For alto solo TTBB chorus and piano. English words by W.G. Rothery. A5 Size.

For soprano solo and SSA choir. For soprano solo and SSA choir.

POD-Julian Marshall 's The Voice Of The Ancient Bard is a work for Unaccompanied SATB Choir that sets a poem by William Blake from 'Songs of Experience'. A performance lasts around 3 and a half minutes. Julian Marshall 's The Voice Of The Ancient Bard is a work for Unaccompanied SATB Choir that sets a poem by William Blake from 'Songs of Experience'. A performance lasts around 3 and a half minutes.

These three pieces form a very short instrumental opera based on the life of James Reid a bagpiper in Prince Charlie's Jacobite army who was captured by the English in 1746 and executed after a judge had classified the bagpipes as a weapon. This piece is a string trio version of Sketches from a Bagpiper's Album (1984) for clarinet and piano scored for Violin Cello and Viola. Duration: c. 8 minutes. Score and parts included.

John Joubert 's Three Hymns To St Oswald . Vocal score.

A musical drama composed in 1745. Words by Thomas Broughton.

With words by Henry Kingsley. For female voices.

The festive text of Psalm 150 has been set in many styles over the centuries and here is a new setting of the translation from the Alternative Service Book. This arrangement is taken directly from High Praise (NOV032118).

Herbert Howells first set the Scottish ballad Sir Patrick Spens for Baritone solo choir and orchestra in 1917. The vocal score was published in 1928 and manuscripts of the full score have survived at the Royal College Of Music London and the Bodleian Library Oxford. The work went unheard for over sixty years and any performing materials were lost until the full score and parts were freshly engraved for a performance in 2006 by the Bach Choir Of London.Herbert Howells first set the Scottish ballad Sir Patrick Spens for Baritone solo choir and orchestra in 1917. The vocal score was published in 1928 and manuscripts of the full score have survived at the Royal College Of Music London and the Bodleian Library Oxford. The work went unheard for over sixty years and any performing materials were lost until the full score and parts were freshly engraved for a performance in 2006 by the Bach Choir Of London.

Poems by Hart Crane from White Buildings set by Thea Musgrave for womens' voices piano and percussion. Black Tambourine was commissioned by the Musart Singers who gave the first performance at the Gallery Theatre Los Angeles on 31 May 1986. Duration c. 17 minutes.

Full Score-Henry Purcell's Thy Genius Lo! for Bass and Continuo 2nd setting for Soprano and Continuo. Duration: Approximately 6.5 minutes Henry Purcell's Thy Genius Lo! for Bass and Continuo 2nd setting for Soprano and Continuo. Duration: Approximately 6.5 minutes

Bushes and Briars is an Essex folk-song noted and arranged for four men's voices TTBB by Ralph Vaughan Williams. A piano part is included for rehearsal purpose only.

Score and parts. From Purcell Society Volume 17 - Sacred Music.

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watched and heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and

This quartet lasts about nine minutes. Composed in April 1996 it is dedicated to the memory of Nicola LeFanu 's father William LeFanu (1904-1995) and Elizabeth Maconchy (1907-1994). The quartet was commissioned for the 1997 London International String Quartet Competition.

A set of five folksongs for high voice with Horn and Piano accompaniment. The songs were written in 1976 and first performed at the ISM Centre Derby in July 1979.

Work for 4 Trumpets 2 Tenor Trombones and 2 Bass Trombones.

Sacred Music Part 3 Seven Anthems (Hardback)-Paperback edition available: NOV151017.

The first performance of Two Scenes from Edward II arranged for piano-duet took place on 19th March 2013 at Bishopsgate Hall London for the City Music Society played by Joe Tong and Waka Hasegawa. The first performance of Two Scenes from Edward II arranged for piano-duet took place on 19th March 2013 at Bishopsgate Hall London for the City Music Society played by Joe Tong and Waka Hasegawa.

This is the Study Score for the Orchestral Version of Geoffrey Bush 's Christmas Cantata scored for Oboe Soprano Voice SATB Chorus and Strings.