The slow and delicate setting of an anonymous medieval text for solo Soprano and SATB chorus by Francis Pott. The piece includes full Organ accompaniment.

A regal and challenging work for the solo Organist.

Edited by Lionel Pike. Anthem for voice choir soloists strings keyboard and instrumental continuo.

John Gardners Four Rounds To Shakespeare Texts for SATB choir unaccompanied. John Gardner 's Four Rounds To Shakespeare Texts for SATB choir unaccompanied.

A remarkable and imaginative setting of Edward Lear nonsense poems for unaccompanied chorus written for the William Byrd Singers.

A setting of a text by Andrew Lang for full mixed chorus by Edward Elgar. Piano accompaniment is provided as a rehearsal guide only..

Goldfinger will always call to mind Shirley Bassey ’s assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry Leslie Bricusse and Anthony Newley it became the definitive in-your-face Bond song before the series’ theme tunes became quieter and more pop-oriented. This version has been arranged for TTBB choir with piano accompaniment by Thomas Lydon.

Canzonet for four voices.

Full Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati. Orchestra 2 Horns Traversa 2 Oboes Bassoon Strings Basso Continuo Full Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati. Orchestra 2 Horns Traversa 2 Oboes Bassoon Strings Basso Continuo

Edward Elgar 's For The Fallen for SATB Chorus.

Set of pieces for Organ.

Novello Voices Show Singles (From Aspects Of Love) Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

Lute-Book Lullaby was written in 2012 for the Oxford-based choir Commotio and their director Matthew Berry in admiration and gratitude' for their work performing and recording many of the composer's works in previous years. This short carol setting text from the William Ballet's Lute Book (early 17 th cent.) is also included in the Christmas choral collection Noël! 3 (NOV310838)

Short work for for Viol Consort commissioned by the South Bank Centre for the Purcell Tercentenary and premiered by Fretwork at the Purcell Room in 1995.

On Gratitude Love And Madness- The six poems set here are all to be found in '100 Poems on the Underground'. For SATB (divisi) A Cappella.

I Don't Know How To Love Him one of the showstoppers from 'Jesus Christ Superstar' is arranged here by Jeremy Birchall for SSA Choir with Piano Accompaniment. Composed by Andrew Lloyd Webber with lyrics by Tim Rice the song is often rated as the high point of the musical. I Don't Know How To Love Him one of the showstoppers from 'Jesus Christ Superstar' is arranged here by Jeremy Birchall for SSA Choir with Piano Accompaniment. Composed by Andrew Lloyd Webber with lyrics by Tim Rice the song is often rated as the high point of the musical.

King Arthur (Arr. Laurie)- King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera; the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers or servants shepherds and similar characters the main action mostly occurs in the spoken sections and even the two singing characters Philidel and Grimbald speak more than they sing.

Catches (Cloth Bound)-A beautifully-presented cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Paperback edition available: NOV151103. A beautifully-presented cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Paperback edition available: NOV151103.

For SATB Choir and Organ. For SATB Choir and Organ.

A two-part song (SA) with piano accompaniment. Words by William Wordsworth.