Hor che'l ciel e la terra for 24-Voice Chorus and 4 Percussionists is a re-imagining of the second work in Claudio Monteverdi's eighth book of madrigals Madrigali guerrieri ed amorosi (Madrigals of War and Love) published in 1638. The original a setting of a sonnet by Petrarch for six voices two violins and continuo is unquestionably one of Monteverdi's greatest masterpieces.

Commissioned by the St. Paul Chamber Orchestra this concertino was originally conceived as a part of a complete educational concertprogram. Four concertini each featuring a different instrumental family within the chamber orchestra are played in succession to demonstrate the characteristic sounds of those instruments. The music is thematically related but not identical to the Concertino for Chamber Orchestra (parts available on rental from the publisher) which serves as the program's closer demonstrating all of theorchestral sections playing together. This program is suggested by the composer for orchestra concerts however each instrumental concertino can beperformed individually and stands quite effectively on its own as a short chamber recital piece.

Infused with latin rhythms and improvisatory jazzlike passages for the trumpet soloist the mood of this single-movement concerto islight and effervescent. This work was awarded First Prize in the Doc Severinsen International Composition Contest andpremiered by the University of Tennessee Symphony Allen Vizzutti trumpet soloist. Length ca. 9. This large orchestra version includes two additional trumpet parts and one additional percussion. (Smaller orchestration available separately.)

This 14-minute concerto for Alto Saxophone and six instruments consists of a single movement of varying tempi and moods. The work was commissioned and premiered by the University of Missouri Kansas City's Musica Nova under the direction of Zhou Long.

from Symphonic Scenes of Chacumbele for Orchestra-Drawing on the composer's profound insight into the Cuban mythological and 20th Century historical figure of Chacumbeles this first symphonic scene depicts the main characters of the myth as youths. The work's musical tapestry is woven from the narrative which is rich in Yoruba mythology and leitmotiffs representing characters and events in the epic.

Full Score-A barcarolle is a musical form which describes a song or instrumental piece in a swaying 6/8 time sugessting the lilting motion of a Venetian gondola. Shcherbakov's Barcarolle for Piano and Orchestra is less a literal interpretation of the traditional form but rather a spiritual one which suggests floating along a winding canal which is at times serene and darkly ominous at others. The premiere was conducted by Volodymyr Sheiko with Maria Vichliaeva on piano.

The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes and include Ms. Wincenc's owncadenzas that have been brilliantly honed by years of professional concertizing. The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes and include Ms. Wincenc'sowncadenzas that have been brilliantly honed by years of professional concertizing.

This four movement work features the clarinet weaving melodies constructed in both Western equal temperenment and Persian modal systems. Most of the ensemble doubles on one or more instruments including the pianist and strings playing the chimes in various passages. Premiered on January 16 2016 at the Segah Festival of Persian and Turkish Music.

Composed for the Amernet String Quartet in memory of the composer's longtime companion Dr. Norma Hynes. Movement titles: 1. AllegroMaestoso 2. Intermezzo 3. Introduction; Theme and Variations. Duration ca. 12'

Reverie for Cello and String Orchestra was written for cellist Eru Matsumoto. Later the piece was reworked and incorporated into Gong's grand Fourth Symphony as Ode to Limpidity. The complete string orchestra score is available separately. String orchestra parts available on rental only.

Violin and Piano-Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo violin piece based on music by Bach and four pieces for violin and piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45) Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the Violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo Violin piece based on music by Bach and four pieces for Violin and Piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the Violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45)

for Clarinet in A and Piano-This Dance Sonata for clarinet in A (doubling bass clarinet) and piano is a version of Crockett's Dance Concerto composed in 2013.Originally written for both soloist + eight instruments (commissioned by Frank M. Hudson and the 21st Century Consort) and soloist +wind ensemble (commissioned by a consortium of twenty-two collegiate wind ensembles) they all riff on the theme of the original version's premiere at the Smithsonian Museum of American Art in Washington D.C. 'dancing the night away until dawn.' Movement titles: 1. Might Not Be A Rumba 2. Slow Dance 3. Last DanceThis Dance Sonata for clarinet in A (doubling bass clarinet) and piano is a version of Crockett's Dance Concerto composed in 2013.Originally written for both soloist + eight instruments (commissioned by Frank M. Hudson and the 21st Century Consort) and soloist +wind ensemble (commissioned by a consortium of twenty-two collegiate wind ensembles) they all riff on the theme of the original version's premiere at the Smithsonian Museum of American Art in Washington D.C. 'dancing the night away until dawn.' Movement titles: 1. Might Not Be A Rumba 2. Slow Dance 3. Last Dance

This suite for clarinet and string quartet contains creative arrangements and interpretations of jazz and 20th Century art music in a highly original contemporary classical idiom. It consists of four movements one for each season: Les feuiles mortes (Joseph Kosma) The Snow is Dancing (Debussy) It Might As Well Be Spring (Richard Rogers) Variations on Summertime (George Gershwin). The movements in this suite may be performed individually or in seasonal order beginning with any movement. Borrowed Times was written for and dedicated to clarinetist David Shifrin and Chamber Music Northwest.

The idea for the Heifetz Scale Book was to present all the great master violinist Jascha Heifetz's scale routines that were developed over his long career but never written down. This edition by Heifetz's protégé and world-class violinist Endre Granat is a self-contained master class for a lifetime of study in virtuoso technique! The idea for the Heifetz Scale Book was to present all the great master violinist Jascha Heifetz's scale routines that were developed over his long career but never written down. This edition by Heifetz's protégé and world-class violinist Endre Granat is a self-contained master class for a lifetime of study in virtuoso technique!

Commissioned by Jennie Dorris and David Sogg. Percussion requirements: marimba tom-tom timbales bongos wood block. Duration ca. 6' Commissioned by Jennie Dorris and David Sogg. Percussion requirements: marimba tom-tom timbales bongos wood block. Duration ca. 6'

Ethereal harmonic structures in the strings underpin a haunting and at times soaring oboe melody. Dedicated to Max Lifshitz and North-South Consonance.

an Homage to the Minimalists and Antonio Vivaldi for Solo Piano-This five-minute recital piece juxtaposes to the technical keyboard virtuosity and Baroque melodic filigree of Vivaldi with minimalist composition techniques established in the 20th Century. Dedicated to/ premiered by Amanda Setlik. This five-minute recital piece juxtaposes to the technical keyboard virtuosity and Baroque melodic filigree of Vivaldi with minimalist composition techniques established in the 20th Century. Dedicated to/ premiered by Amanda Setlik.

Heinrich Wilhelm Ernst was the most famous violinist in the world at the time of Paganini's death. As a composer he is chiefly known for his virtuoso pieces such as these Hungarian Airs. His music was in the standard repertoire into the early part of the 20th Century but was forgotten for many decades. With the advent of the CD Ernst's compositions have been recorded and have begun re-emerging into the standard repertory. This edition unites a critical urtext violin part by Stephen Shipps with the piano score and Otakar Sevcik's exercises specific to this important virtuoso work.Heinrich Wilhelm Ernst was the most famous violinist in the world at the time of Paganini's death. As a composer he is chiefly known for his virtuoso pieces such as these Hungarian Airs. His music was in the standard repertoire into the early part of the 20th Century but was forgotten for many decades. With the advent of the CD Ernst's compositions have been recorded and have begun re-emerging into the standard repertory. This edition unites a critical urtext violin part by Stephen Shipps with the piano score and Otakar Sevcik's exercises specific to this important virtuoso work.

Ashoob (Calligraphy No. 14) was written for Dariush Saghafi and the Carpe Diem String Quartet. Reza Valis “Calligraphies” series isa set of an ongoing cycle of works based on the Persian modal system the “Dastgâh ” which he has been composing since2000. The basic compositional material of the work is derived from a fast tempo genre called the “Reng ” which is usually performed at the end of a traditional Persian music concert. Versions for Persian Santoor with string quartet (original) andfor string quartet only are available from the publisher. The original version was premiered on March 18-20 2016 at the McConnell Arts Center in Columbus Ohio by Dariush Saghafi Santoor and the Carpe Diem String Quartet.

Commissioned by the St. Paul Chamber Orchestra this concertino was originally conceived as a part of a complete educational concertprogram. Four concertini each featuring a different instrumental family within the chamber orchestra are played in succession to demonstrate the characteristic sounds of those instruments. The music is thematically related but not identical to the Concertino for Chamber Orchestra (parts available on rental from the publisher) which serves as the program's closer demonstrating all of theorchestral sections playing together. This program is suggested by the composer for orchestra concerts however each instrumental concertino can beperformed individually and stands quite effectively on its own as a short chamber recital piece.