for String Orchestra-First movement of String Set.

for Solo Cello and Percussion-Composed for Joel Krosnick. Composed for Joel Krosnick.

Unaccompanied-Recorded by Eugene Rousseau and Dennis Bamber. For any two like saxophones. Grade IV-V. Recorded by Eugene Rousseau and Dennis Bamber. For any two like saxophones. Grade IV-V.

LKM Music-David Stock's six-minute Capriccio is one of the composer's early works written for a small orchestra comprised of single winds horn trumpet and strings. Revised 1978.

Originally commissioned for the celebration of Tennessee's Homecoming '86 Jug Blues & Fat Pickin' is inspired by recordings of the Memphis Jug Band the most recorded and perhaps most popular of the jug bands to spring up on Memphis' Beale Street in the late 1920's and also bluegrass banjo pickin'. Freund's composition is a unique musical offering that melds blues elements with minimalist technique. (Grade 5) Dur: 8:00

1987 Louisville Orchestra Prize 1987 Louisville Orchestra Prize

An essential reference work of contemporary flute techniques. Dick Robert The Other Flute Manual Flt Book

Based on poems and melodies written by victims and survivors of the Holocaust.

Ballet after the novel by Gustave Flaubert. Ballet after the novel by Gustave Flaubert.

Peng-Peng Gong's 10-minute requiem was composed in 2011 dedicated to the memory of the composer's grandmother. This revised edition comprises the third work in his Chamber Tone Poems series. While not stricly a chamber piece from the standpoint of instrumental forces the title refers to a broader microcosmic quality shared with those earlier compositions. (2011) ca. 10'.

Tableaux for Violin Viola Cello and Piano-Inspired by the paintings of Joan Miro and a late 14th century canon.

Ensemble-From the Carlos Saura motion picture Tangos soundtrack Deutsche Grammophon.

Commissioned by the New York Virtuoso Singers Harold Rosenbaum the text comes from the work of neuroscientist Antonio Damasio. Recorded on Soundbrush Records.

Violin Concerto in the Nineteenth-Century Style-The characteristics which give a charming beauty and a variety of sentiments to this concerto are various-a melody free and spontaneous an elaboration clear and persuading an elegance of phrases a matchless perfection of style and harmonies... Violin virtuosi should not forget this concerto. -Il Quotidiano ROME. Recorded by Sergei Stadler and New Moscow Symphony on Naxos. The characteristics which give a charming beauty and a variety of sentiments to this concerto are various-a melody free and spontaneous an elaboration clear and persuading an elegance of phrases a matchless perfection of style and harmonies... Violin virtuosi should not forget this concerto. -Il Quotidiano ROME. Recorded by Sergei Stadler and New Moscow Symphony on Naxos.

for Five Percussion Instruments and Harp-Adapted from a work written for the film Evolution of a Shadow directed by Ken Johnson. Length 7 minutes.

LKM-Solo violin part available separately. Solo violin part available separately.

Go for Two for alto saxophone and piano consists of two contrasting movements: Warmly is a lyrical andante followed by a fast rhythmic second movement titled Driving. Go for Two for alto saxophone and piano consists of two contrasting movements: Warmly is a lyrical andante followed by a fast rhythmic second movement titled Driving.

Chamber orchestra 16'. Instrumentation: 3 Oboes (all double English Horn) Bassoon 2 Horns Harpsichord Strings.

for Piano and Orchestra-Conceived originally as a work for piano and string orchestra this version for full orchestra keeps all players busy with the textural and rhythmic interplay between the orchestra and piano. Versions for string orchestra and piano trio are also available from the publisher. Duration: c. 8 minutes

Called the Paganini of the clarinet by the English clarinet virtuoso Henry Lazarus Ernesto Cavallini was a respected friend and colleague of the most important Italian composers of his day including Rossini Donizetti andVerdi. From 1831 to 1851 he was principal clarinetist of La Scala. During that time he also toured extensively throughout Europe. In 1862 Anton Rubinstein appointed Cavallini to be the first clarinet professor of the St.Petersburg Conservatory a position which he held until he left Russia to return to Milan in 1870. Cavallini wrote his 30 Caprices in five volumes each including pieces for both technical and musical study. He wasintensely interested that the Caprices be not merely technical exercises but studies in style and phrasing: an introduction to the new expressive force of the new music of his time. With this in mind he made numerous expressiveindications in his etudes which went beyond the standard markings of crescendo diminuendo accelerando ritardando. These markings have been restored in this edition and also include translations at the end of thevolume. The noteworthy feature of this edition is the recording included with Charles Neidich's performances of the Caprices. Rather than clutter Cavallini's already expressively notated scores with still moremarkings this edition offers the recording as a window into the bel canto style of the etudes and as models of the kind of performance to which the student should aspire. Cavallini Ernesto 30 Caprices For Clarinet (Neidich C) Clt Bk/2cd