An eight minute work in shifting meters. An eight minute work in shifting meters.

for Solo Piano-Virtuoso pianist and arranger Matthieu Cognets transcription integrates Ravels own piano realizations of La Valse originally conceived as a ballet for orchestra into an idiomatic and brilliant solo piano arrangement for the first time. Theedition includes Mr. Cognets fingerings to aid the performer in executing some of the more challenging passages.Virtuoso pianist and arranger Matthieu Cognets transcription integrates Ravels own piano realizations of La Valse originally conceived as a ballet for orchestra into an idiomatic and brilliant solo piano arrangement for the first time. Theedition includes Mr. Cognets fingerings to aid the performer in executing some of the more challenging passages.

for Violin and Piano-2010 release. 2010 release.

for Piano Trio with String Orchestra Harp Celesta and Percussion-Commissioned by Musica Reginae. Premiered February 20 2010 with the Queens Symphony Orchestra.

for Mixed Octet-This fun and playable Baroque-inflected concerto grosso was originally commissioned by the Bridgehampton Chamber Music Festival. Scored for mixed octet of flute oboe harpsichord and string quintet. Total length approx. 17minutes.

Premiered by the Chicago Chamber Musicians. A Fromm Foundation Commission. On Centaur CD: CRC 3098 For Flute Oboe Clarinet Violin Viola Cello Horn Piano and Percussion

Solo Flute-A new driving piece composed in the style of Speed Metal. A new driving piece composed in the style of Speed Metal.

The first new American edition in over a century. Edited by eminent Czech violinist and teacher Jaroslav Foltyn a master of teaching violin left hand technique. Foltyn's fingerings solve many technical issues that have existed for decades. Schradieck Henry School Of Violin Technique Bk 1 (Foltyn J) Vln Book

for Piano and String Orchestra-This piece keeps all players busy with the textural and rhythmic interplay between the strings and piano. Versions for full orchestra and piano trio are also available from the publisher. Duration: c. 8 minutes

The Concerto for Violin was written in early 2012 for Philip Ficsor. The four movements conceived separately are intended to have the feeling of a suite rather than a verbose heavy interpretation of the concerto form. The first movement A Little Parlour Music carries the subtitle after Poulenc in a reflection of the lightness and charm of that composer's work. The second movment Remembrance of Things Past is the most expressive of the movements. The third movement Santa Barbara Rag is full of syncopated rhythm and humor with even a slight reference to another well-known rag. And the fourth movement John Adams Light looks back at the early minimalism of Adams with itsrepitition and constant motion. The concerto is available with piano reduction and for rental with the full orchestra accompaniment.

Movement 1 Lullaby Espressivo Faster Fiero! (6:34) - Movement 2 Arioso (4:50) - Movement 3 Con Bravura (4:04) Movement 1 Lullaby Espressivo Faster Fiero! (6:34) - Movement 2 Arioso (4:50) - Movement 3 Con Bravura (4:04)

A Pocket Concerto Miller Theater Commission: Columbia University for Jennifer Koh and the International Contemporary Ensemble George Steel Director. Recorded on Albany Records TROY1390.

SATB Chorus Woodwind Quintet and 3 Percussion

(untitled) was the name of a store in the SoHo section of Manhattan that sold nothing but art postcards -- thousands of them. I had three such postcards taped to the music rack of my piano and one day in early 1968 I decided to write a set of musical miniatures somehow depicting these paintings. -Stephen Hartke

Commissioned by the Blue Rider Ensemble.

for Mezzo-Soprano and Chamber Orchestra Full Score-The Human Rights Orchestra comprised of musicians from Europe's most prestigious orchestras asked Adolphe to produce this rescored and more compact version of his 2009 orchestrated song setting of the eponymous poem by blind Mezzo-Soprano Laurie Rubin. The title of this edition refers to its 2013 premiere in Lucerne Switzerland. ca. 15'

Full Score-Yevhen Stankovych is pioneer in the rebirth of the neo-romantic style in the second half of the 20th century. At the beginning of the 1980s he developed his own musical system which he calls “polyphony of layers”. Dictum for piano and strings isamong the works written in this manner composed shortly following the Chernobyl disaster. It is regarded as the only composition which adequately expresses the tragedy.

Stankovych's sixth symphony casts a dramatic arc across its unconventional continuous two-movement structure. Competing themes emerge in the brooding first movement the tension between them eventually leading to a powerful emotional climax midway into the piece. The second movement now stealing in on sustained violins assumes a more melancholy character as the themes introduced previously become intertwined and ultimately dissolve into a murmuring hopeful conclusion.

The six-movement work starts with a solo soprano and adds one additional instrument in each subsequent movement until the full complement is reached.

This collection of five 2-3 minute long arrangements/movements of the folk-melody Old MacDonald are done in the stlye of five different composers: I. Old MacDonald (J.S. Bach) II. Old MacDonald Menuetto (Haydn) III. Old MacSerioso (Beethoven-based on Opus 95) IV. Old MacDonald (Copland-in the style of Hoe Down) V. Old MacDonald (Adolphe). It is intended for educational concerts and the movements can be played in any order.