Sonata for Guitar is a major work in three movements that features asymmetrical rhythms of world music impressionistic harmonies classical development and exciting virtuosity. --Scott Cmiel San Franscisco Classical Voice . Movement titles: I. Fiero II. Tranquillo III. Vivace. Edited and recorded by guitarrist Isaac Bustos (MSR 1581). Duration ca. 15' Sonata for Guitar is a major work in three movements that features asymmetrical rhythms of world music impressionistic harmonies classical development and exciting virtuosity. --Scott Cmiel San Franscisco Classical Voice . Movement titles: I. Fiero II. Tranquillo III. Vivace. Edited and recorded by guitarrist Isaac Bustos (MSR 1581). Duration ca. 15'

Breathing Earth-This is the first movement of the Symphony No. 1: Living Breathing Earth. Described by the composer as a love song to theearth Warshauer's symphony eloquently presents our planet as a living organism through natural sounds transformed into stirring musical phrases and vivid instrumental writing.

for Flute Clarinet Percussion and Piano Trio-The full tonal palette of a six player ensemble containing winds strings percussion and piano is masterfully deployed by Stankovych evoking shimmering images that are at times subtle and surprising at others.

The Havanaise (Habanera in French) by Camille Saint-Saëns op.83 dates from 1885-87. The composer dedicated this work to Rafael Diaz Albertini a violinist of Cuban origin. In 1888 Saint-Saëns completed the orchestration of the Havanaise. This Critical Urtext Edition is based on the composer's manuscript the first print of the violin and piano version and to a large part on the historic recording by the composer himself with the violinist Gabriel Willaume (1919).The Havanaise (Habanera in French) by Camille Saint-Saëns op.83 dates from 1885-87. The composer dedicated this work to Rafael Diaz Albertini a violinist of Cuban origin. In 1888 Saint-Saëns completed the orchestration of the Havanaise. This Critical Urtext Edition is based on the composer's manuscript the first print of the violin and piano version and to a large part on the historic recording by the composer himself with the violinist Gabriel Willaume (1919).

Critical Urtext Edition-The Introduction and Rondo Capriccioso for Violin and Orchestra was originally intended to be the rousing Finale to Saint-Saëns' first violin concerto op.20. Saint-Saëns' favorite violinist Pablo de Sarasate gave the first performance in 1867 in Paris with the Composer conducting. In 1869 Saint-Saëns entrusted his younger colleague Georges Bizet to create a reduction of the orchestra score for Violin and Piano. The composer's autograph score and the first edition of the work were the primary source material for this publication.The Introduction and Rondo Capriccioso for Violin and Orchestra was originally intended to be the rousing Finale to Saint-Saëns' first violin concerto op.20. Saint-Saëns' favorite violinist Pablo de Sarasate gave the first performance in 1867 in Paris with the Composer conducting. In 1869 Saint-Saëns entrusted his younger colleague Georges Bizet to create a reduction of the orchestra score for Violin and Piano. The composer's autograph score and the first edition of the work were the primary source material for this publication.

Dedicated to the Quatrocelli Quartet.

Violin cadenza is written by Dima Tkachenko. Duration ca. 24'

for Tuba and Piano-Written for Tubist Jay Hunsberger Beloved Bass explores the lyrical powerful and expressive qualities of the instrument in three movements: 1. Buoyant and Bright 2. Beautiful Waves and 3. Brimming with Energy (A Soft Shoe). Written for Tubist Jay Hunsberger Beloved Bass explores the lyrical powerful and expressive qualities of the instrument in three movements: 1. Buoyant and Bright 2. Beautiful Waves and 3. Brimming with Energy (A Soft Shoe).

for Brass Band and Percussion-Premiered and commissioned by Voice of America' on September 11 2003 paying tribute to the national spirit of grim determination and unity as well as of tragedy and ominousness following 9/11.

Waking Dream for Flute and Chamber Orchestra was dedicated to and premiered by Christina Jennings and the UW Chamber Symphony James Smith Director. Duration ca. 11 minutes.

Length 9'.

for Violin and Piano-2010 release. 2010 release.

Movement titles: I. Arabesque II. Air III. Buenos Aires Movement titles: I. Arabesque II. Air III. Buenos Aires

With texts from Tuvan folk song lyrics this work for SATB chorus was commissioned by Volti Robert Geary Artistic Director for its 30th season.

Recorded by The Carnegie Mellon Ensemble Nitzan Leibovitch.

From the Carlos Saura film Schifrin's Tango para Percusion is an effective character piece perfect as a concert endpiece or a brief segue.

Also available with clarinet solo or for string orchestra.

Ravinia Festival with the Lincoln Trio and on Notable Women a Cedille Records CD release. Piano Trio version premiered by Lincoln Trio Chicago Composer's Consortium at the Music Institute of Chicago.

Wind Ensemble Full Score-Five Elizabethan Dances is drawn from the music that sets the scene and provides the accompaniment for the Ballroom Scene from Don Freund's Romeo and Juliet: A Shakespearean Music Drama for singing actors and piano. The style ofthe dances is freely drawn from dances found in the Fitzwilliam Virginal Book (music from ca. 1562 to 1612) spiced up with changing meters and chromatic twists of melody and harmony reflecting a more recent musical language. Eachof the dances represents a pivotal scene-within-a-scene.

with exercises by Otakar Sevcik-Violin part includes both the original and the Leopold Auer edition. This publication presents the first opportunity for performers to utilize both versions to create their own unique interpretation of this great work. Tchaikovsky Violin Concerto In D Major Op35 (Sevcik Otakar) Vln/Pf Bk