Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

Score-Short work for Orchestra.

Italian/English. Translated by Martin. 'La Forza del Destino' is a product of the rich middle period of Verdi’s long creative life and marks an important development in his style. The entire work is pervaded by a dark brooding feeling. Verdi and librettist Francesco Maria Piave have created a tangled tale in which the characters come together through coincidence. Melitone and Preziosilla provide asides and comic elements as the three main characters Donna Leonora Don Carlo and Don Alvaro play out their tragic parts. This is the Schirmer Edition of the Vocal Score in the original Italian with an English translation by Ruth and Thomas Martin.

Italian/English. Translated by MacFarren. 'Lucia di Lammermoor' was one of the biggest triumphs of Donizetti's career and remains as his outstanding masterpiece. The libretto was written by Salvatore Cammarano based on Sir Walter Scott's novel 'The Bride of Lammermoor'. The story runs as follows: Lord Enrico Ashton is outraged to find that his sister Lucia is in love with his mortal enemy Edgardo. He tricks Lucia into believing Edgardo unfaithful and insists she marry Lord Arturo Bucklaw. The wedding takes place disrupted by Edgardo who curses Lucia. Lucia begins to lose her mind and when Enrico challenges Edgardo to a duel Lucia kills Arturo then collapses and dies herself. On hearing the tragicnews Edgardo kills himself. This is the Schirmer edition on the Vocal Score and contains an English version by Natasha Macfarren as well as an essay by E. Irenaeus Stevenson.

With Baritone solo. Text by Dylan Thomas. Vocal Score for this work for Baritone SATB Chorus and Orchestra.

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

Score & Parts-Grades 4-5 Score and Parts for Percy Grainger's Lincolnshire Posy . For Concert Band Grades 4-5

English Only. Chip And His Dog is a wonderful Opera written especially for Children and to be performed by Children. It was commissioned by the Canadian Children's Opera Chorus and the first performance was given by them on May 5th 1979.

English Only. It was 'H.M.S. Pinafore' or 'The Lass that Loved a Sailor' that established Gilbert and Sullivan as a creative force to be reckoned with in British comic theatre. Gilbert's libretto has everything necessary for their type offarce - Josephine is being courted by two men one a sailor (Ralph Rackstraw) and the other the Admiral of the British Navy (Sir Joseph Porter). To make things more complicated of course a former nurse exchanged the two asbabies many years earlier... Aside from this promising plot Sullivan's music was mainly responsible for the long-term success of 'H.M.S. Pinafore'. From the opening sailors' chorus to Little Buttercup's simple aria theshow abounds with unforgettable tunes. The most popular number from the show is the second-act Trio 'Never Mind the Why and Wherefore.' This is the Schirmer edition of the Libretto with all dialogue.

Score and Parts-Includes A-flat and B-flat versions. Grade 4-5

Christmas Carols for Young flutists.-Christmas Carols for Young flutists. Contents: O Come All Ye Faithful Angels We Have Heard On High The First Noel Hark! The Herald Angels Sing It Came Upon The Midnight Clear Joy To The World O Come O Come Emmanuel O Little Town Of Bethlehem O Holy Night The Twelve Days of Christmas O Tannenbaum Silent Night Holy Night The Star We Three Kings Of Orient Are What Child Is This?An album of Fifteen well known Christmas Carols especially arranged for young flautists by James Galway. Includes classics such as 'O Come All Ye Faithful' 'We Three Kings' and 'The Twelve Days Of Christmas'.

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

Great Performer's Edition. The practice of letting the soloist improvise their own Cadenza during a Concerto had almost died out by the nineteenth century since composers disliked the way performers frequently used the oppurtunity to showcase their own virtuosic talent rather than working out a cadenza which would suit the music. These four Cadenzas for Mozart Beethoven Brahms and Paganini concerti however have been carefully worked out and performed by the modern violinist Nathan Milstein. They are extremely challenging but avoid 'empty virtuosity' - they have real musical value as one would expect from one of the finest Violinsts of the Twentieth Century. They can be used for performance or as astudy aid to the art of Cadenza improvisation. All four Concertos have been recorded by Milstein.

For Cello and Chamber Orchestra. Cello part available on rental.

English Only. Translated by Harrison. Libretto for Bedrich Smetana's comic Opera The Bartered Bride . This edition contains English only and was translated by Tony Harrison.

Score-From American Ballads settings of familiar tunes for orchestra. Includes: I. Star-Spangled Overture (50347140) * II. Amber Waves (51347150) * III. Jubilo (50347160) * IV. Memorials (50347170) * V. Saratoga Quickstep (50347180) * and VI. Hymnal (50347190). From American Ballads settings of familiar tunes for Orchestra. The titles in this series include: Star-Spangled Overture (50347140) · II. Amber Waves (51347150) · III. Jubilo (50347160) · IV. Memorials (50347170) · V.Saratoga Quickstep (50347180) · and VI. Hymnal (50347190).

English Only. 'Les vêpres siciliennes' (The Sicilian Vespers) was first performed at the Académie Impériale de Musique in Paris on June 13 1855 to great critical acclaim. However in travelling to then-conservative Italy it got Verdi intotrouble with the censors for its tale of rebellions and tyrants. The plot had to be changed and a happy ending was inserted in Naples and Palermo! This version of the libretto by Eugene Scribe is in Italian and English (thetranslation being by William Weaver).

With Percussion-With percussion. Anthony Holborne's Elizabethan Dance Suite for Brass Quintet and Percussion. Parts.

English Only. Following the universal success of his dance music Johann Strauss turned his attention to operetta. Die Fledermaus was one of his finest efforts in which he created a sparkling masterpiece that premiered to instant acclaim onthe Vienna stage in 1874. Alfred is still in love with the Rosalinde now the wife of Gabriel von Eisenstein and tries to serenade her. Rosalinde resists but melts on hearing his high A. The suitor leaves as Eisensteinarrives from court: he has been sentenced to a fortnight in jail for a civil offence. Falke a friend slips in and invites Eisenstein to a masquerade so he can accumulate pleasant memories before his confinement in jail.Rosalinde receives the ardent Alfred but their tête-à-tête is interrupted by the warden Frank who mistakes Alfred for the man he has come to arrest. Rosalinde persuades Alfred to save her name by posing as her husband and Frankcarts him off to jail. In an antechamber at the palace Rosalinde arrives disguised as a Hungarian countess and is soon wooed by her own husband whose pocket watch she steals to hold as proof of his philandering.Champagne flows and the guests dance wildly until dawn. When the clock strikes six Eisenstein staggers off to keep his appointment at the jail. Frank arrives at the prison still giddy with champagne. Hearing someone atthe door he admits Eisenstein who has come to begin his sentence. The new prisoner is surprised to learn his cell is already occupied by a man who claims to be Eisenstein and who was found supping with Rosalinde! Rosalindeherself then hurries in to secure Alfred's release and press divorce charges against her husband. Enraged Eisenstein accuses his wife of promiscuity at which Rosalinde whips forth the watch she took from him at the ball. All ispronounced to have been a joke and Orlofsky and his guests celebrate the reconciliation of Rosalinde and Eisenstein. This is the Schirmer edition of the Libretto in English only.