John Joubert's Six Poems Of Emily Bronte for High Voice and Piano.

G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera and oratorio in Britain both importing Italian works and composing his own. Twelve Songs From The Oratorios have been edited by Alberto Randegger and are scored for Baritone or Bass with Piano accompaniment. It contains 12 airs from popular works such as Messiah Judas Maccabaeus and Samson and 8 of their associated recitatives. This is the perfect collection for any Bass or Baritone looking to expand their repertoire or for any Handel fan who wants todiscover more of his songs.

The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. The highlight of his career came in 1846 when he was commissioned to write the oratorio Elijah for the Birmingham Festival. It remained hugely popular for over eight decades being performed at the Proms every year until 1930. It draws heavily on influences from Bach and Handel both of whom Mendelssohn admired. O Rest In The Lord is an aria from the second act of the oratorio sung by an Angel to Elijah. It is scored for Alto or Contralto Voice with Piano accompaniment.

This anthem is an extract from Maurice Greene's Thou O God art praised in Sion . For SATB Choir and Organ with Tenor Solo (or Treble Chorus). Edited by Francis Jackson.

Tudor and Stuart monarchs reigned during a period of political and ecclesiastical turmoil out of which occurred profound developments in musical style. Tudor Anthems (the term loosely applied to cover the years 1520 to 1640) anthologises some of the finest English musical works of that era. It includes sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Byrd Dering Gibbons Morley Mundy Parsons Philips Smith Taverner and Tomkins. A comprehensive collection and indispensable resource for any choir's library prepared in an easilyunderstood performing edition by Lionel Pike. 'This is an excellent book. It offers variety the familiar and the less so all levels of difficulty and excellent value. Choirs who invest in a set could cover this aspect of their repertoire for years to come.' Andrew Gant (Choir & Organ - March/April 2011) 'A new Tudor anthem anthology will inevitably invite comparison with the popular Oxford Book of Tudor Anthems but Lionel Pike's collection largely avoids overlap with the OUP book and its contents certainly do not disappoint.' Matthew O'Donovan (Early Music Today - March/May 2011) 'For many choirs and choral societies the Oxford Book of Tudor Anthems has been a standard source for this wonderful repertoire since it was first published in 1978. This new edition from Novello is now a serious competitor (why have we had to wait so long!). At almost the same price as the OUP volume and with 50 anthems (OUP had 34) this anthology is remarkable value for money. Before considering the contents it is worth mentioning its weight. My choir complains at holding the New Church Anthem Book and this is the same weight as the NCAB paperback (i.e. over a kilogram) and almost A4 in size. Lionel Pike

Voluntary In A / Voluntary In G Minor for Organ. Anonymous edited by Walter Emery.

These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

A setting from the Morning Canticles for SATB Choir and Organ.

These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Composed in 1961

Sequence for SATB Choir. Words adapted from the 'Worcester Fragments'.

A setting of the Magnificat And Nunc Dimittis for mixed voice choir SATB with Organ accompaniment.

Written for two Treble voices and Piano accompaniment (optional).

A stunning Trumpet Concerto composed by Joseph Horovitz in 1963. This version is edited for Trumpet and a Piano reduction of the original orchestral score.

SATB and Organ.

For Unison Choir. For Unison Choir.

For SATB Choir (Piano reduction provided). For SATB Choir (Piano reduction provided).

Full score of Conti's opera. A recording of this work was voted as CD of the month in the BBC Music Magazine August 2007. Full score of Conti's opera. A recording of this work was voted as CD of the month in the BBC Music Magazine August 2007.

A sacred setting by one of the most influential Italian composers of his time.

Twentieth century English composer and teacher Christopher Steel followed the progress of many tonal composers of the last century: initial prominence followed by a passage into obscurity followed by renewed posthumous appreciation. Steel was a composer of integrity and creativity who left a body of work of variety and quality. These Organ works date from the earlier part of his life and comprise Intrada Flourish Nocturne Dance Meditation and Postlude.