Four-part song from the cantata 'King Olaf'. Words by Longfellow. Piano accompaniment for rehearsal use only. Four-part song from the cantata 'King Olaf'. Words by Longfellow. Piano accompaniment for rehearsal use only.

Celebration' was written for the baroque violinist Maya Homburger in 1994. Its writing coincided with the composition of 'Ceremony' for violin and tape and some of the articulations are common to both pieces. The piece is like an extended cadenza with all the implications of rubato and individual expression open to the performer.

Orpheus With His Lute is a work by Thomas Hyde for Unaccompanied SATB Choir. Dedicated to the memory of the late John McCabe this work is a setting of lines from Shakespeare's Henry VIII. Orpheus With His Lute is a work by Thomas Hyde for Unaccompanied SATB Choir. Dedicated to the memory of the late John McCabe this work is a setting of lines from Shakespeare's Henry VIII. A full performance lasts around 2 minutes. A review in the July/August issue of Choir and Organ magazine stated ' Hyde prioritises communication of the text in a direct manner and the work is only two minutes long but here the style is a perfect recreation of the mid/late 20th-century English partsong.

'Berceuse was commissioned by the Birmingham Chamber Music Society for their Diamond Jubilee Season 2011/12 – the first performance was given by John McCabe on 18th February 2012 at the Adrian Boult Hall Birmingham Conservatoire. It is dedicated to John and Mary Joubert. The piece derives from three sources: the idea of the classical/romantic Berceuse (though in this case not so much a lullaby for children as is sometimes the case) the notion of two alternating themes of equal importance and the style of piano writing in which the main part of the melody is heard in the left hand rather than being right-hand tune plus left-hand accompaniment. The two mainthemes are closely related in style and content and towards the end they are heard together simultaneously in simplified form quietly revealing the dual texture for which the piece has been striving.' John McCabe (2011)

Little David Play On Yo' Harp is a negro spiritual song arranged for unaccompanied SATB chorus by Malcolm Sargent. A piano part is provided for rehearsal purpose only.

POD-This work by Patrick Hawes was inspired by the legend of The Angel of Mons. This is the vocal score for SSA choir with Piano accompaniment. This work by Patrick Hawes was inspired by the legend of The Angel of Mons . This is the vocal score for SSA choir with Piano accompaniment. The legend claims that an angel appeared before members of the British Army at the Battle of Mons in World War 1 supposedly protecting them from the enemy. This work is dedicated to the memory of all the British soldiers who witnessed the apparition of the angel. The Angel Of Mons was premiered in its SATB choir version on 23 August 2014 in St Michael & All Angels Church Edenham Lincolnshire and conducted by the composer Patrick Hawes on the exactcentenary of the apparition of the angel. 'Scored for soprano solo SSA choir harp and strings this reworking by the composer of the original SATB version musically accessible and also offering teaching opportunities about WWI is particualrly suitable for good school choirs. The vocal lines are logical and the word-setting is comfortable'. Organists' Review December 2017

Royal Welcome Songs Part 2 (Hardback)- The Purcell Society Volume 18 (Hardback edition) contains the second part of Henry Purcell’s Royal Welcome Songs . The Purcell Society is dedicated to making his vast list of works available many of which are currently out of print or inaccessible. This volume has been edited by Bruce Wood under the supervision of the Purcell Society. These volumes represent not only the most accurate but also the most authoritative version available. With comprehensive appendices detailed commentary and discussion the original setting of the texts and the full score for SATB Choir and String Quartet and Piano this is a must for any Purcell or Baroque musicenthusiast.

John McCabe 's Pueblo for solo Double Bass. Duration: approx. 7 minutes. Pueblo is an off-shoot of a series of compositions inspired by desert country and it was commissioned by Leon Bosch with the aid of funds provided by North West Arts. The piece is continous falling into several sections and is largeley based on the high circling motif heard at the start and referred to again in the harmonics at the close. It is prefaced by the following quotation from Scenes in American Deserta by Reyner Banham published by Thames and Hudson: 'Clouds high and flat were now building up in thesky the wind was settling to silent calm the weather was very cold and the stream through the center of the pueblo was almost frozen across the Indians chipping out ice to melt down for water.' The aim in writing the piece was to express in musical terms a response to the vivid picture of a scene relating to life in the American desert conveyed by Reyner Banham's text. Although not numbered among other Desert works this belongs to this family of compositions along with another Banham setting written for the King's Singers Scenes In America Deserta. - John McCabe

Eric Thiman 's Honeybrook for SSA Chorus.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

For Flute/Piccolo Oboe Clarinet in Bb Bassoon and Horn in F. For Flute/Piccolo Oboe Clarinet in Bb Bassoon and Horn in F.

The beautiful harmonies leitmotifs and chromaticism that runs throughout 'Tristan and Isolde ' makes it one of Wagner's more representative pieces. It was composed between 1857 and 1859 and 'Vorspiel Und Liebestod' is arranged here for the organ.

Part of the Novello Voices Show Singles series this is a powerful quartet from the hit musical The Phantom Of The Opera. The Novello Voices Show Singles series contains fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

A four-part song arranged for mixed voices SATB. Words by Henry F.Chorley music by Arthur Sullivan. Includes piano part for practice.

Conceived for two pianos by Cyril Scott.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

For Alto Saxophone and Piano.

Novello Voices Choral Suite. Arranged by Barrie Carson Turner for SATB with piano accompaniment. The suite comprises: 'One More Angel In Heaven' 'Close Every Door' 'Benjamin Calypso' 'Joseph's Dreams' and 'Any Dream Will Do'. Music by Andrew Lloyd Webber lyrics by Tim Rice.

Written for orchestra.

Written for Mark Blatchly and the tenors and basses of the Charterhouse special choir.