ATB Choir Version. With Organ.

Twenty-four graded pieces from the 13th to 18th centuries transcribed for alto (treble) and tenor recorder. Selected and transcribed by Gordon Saunders. Suitable for players of moderate to advanced level.

An oratorio for SATTB soli SATB chorus and orchestra edited and the piano accompaniment arranged by Vincent Novello.

A two-volume collection of short anthems from the Novello Choral Programme representing five hundred years of church music all suitable for SATB chorus with Organ. Familiar and long-established works are represented alongside many lesser-known and more recent works by composers such as Douglas Guest Philip Rose and Ralph Allwood. Many of the pieces are ideal as Introits and Anthems for general church use whilst other have a more specific intended function within the liturgical calendar. However all are well suited to both devotional and concert performance. The works here are short ranging from straight-forward to technically challenging and more exciting. As a whole the collection features an overwhelming number of choices for choirs of all different sizes and abilities.

James Galway introduces ten pieces by various master composers including Handel Bach Mendelssohn Chopin and Rachmaninov. All tunes are arranged for solo flute with piano accompaniment by Phillip Moll. James Galway introduces ten pieces by various master composers including Handel Bach Mendelssohn Chopin and Rachmaninov. All tunes are arranged for solo flute with piano accompaniment by Phillip Moll.

Both Te Deum and Jubilate Deo were first performed on St. Cecilia's Day 1694 in St Bride's Church London. They were subsequently adopted for use on all the principal festal occasions such as National Thanksgivings and provisional music meetings such as those of the Three Choirs. They retained their popularity until Handel's Dettingen setting superseded them fifty years later. For two sopranos two altos tenor and bass soli SATB chorus trumpets strings and organ. This vocal score includes the organ part. Edited by J.F. Bridge.

For Chamber Organ-Commissioned for the 1990 Peterborough Festival and first performed by Nicholas Danby in July 1990. These preludes were composed for a new instrument by Kenneth Tickell and Co. recently installed in Peterborough Cathedral. Possessing one keyboard 5 stops (no 16-foot) no pedals and no swell-box dynamic levels can be realised by changes in registration only. The cresc. and dim. markings in brackets apply only when performance on a larger organ is envisaged. Duration c. 13 minutes.

C. Hubert H. Parry's That Very Wise Man for SATB. C. Hubert H. Parry's That Very Wise Man for SATB.

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes together with original anthem-style settings of the texts of several well known hymns. Of the seventeen works in this second volume seven are published here for the first time including new pieces by composers of today: John Barnard Indra Hughes Stephen Jackson Bryan Kelly Barry Rose and Gavin Williams. The texts cover many seasons of the church's year - Advent Lent Passiontide Easter Communion Evensong and more.

A selection of pieces by Elgar arranged for organ

The conservation of rainforests is a world issue of concern to us all. Through the study and performance of this musical children can actively learn about the vital preservation process which is needed to save these regions from destruction and over-exploitation. The Emerald Crown is the term given to the luscious green canopy that covers the Amazonian rainforest. Under attack from profit-hungry developers the jungle richness and tranquillity is protected in this story by its animals led by the 'rapper' Toucan and the 'Amazon Aristocrat' Jaguar. Debbie Campbell's witty verses and catchy songs are complemented by Tim Stevens' captivating illustrations whichbring the jungle and animal characters alive making The Emerald Crown an excellent resource for classroom activity as well as performances. Ideal for primary and lower secondary schools (Key Stages 2 – 3). Published in association with the World Wide Fund for Nature: income from the sale and performance of this work benefits the WWF. You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form.

Intrata No 2 was found in a small manuscript book in the library of the Royal College of Music with a dedicated to Sir Walter Adcock on his 80th birthday 29 December 1941. It is a piece that deserves to be included in Howells’s oeuvre.Dated 1969 Flourish for a Bidding was written for the Royal College of Music Centenary Fund was auctioned and bought by Novello & Company. Flourish has a stylistic characteristics in common with Rhapsody No 4 and the Epilogue 1974. St Louis Comes to Clifton was a private publication entitled ‘A Garland for DGAF’ and given to the late Douglas Fox a distinguished one-armed Organist who was Director of Music at Clifton.Herbert Howells is a giantof 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation. He left a body of distinguished Organ music of which these three works are interesting examples. Intrata No 2 was found in a small manuscript book in the library of the Royal College of Music with a dedicated to Sir Walter Adcock on his 80th birthday 29 December 1941. It is a piece that deserves to be included in Howells’s oeuvre.Dated 1969 Flourish for a Bidding was written for the Royal College of Music Centenary Fund was auctioned and bought by Novello & Company. Flourish has a stylistic characteristics in common with Rhapsody No 4 and the Epilogue 1974. St Louis Comes to Clifton was a private publication entitled ‘A Garland for DGAF’ and given to the late Douglas Fox a distinguished one-armed Organist who was Director of Music at Clifton.Herbert Howells is a giantof 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation. He left a body of distinguished Organ music of which these three works are interesting examples.

Old Novello Edition-The Old Novello Edition of Franz Joseph Haydn's Creation oratorio. Franz Haydn's The Creation was composed in 1798. Duration: Approx 1 hour 40 minutes.

Commissioned by the St Asaph Festival Wales and first performed at St Asaph Cathedral by the Chilingrain Quartet. Score available: NOV120543

Taken from Handel's oratorio Saul. Written for SATB choir and piano.

Sonatas IV-VI-The Works of Henry Purcell Sonatas IV-VI

If Ye Then Be Risen is a composition by David Poole-Connor for SATB chorus with Organ Accompaniment. If Ye Then Be Risen is a composition by David Poole-Connor for SATB chorus with Organ Accompaniment.

A setting of words by James Hamilton for SATB Choir and Organ.

Organist and composer A.Herbert Brewer’s swaggering Marche Héroïque became famous at the funeral service of Earl Mountbatten of Burma in 1979 and has remained popular since then.Organ virtuoso and composer Edwin Lemare was the world’s highest-paid Organist at the height of his career in the early 1900’s drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. His Grand Cortège is Orchestral even Wagnerian in style with bold chromatic colourings.Frank Cordell’s Khartoum Fanfare and March features melodic British military themes and was a part of the film’s soundtrack.John Addison's Charge of the Light Brigade also fromthe film develops its military themes with élan.March for ‘The Phoebe’ was written by Percy Whitlock in honour of a naval cruiser launches in 1939 which was adopted by the Country Borough of Bournemouth where the composer was Municipal Organist.John Ireland’s Epic March was originally written for Orchestra in response to a BBC commission for a patriotic march. It is here transcribed for Organ.

Arranged for treble and tenor recorders these six delightful pieces ranging from the vigorous ‘Manage The Miser’ to the dreamy ‘Lulle Me Beyond Thee’ which first appeared in John Playford’s ‘English Dancing Master’ in 1650. Chord symbols are provided for those wishing to add a chordal accompaniment. Ideal for school or home use teaching or fun.