This exuberant work for soprano soloist SATB chorus and accompaniment was composed in 1771 (at the age of 15) in Salzburg and is the first of several settings Mozart made for these words. In Latin only - vocal score with piano accompaniment edited by Richard Platt.

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes together with original anthem-style settings of the texts of several well known hymns. Of the sixteen works in this first volume six are published here for the first time including new arrangements by composers of today: Malcolm Archer Rogers Covey-Crump John Joubert Barry Rose and Gavin Williams. The texts cover many seasons of the church's year - Advent Epiphany Passiontide Easter Ascension as well as celebratory occasions such as festival services and weddings.

Dvorak wrote the Slavonic Dances Nos. 4 And 6 in 1878. Here arranged by Stone are the string parts for the dances.

There Is Joy In The Song We Sing composed by Geoffrey Shaw for Unison Voice and Piano Accompaniment.

Gioachino Rossini (1792-1868) referred to his petite messe solennelle as the 'Last mortal sin of my old age'. Written in 1863 for the Countess Louise Pillet-Will and first performed on 14 March 1864 at the consecration of the Countess' private chapel the Mass is one of Rossini's finest achievements and the outstanding work of his 'retirement'. This Vocal score is set for SATB soli SATB chorus Harmonium and two Pianos.

A lively Piano duet full of wit ingenuity and dynamic dance rhythms from this Wiltshire-born composer. Suitable for accomplished performers.

For female or boys' voices. Vocal score (in English and Latin) contains all voice parts and piano accompaniment edited by Desmond Ratcliffe. For female or boys' voices. Vocal score (in English and Latin) contains all voice parts and piano accompaniment edited by Desmond Ratcliffe.

A collection of arrangements of piano works of Eric Satie arranged by Sidney Lawton for clarinet and piano. A collection of arrangements of piano works of Eric Satie arranged by Sidney Lawton for clarinet and piano.

A sequence of carols for three upper voices (male and/or female voices SSA) and instrumental ensemble (or piano). First performed by the Canadian Children's Opera Chorus on 5 December 1987 in Toronto Canada. Vocal score with piano accompaniment.

Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edited by Martin Neary. 'An imaginative kaleidoscope of attractive pieces. There is much to enjoy in this wide-ranging collection.' - John Scott LVO Organist and Director of Music Saint Thomas Church Fifth Avenue New York 'A valuable collection for organists. The fact that it is published in aid of such an important cause makes it all the more appealing.' - James O'Donnell Organist & Master of the Choristers Westminster Abbey Visiting Professor of Organ Royal Academy of Music 'Containing stimulating music for professional and amateur alike thisbeautifully produced volume is one of the highest quality and useful Organ albums to have been released in years. You should buy a copy - you won't regret it.' - Jonathan Vaughn (Choir & Organ - March/April 2011) Produced in association with the Organists Charitable Trust with the support of the Ralph Vaughan Williams Trust this is a collection of 11 pieces for solo organ (ABRSM Grade 6-7). Featuring previously-unpublished works by Howells and Rutter and new works by Philip Moore and three 'rising stars' David Bednall Iain Farrington and Thomas Hewitt Jones. Selected and edited by Martin Neary.

Transcendental sequence Sobre un éxtasis de alta contemplación (Verses written after an ecstasy of high exultation) is a setting of the poem by St John of the Cross. Commissioned by Richard Marlow for the Cambridge University Chamber Choir premiered at Selwyn College in November 1975. The intense individuality of Harvey's music is characterised by emotional opulence and visionary symbolism showing the profound impact of Messiaen and Stockhausen. Harvey has attempted to recreate in musical terms the state of mysterious illusion enacted in the verses.

This was composed in 1978 and the first UK performance was at the Wigmore Hall London on 17 January 1979.

For SATB choirs and organ. For SATB choirs and organ.

The 2002 revised edition of Charles Villiers Stanford's Te Deum Laudamus In B Flat for SATB chorus and Organ accompaniment.

Trevor Wye has selected and arranged eight of Ravel's most famous melodic works creating a collection which will be valued and appreciated by flautists of varying degrees of technical ability. With piano accompaniment. Suitable for grades 3-5.

An anthem for SATB chorus with Organ commissioned by the Friends Of Music Holy Trinity Church Stratford-Upon Avon for 'Shakespeare Sunday' 27th April 2003.

For ATB Choir and Organ. Adapted from the Service in A for SATB Choir.

A sacred oratorio arranged for SATB with piano part. Edited with piano reduction by Watkins Shaw. Paperback Edition.

Written for clarinet violin and piano. Commissioned by the Verdehr Trio and Michigan State University.

The Trois Impressions shows Karg-Elert both at his most Romantic and his most impressionistic. The movements’ nocturnal names – Harmonies du Soir Claire de Lune and La Nuit – are in French as the work is dedicated to Alexandre Guilmant the great French Organist of Trinity church in Paris. Sigfrid Karg-Elert was a German composer active in the early twentieth century whose broad output is eclipsed almost entirely by his works for harmonium and Organ instruments for which he was a gifted and prolific composer. His Organ works include the highly-regarded Sixty-Six Choral Improvisations Twenty Choral Preludes and Postludes amongothers. Many of his works are active in Organ repertoire.