For soprano tenor and chamber ensemble.-For soprano tenor and chamber ensemble. Based on the fragmentary allusions to the ancient Celtic legend of Tristan from the novel Finnegan's Wake. For Soprano Tenor and Chamber Ensemble. Based on the fragmentary allusions to the ancient Celtic legend of Tristan from the novel Finnegan's Wake.

For well over a century the G. Schirmer edition of 24 Italian Songs & Arias of the 17th and 18th Centuries has introduced millions of beginning singers to serious Italian vocal literature. Offered in two accessible keys suitable for allsingers it is likely to be the first publication a voice teacher will ask a first-time student to purchase. The classic Parisotti realizations result in rich satisfying accompaniments which allow singers pure musical enjoyment. For ease ofpractice carefully prepared accompaniments recorded by John Keene a New York-based concert accompanist and vocal coach are available for download. Keene has performed throughout the United States for radio and television. Educated at theUniversity of Southern California he has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas. A tremendous collection of twenty-four Italian Songs And Arias Of The Seventeenth And Eighteenth Centuries for Medium-Low Voice. It has become a standard in teaching literature now available with accompanying onlineaudio.

Score-Arranged for: Violin solo oboe English horn alto clarinet and bassoon.

Score-A new piece from the well known Russian Composer Giya Kancheli for string quartet and Tape.

Beaumarchais's Aria-From the popular opera The Ghosts of Versailles. The plot revolves around the playwright Beaumarchais who attempts to seduce Marie Antoinette's ghost with the help of characters from his plays Barber of Seville and Marriage ofFigaro. Hysterical chaos ensues as the story unfolds. For Baritone Voice and Piano

Recorded on RCA 60395-2 RG by Robert White Tenor and Ransom Wilson Flute. Contents: The Salley Gardens œ The Foggy Dew œ She Moved Through the Fair. Duration: ca. 10 minutes. Settings of Three Poems by W.B. Yeats Padraic Colum and Anon. For Voice and Flute.

Score-Previously only available on rental this new publication of Barber's First Essay (ca. 1930) is a welcome addition to the literature. Set in the original orchestral key Joseph Levey's arrangement has been performed byseveral of the most prestigious concert bands. This deserves a serious look for mature groups. Samuel Barber 's First Essay arranged by Joseph Levey for Concert Band. Full score. Previously only available on rental this new publication of Barber 's FirstEssay (ca. 1930) is a welcome addition to the literature. This edition includes newly discovered historical information on Barber 's personal edits and revisions - including adding original music - to thearrangement prior to his approval for publication. Set in the original orchestral key this arrangement by Joseph Levey has been performed by several of the most prestigious concert bands. This deserves a seriouslook for mature groups.

Score and Parts-The striking vision of a pair of captive giraffes taken from Isak Dinesen's Out of Africa is the inspiration for this moving vocal work from one of America's most popular conductor-composers. Written for and recorded by soprano Ren?e Fleming. The Giraffes Go To Hamburg is Andre Previn's setting of text from Isak Dinesen's novel Out Of Africa that inspired the popular film of the same name. Scored for Soprano with Piano and Alto Flute.

Score- Morton Gould 's Santa Fe Saga for Concert Band. Born in Richmond Hill New York on 10 December 1913 Morton Gould was recognised early on as a child prodigy with the ability to improviseand compose. At the age of six he had his first composition published. He studied at the Institute of Musical Art (now the Juilliard School) but his most important teachers were Abby Whiteside (Piano) and Vincent Jones(composition). Gould enjoyed an illustrious career. In addition to gaining a Pulitzer Prize for 'Stringmusic' he was Musical America's 1994 Composer-of-the-Year and recieved a Kennedy Center Honor in recognition oflifetime contributions to American culture. A long-time member of the American Society of Composers Authors and Publishers Gould was elected president of ASCAP in 1986 a post he held until 1994. In 1986 he waselected to the American Academy and Institute of Arts and Letters. He also served on the board of the American Symphony Orchestra League and on the National Endowment for the Arts music panel.

English Only. Hugh the Drover or Love In The Stocks. A Romantic Ballad Opera in two acts. Libretto by Harold Child. New edition based on the 1959 edition as revised in accordance with the composer's directions. Full Score and orchestralparts available on hire.

30 traditional American songs written for children. This delightful collection features bugle call pieces patriotic songs and familiar songs from the early 1900's. Includes: Yankee Doodle * America * The Star-Spangled Banner * Taps * and more. Charles Tomlinson Griffes is said to have originally written these pieces to assist in his own teaching of the Piano as he could not find any music suitable for his students. He published them under the pseudonym 'ArthurTomlinson' - combining his brother's name with his own middle name - as he did not want his name as a 'serious' composer tarnished by association with simple childrens' music! It seems inconceivable that he would have beenseriously embarassed by them since the pieces themselves are well-crafted attractive and interesting educational material. This book includes 'Six Short Pieces' 'Six Bugle-Call Pieces' 'Six Patriotic Songs' 'Six FamiliarSongs' and 'Six Pieces For Treble Clef'.

Scott Joplin's perennially popualy 'Maple Leaf Rag' arranged for Easy Piano by Stecher Horowitz and Gordon - the 'Rock With Jazz' and 'Rock Rhythm And Rag' team.

Theme from the award-winning film El Super. Transcribed for guitar by the composer with fingering by Carlos Barbosa-Lima. The work was recorded by Barbosa-Lima in 1985 for Concord Jazz Inc. Inject some Carribean rhythm and Latin flavour into your performance with this fabulous solo guitar arrangement! New York Rush is the main theme from the award-winning 1979 film El Super . Transcribed for Guitar bythe composer Enrique Ubieta with fingering by Carlos Barbosa-Lima.

Score-Other scores available (Medea's Dance of Vengeance): Concert Band (50482401) and Orchestra (50339360). Performance materials available on rental. Duration ca. 13 minutes. Full Score. Other scores available (Medea's Dance of Vengeance): Concert Band (50482401) and Orchestra (50339360). Performance materials available on rental. Duration ca. 13 minutes.

Melvin Stecher Norman Horowitz and Claire Gordon 's Scotch Guard for easy Piano.

From the popular opera The Ghosts of Versailles. The plot revolves around the playwright Beaumarchais who attempts to seduce Marie Antoinette's ghost with the help of characters from his plays Barber of Seville and Marriage ofFigaro. Hysterical chaos ensues as the story unfolds. From The Ghosts of Versailles . For Baritone and Piano.

English Only. Vocal Score. English Only.

Part Two of Choral Variations on American Folksongs-Part One of Choral Variations.

Transcribed and arranged by Louis Moyse. Thirty-two pieces for the early grades. Separate Flute part with Piano accompaniment. Transcribed and arranged by Louis Moyse. Thirty-two pieces for the early grades. Separate Flute part with Piano accompaniment.

Morton Gould 's Hello Song from 'The Bell System Ride' for SATB choir with Piano accompaniment. This work features words by Joseph Langland .