaneous compositions on 50 well-known chorales. Also table of Bach's most important ornaments and specifications of the organs at his disposal.

Contents: Aria (Handel) * Bagatelle (Beethoven) * Contradance (Mozart) * Hedge Rose (Schubert) * Longing for Spring * Lullaby Op. 92 No. 2 (Schubert) * Marmotte (Beethoven) * Minuet (Haydn) * Polonaise in B Minor (Bach) * SaintAnthony (Haydn) * Theme (Mozart) * Theme (Schubert).Fourteen pieces from the Classical era arranged for Clarinet solo with Piano accompaniment by Eric Simon. This book is designed as supplementary material for the first year of learning not as 'studies' to solve specific technical problems but for the student to enjoy the technique they have already achieved.