A gem from the Norwegian folk music. No difficult and complicated matter but music based on sounds and atmosphere. The melody is one of pure beauty and mystical characteristic of the tranquil scenery of Norway. Solo for 2 B-flat instruments. Een juweeltje uit de Noorse volksmuziek. Geen moeilijke ingewikkelde materie maar muziek gebaseerd op klank en sfeer. De melodie is er een van pure schoonheid en karakteristiek voor het mystieke verstilde Noorse landschap. Solo voor 2 bes instrumenten.

Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.

A beautiful adaptation of this beautiful English hymn.

Robert Frank made a wonderful arrangement of this Christmas carol for Bb or Eb soloist and fanfare band which sounds excellent especially on alto saxophone.

A gem from the Norwegian folk music. No difficult and complicated matter but music based on sounds and atmosphere. The melody is one of pure beauty and mystical characteristic of the tranquil scenery of Norway. Solo for 2 B-flat instruments. Een juweeltje uit de Noorse volksmuziek. Geen moeilijke ingewikkelde materie maar muziek gebaseerd op klank en sfeer. De melodie is er een van pure schoonheid en karakteristiek voor het mystieke verstilde Noorse landschap. Solo voor 2 bes instrumenten.

This particular arrangement by Leonard Ballentine was based on I know thou art mine written in 1923. The result is not just a chorale but more an Adagio for Orchestra laced with interesting harmonic twists. Arranger Sijtze van der Hoek made a colourfull setting for fanfare band.

Vittorio Monti was born on January 6 1868 in Naples (Italy). His musical education (violin and composition) he enjoyed at the conservatory there. Around his 30's Monti went to Paris. He earned a living as a conductor and wrote several ballets and operettas. In his last years Monti died in 1922 he devoted himself to teaching and composing. His famous Czardas has made his name known even today. Initially the czardas was a Hungarian folk dance but after the mid-nineteenth century it was even a dance for the upper-class. Czardas begins with a slow introduction the Lassan (slow and sad) and then the fast part Friska follows. Czardas is not as somany people think typical gypsy music.

Felix-Alexandre Guilmant-Amédée (Boulogne-sur-Mer March 12 1837 - Meudon March 29 1911) was a French composer and organist. Like many other composers he was very talented on a young age he was 12 years when he was playing organ smoothly. He studied with Lemmens with Charles-Marie Widor and Gigout. Between 1871 and 1901 he the leading man in the Paris organ scenery along with his fellow students later on he teached at the Paris Conservatoire National Superieur de Musique inter alia Joseph Bonnet and Marcel Dupre. Known are his organ sonatas which are equivalent to the famous organ symphonies of Widor. His work was very popular. Also knownunder the title Morceau Symphonique Opus 88.

Simply an upbeat piece of music in classical style.

Bring the house down with Jerry Bensman's sparkling Footprints. Everyone is or at least feels important in this simple but very effective march which works equally well on stage as on parade. Often a march does not have to be difficult to possess a thorougly pleasing 'full' sound. In understanding this Jerry Bensman added a valuable repertoire-piece to the music available for youth-bands. In performing Footprints your beginning bandsmen take a major step forward in advancing their budding musical careers. Tip: Put the spotlights on your cymbals-player and make him (or her) the star of the evening.

A Western Suite paints the musical picture of a group of gold diggers and adventurers in the Wild West! Opening with an optimistic march followed by wistful sounds around the campfire A Western Suite sees an exciting rodeo take place before the main theme brings the piece to an end. Bring the atmosphere of the Wild West onto the concert stage!

Fanitullen is a lively beautiful ‘Sl?tt’ i.e. an old Norwegian melody which is played on a traditional ‘Hardingfele’ (Hardanger fiddle). Because of its violent rhythm and exciting character playing a Fanitullen for a long time was considered improper. It was believed that a person playing this melody would come under the influence of the devil. Therefore Fanitullen could be regarded as a kind of Rock’n Roll from the 18th century. Tom Brevik’s adaptation is based on a composition for piano by Ole Olsen (1850-1927) Fanitullen is een levendige mooie ‘Sl?tt’ een oude Noorse melodie die gespeeld word op een traditionele ‘Hardingfele’ (Hardanger viool). Door de heftigeritmiek en het opzwepende karakter werd het spelen van een Fanitullen gedurende lange tijd als niet kies beschouwd. Er zouden invloeden van de duivel in schuilen. Fanitullen zou daarom misschien wel als een soort Rock’n Roll van de 18e eeuw gezien kunnen worden. De bewerking van Tom Brevik is gebaseerd op een compositie voor piano van Ole Olsen (1850-1927)

As long as we can remember trumpets and percussion have been the instruments most closely associated with the army and its soldiers. Just think of the medieval herald who publicly proclaimed all the king's important announcements. This work opens with a festive fanfare which immediately calls for your attention. No tidings of disaster but a festive parade of soldiers passing by while whistling merrily. This idea was the composer's starting point when writing this cheerful little piece.

Playing Together is and remains the motto of wind music but also enjoying it should take a prominent place. Playing Together a composition (in 8 parts) for beginning youth bands combines these two features very pleasantly.

Colour and versatility is the key to this composition in three movements by Carl Wittrock. The Tournament is the most versatile piece of music you could wish for. Movement 1 (March) is an excellent lively concert opener. The 2nd movement (Ballad) is a calm interlude which provides much freedom for expression. Movement 3 (Dance) sweeps the piece along to the inevitable Grande Finale: a rousing melody with prominent rhythmic support.

Patrick Millstone based his Dance of the Shepherds on the song Quem pastores laudavere by Michael Praetorius. After an upbeat flashy introduction you can hear this wonderful Christmas song. A good choice for a Christmas concert or church service!

The 'Admiral Spirit' is the pride of the Navy. The ship is at sea there is no wind the sun is shining. The crew are busy piloting the ship into port in prime condition. The admiral himself will inspect the vessel. The first movement (Allegro Con Spirito) gives musical expression to the majestic ship and its toiling crew. In the second movement (Andante) the ship sails into port. It has been polished and technically everything is in order. The admiral will be proud when he inspects the ship. Third movement (Allegro Molto): the captain and his crew are nervous (modulations) while working at the 'finishing touch'. The Navy Band is ready to receive the admiral !. Hemay be proud of his flagship. De bemanning van het marineschip Admiral Spirit is druk bezig om het schip in optimale conditie de haven binnen te loodsen de admiraal gaat namelijk het schip zelf inspecteren. In het eerste deel (Allegro con spirito) horen we een verklanking van het majestueuze schip en de zwoegende bemanning. Hoe beeldend zijn de emmertjes water welke overboord gaan (trombones). In het tweede deel (Andante) vaart het schip de haven binnen. Het schip is gepoetst en technisch is alles in orde. Derde deel (Allegro molto): De kapitein en zijn bemanning zijn nerveus (modulaties) en er wordt aan de finishing touch gewerkt. De Navy Band staat klaar om de admiraal te ontvangen! De admiraal kan trots zijn op het vlaggenschip. Een schitterend speelwerk voor de lagere afdelingen! Dit werk is opgenomen in het Klein repertorium harmonie - 5e divisie

An Astrological Composition. Astrology is based on the principle that each sort of time has its own quality. In order to determine the quality of a particular moment an astrologer looks at the position of the planets in the solar sustemat that moment. Each planet has specific types of energies and its location provides unique information for a certain moment on Earth. Thus: its position in the sky tells something about what happens on Earth. In this composition the typesof energies of four planets are musically translated. The four planet were not randomly chosen. There are two pairs whose influence and energy are opposite. Venus and Mars. Venus represents the feminine principle: harmony beauty art and the ability to make relationships and to keep the peace. Venus connects and communicates in order to maintain the balance. Mars represent the masculine principle: winning impulsiveness enthusiasm and sexual energy for procreation.He creates war enabling the strongest to triumph. Mars is musically depicted in a stirring march in which enthusiasm characterises the masculine character. Saturn and Jupiter. Saturn represents concentration and withdrawal: the strongnotion of responsibility seriousness self-discipline and melancholy. Saturn is the hermit who will conquer his fears and worries in minimal conditions and by self-chastisement. This contemplative character is depicted in the music as if it isalmost standing still which also reflects the given character of this planet. Jupiter represents growth and expansion: the positive self-confidence the good Samaritan the healer. Jupiter is the philosopher who will make the world a betterplace sees future possibilities and searches for eternal values. He is the prophet who sometimes rants and raves his doctrine and proclamations resulting musically in a whirling and upbeat finale. not looking back at what has been but searchingfor new challenges. Heaven and Earth was commisioned by the Music Lending and Information Centre (MUI) a department of the library for the province of Gelderland in Arnhem The Netherlands.Een astrologische compositie. Astrologie is gebaseerd op het principe dat elke tijd zijn eigen kwaliteit heeft. Tijd voor koffie of het was je tijd nog niet als bijvoorbeeld een baan aan je neus voorbij is gegaan. Om de kwaliteit van een moment te lezen kijkt deastroloog naar de stand van de planeten in ons zonnestelsel op dat tijdstip. Elke planeet heeft specifieke energieën en de plaats aan de hemel geeft unieke informatie over een bepaald moment op aarde. Oftewel: de stand aan de hemel (Ouranos) verteltiets over wat er op aarde (Gaia) gebeurt. In deze compositie worden de energieën van vier planeten muzikaal vertaald. De vier planeten zijn niet lukraak gekozen. Het zijn twee paren die qua invloed en energie tegenovergesteldzijn. Venus en Mars.

‘Dutch Christmas Song’ is an arrangement of the old Dutch song ‘Hoe leit dit Kindeke’ (Vlaanderen 1897). The tender almost fragile words have been movingly honoured by Timothy Travis. The addition of percussion gives this lovely Christmas song a modern touch.

Charles Albertine played tenor saxophone with the Sammy Kaye band in the late 1940s and was the lead arranger for the new Las Elgart band. He arranged most of the Three Suns later music. Most of his later career was spent in television. Bandstand Boogie was adopted by Dick Clark as the theme song for his long-running series American Bandstand.