For Trombone and Vibraphone. Score includes playing part. For Trombone and Vibraphone. Score includes playing part.

Paul Mealor's Spectred Light score and parts for flute (dbl piccolo) clarinet in Bb and piano (dbl suspended metal wind chimes). The title of Paul Mealor's Spectred Light refers to the ghostly lights sometimes seen at night or twilight over rivers or lakes. Tales of the ‘Spectred Lights’ can be found in numerous folk tales around the world and it is often depicted as a malicious character in these stories. In Welsh folklore it is said that the light is 'fairy fire' held in the hand of a ‘pwca’ - a small goblin-like fairy that leads lone travelers off the beaten path at night. As the traveller follows the pwca through the marsh the fire is extinguished leaving the man lost. This short work for Flute Clarinet and Piano is an attempt to depict through sound thisstrange phenomenon. The piece flickers into life and though a series of asymmetric variations leads the listener into a maze of aural colours. As the music reaches breaking point it disappears upwards and dissolves into metal wind-chimes. Out of this a short respite is heard before the music finally hurtles into its finale – a blaze of virtuosity. Spectred Light was commissioned by and dedicated to virtuoso clarinetist Esther Lamneck.

A setting from the Office Of Holy Communion in E flat by Frank Adlam with text in English.

For SATB Choir A Cappella. Text: Henry VIII For SATB Choir A Cappella. Text: Henry VIII

This authentic arrangement of ten movements from the Water Music suites dates from Handel’s lifetime but is published here for the first time edited by the distinguished Handel scholar Donald Burrows. Its simple light scoring makes it excellently suited to use by schools and small instrumental groups. It can be performed in many different combinations from the original two violins bassoon and continuo to string quartet or wind-based group.

A companion to six sonatas written for two-manuals and pedals. The sonatas are:-No.1 in E flat-BVW 525; No.2 in C minor-BVW 526; No.3 in D minor-BVW 527; No.4 in E minor-BVW 528; No.5 in C-BVW 529 and No.6 in G-BVW 530. A companion to six sonatas written for two-manuals and pedals. The sonatas are:-No.1 in E flat-BVW 525; No. 2 in C minor-BVW 526; No.3 in D minor-BVW 527; No.4 in E minor-BVW 528; No.5 in C-BVW 529 and No.6 in G-BVW 530.

SATB Carol with Organ

Arnold's first chamber symphony in three movements written in 1954 published in study score format for the first time.

Magnificat and Nunc Dimittis Mens Voices (ATB) with Organ.

Percussion and chamber orchestra. First performed 27 June 1990 Evelyn Glennie Percussion Scottish Chamber Orchestra.Solo Part and piano reduction.

West 'Lacking My Love' arranged for mixed voice choir SATB.

Composed in 1983 for Clarinet and optional drum accompaniment.

For SATB Choir A Cappella. For SATB Choir A Cappella.

A traditional French Carol arranged for SATB Choir and Organ by Stephen Jackson.

Lo! Christ The Lord Is Born is actually the second coming of this carol. Elgar and his wife sent the work out as a part-song Grete Malverne on a Rock in 1897 as their Christmas card. The poet Shapcott Wensley librettist of The Banner of St George set his words to the tune and it was published as this carol in 1909.

POD-Only selected works by this publisher are included in the catalogue. Joseph Fili David is a work by Matthew Owens for Upper Voices and Organ Accompaniment. A setting of Matthew 1:20 the piece lasts around 3 minutes.

Work for Soprano and Chamber Ensemble. Text: After Chinese Yuan Dramas.

West 'Woodmen Shepherds Come Away' arranged for mixed voice choir SATB.

A blissful pastoral song for the summer months by Robert Pearsall written for un accompanied SATB chorus. A blissful pastoral song for the summer months by Robert Pearsall written for un accompanied SATB chorus.

For SATB chorus with organ accompaniment. First performed in the autumn of 1980 by the choir of St. Augustine's Birmingham directed by Norman Dyson. Duration approx. 9 minutes. For SATB chorus with organ accompaniment. First performed in the autumn of 1980 by the choir of St. Augustine's Birmingham directed by Norman Dyson. Duration approx. 9 minutes.