Herbert Howells was an English composer organist and teacher well-known for his Anglican church music. Stabat Mater was written in 1963 for the Bach Choir and is scored for Tenor Solo SATB Choir and Full Orchestra. The Vocal Score is available: NOV070479 Herbert Howells was an English composer organist and teacher well-known for his Anglican church music. Stabat Mater was written in 1963 for the Bach Choir and is scored for Tenor Solo SATB Choir and Full Orchestra. The Vocal Score is available: NOV070479

Dante/Requiem Mass-Commissioned by Professor Nicholas Childs and the Black Dyke Band and supported using public funding by Arts Council England. The first performance was given at the Royal Northern College of Music Manchester on 27 January 2018 as part of the RNCM Festival of Brass by the Black Dyke Band with the Sheffield Philharmonic Chorus conducted by Darius Battiwalla. Paul Mealor's Paradise for SATB and Brass Band.

Invite To Eternity. Settings of poems by John Clare for tenor voice and string quartet. Invite To Eternity. Settings of poems by John Clare for tenor voice and string quartet.

For Two Sopranos and Organ. Version for 2 Sopranos and Organ.

Vocal Score for George Frideric Handel's Solomon arranged for Tonic Sol-fa.

Four-part song based upon words from 'The Fair Maid of the Exchange' for SATB voices with Piano accompaniment provided for rehearsal. Four-part song based upon words from 'The Fair Maid of the Exchange' for SATB voices with Piano accompaniment provided for rehearsal.

In the words of Laurence Perkins 'I feel that this challenging satisfying and musically very substantial sonata is one of the most important works for the solo bassoon in several years.' Commissioned by South West Arts this work was first performed by Michael Hancock and Laurence Perkins in February 1993 for Elizabeth's Music Society in the English coastal resort of Seaton. Score and part.

Tarik O'Regan's The Night's Untruth for SATB chorus Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of VocalEssence. ' The Night's Untruth explores the use of sleep as metaphor by dint of excerpts from poems written in the 17th to 20th centuries. Death love fear ecstasy isolation dreaming and rest are all textual variations on the theme of sleep and can be found in the chosen texts. The work's title is taken from a line in a poem by Samuel Daniel (1562-1619) and speaks tothe composition's focus on sleep as a parallel possibly dystopian existence to the one experienced in our waking hours.' - Tarik O'Regan March 2010 Scored for brass quintet organ and SATB choir with (minor) divisi and occasional moderately demanding solos for tenor and soprano this evocative 16-minute work probes the mystery of sleep with texts from poems by Keats Samuel Daniel Shakespeare and Hart Crane: 'death love fear ecstasy isolation dreaming and rest' are the themes O'Regan explores through these texts in a work as episodic as a disturbed night with the title creating a 'focus in sleep as a parallel possibly dystopian existence' . - Organists' Review

Version with alternative English translation by C. Hylton Stewart. Motet for SATB A Cappella suitable for Saints' Days.

For SATB Divisi Chorus Unaccompanied-Drop Drop Slow Tears is a choral piece for unaccompanied SATB (Soprano/Alto/Tenor/Bass) chorus composed by Graham Ross in 2003. First performed by the Royal College of Music Junior Chamber Choir Drop Drop Slow Tears is anupdated choral setting of a 17th century poem by Phineas Fletcher. Graham Ross is an acclaimed composer and director who takes great pleasure in reviving forgotten or lesser-known works for a contemporary audience. The sheet music for this piece provides the parts for Soprano Alto Tenor and Bass voices as well as a Piano accompaniment for rehearsal purposes. Drop Drop Slow Tears is a divine choral piece with beautifully poetic lyrics set to glorious harmonies. Your audiences will love the gorgeous melody of Graham Ross 's expert composition. Drop Drop Slow Tears is a choral piece for unaccompanied SATB (Soprano/Alto/Tenor/Bass) chorus composed by Graham Ross in 2003. First performed by the Royal College of Music Junior Chamber Choir Drop Drop Slow Tears is an updated choral setting of a 17th century poem by Phineas Fletcher. Graham Ross is an acclaimed composer and director who takes great pleasure in reviving forgotten or lesser-known works for a contemporary audience. The sheet music for this piece provides the parts for Soprano Alto Tenor and Bass voices as well as a Piano accompaniment for rehearsal purposes. Drop Drop SlowTears is a divine choral piece with beautifully poetic lyrics set to glorious harmonies. Your audiences will love the gorgeous melody of Graham Ross 's expert composition.

The Two Adams is a work for Unaccompanied SATB chorus composed by Christopher Borrett . The piece is a setting of a poem by John Donne called 'Hymn To God My God In My Sickness'. The Two Adams is a work for Unaccompanied SATB chorus composed by Christopher Borrett . The piece is a setting of a poem by John Donne called 'Hymn To God My God In My Sickness'.

Anthem by Thomas Attwood for SATB Choir and Organ. Text: From Psalm 119. Short Chorus from Handel's Oratorio Joseph .

Litany is the first chorus from Edward Elgar ’s ‘The Dream of Gerontius’ scored for SATB Voices and Organ or Piano accompaniment in this Novello edition. The Dream of Gerontius Op. 38 is a work for Voices and orchestra in two parts composed by Edward Elgar in 1900 to text from the poem by John Henry Newman. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory. Litany is sung by the chorus (‘Assistants’) after Gerontius’ deathbed prayer. Elgar disapproved of the use of theterm 'oratorio' for the work though his wishes are not always followed. The piece is widely regarded as Elgar 's finest choral work and some consider it his masterpiece. Sir Edward Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations the Pomp and Circumstance Marches concertos for Violin and Cello and two symphonies. He was appointed Master of the King's Musick in 1924.

An arrangement for four-part voices of the celebrated Largo. Words by Leigh Kingsmill.

Patrick Hawes' Blue in Blue for SATB and Harp (or Piano). Duration: 4 minutes Patrick Hawes' Blue in Blue for SATB and Harp (or Piano). Duration: 4 minutes

West 'The Fisher Boy' arranged for mixed voice choir SATB.

Arranged for Organ by O.H Peasgood

Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii Sackey Codjoe who came to England from Ghana as an illegal worker. Sackey's goal was to make money to give himself a better future in his home country but he was made redundant with the result that his life fell apart. He gambled and drank away all the money he had saved and eventually died of heart failure. Sackey's story is all too common but none the less tragic for that. He left no children and his warmth and laughter were blotted out by a world for which he was not adequately equipped leaving nothing behind. Nobody except a handful of kind Ghanaian church people came to hiscremation which was paid for by the hospital where he died. In the piece a simple 25-bar refrain is gradually transformed recurring four times. These four refrains are interspersed by four episodes which give a musical portrait of aspects of Sackey's life and character. After the fourth refrain comes the final section Valediction in which we hear his pulse (represented by flute horn and viola) falter and cease while the harp quietly plays the melody of a hymn which was a favourite of Sackey's: 'Rock of ages cleft for me Let me hide myself in thee...'

Scored for SATB and Organ. Written for and dedicated to Alec Wyton at the Cathedral of St. John the Divine New York.

Carl Rüttis O Nata Lux De Lumine for SATB choir unaccompanied. Carl Rutti 's O Nata Lux De Lumine for SATB choir unaccompanied.