The vocal score for John Joubert 's Incantation scored for Unaccompanied SATB Chorus and Soprano Solo. Featuring words from the play 'The Resurrection' by W.B. Yeats a performance would last around 10 minutes. The vocal score for John Joubert 's Incantation scored for Unaccompanied SATB Chorus and Soprano Solo. Featuring words from the play 'The Resurrection' by W.B. Yeats a performance would last around 10 minutes.

This is the Full Score and Parts for The Voices Of Our Ancestors by Thea Musgrave . This work is scored for a chorus with soloists (Soprano Mezzo-Soprano Tenor and Baritone) Brass Quintet and Organ. A full performance of the work lasts around 30 minutes. The text for The Voices Of Our Ancestors is drawn from 12 poems that are united in their attempt to answer the question of human existence. Inspired by these poems Musgrave composed this work which was first performed on 9th July at St Bride's church Fleet Street as part of the City of London Festival. This is the Full Score and Parts for The Voices Of Our Ancestors by Thea Musgrave . This work is scored for a chorus with soloists (Soprano Mezzo-Soprano Tenor and Baritone) Brass Quintet and Organ. A full performance of the work lasts around 30 minutes. The text for The Voices Of Our Ancestors is drawn from 12 poems that are united in their attempt to answer the question of human existence. Inspired by these poems Musgrave composed this work which was first performed on 9th July at St Bride's church Fleet Street as part of the City of London Festival.

Version for Bass-Baritone and Piano. The texts for the work were taken from the Oxford Dictionary of Nursery Rhymes.

Handel 'S Hercules Edited By Peter Jones Is Available Here As A Full Set Of Instrumental Parts . With A Libretto By Thomas Broughton This Version Was Composed In 1744 With Its First Performance The Following Year At The King'S Theatre Haymarket London. Handel 's Hercules edited by Peter Jones is available here as a full set of Instrumental Parts . With a libretto by Thomas Broughton this version was composed in 1744 with its first performance the following year at the King's Theatre Haymarket London.

Tarik O' Regan 'S Corsair For Amplified Oud And Orchestra. Based On Themes From 'Acallam Na Senórach' And 'Chaâbi'. Tarik O' Regan 's Corsair for amplified Oud and Orchestra. Based on themes from 'Acallam na Senórach' and 'Chaâbi'.

I Dreamed A Dream is one of the most successful musical numbers of all time having transformed its popularity from the stage into a global chart topper for the numerous artists who have covered and performed it. Taken from ‘Les Misérables’ the song is a lament sung by the anguished Fantine who thinks back to happier days and wonders at the path her life has taken. Arranged for SSA chorus with Piano accompaniment this is an excellent piece for choirs looking for a well-known emotional highlight for their repertoire or climax to a choral pop concert programme.

Very short work for clarinet written to celebrate the 60th birthday of Elliott Schwarz.

Weary With Toil I Haste Me To My Bed is a work by Pawe ukaszewski for Unaccompanied SSATBB Choir. A setting of William Shakespeare's Sonnet 27 a full performance lasts around 4 minutes. Weary With Toil I Haste Me To My Bed is a work by Pawe ukaszewski for Unaccompanied SSATBB Choir. A setting of William Shakespeare's Sonnet 27 a full performance lasts around 4 minutes. A review in the July/August issue of Choir and Organ magazine stated that 'the composer manages to allow the sonnet to unfold as a single utterance with minimal repetition...resulting in one of [ ukaszewski's] most imaginative choral scores.

Since The Duke Is Return'd is a work by Henry Purcell a catch for three voices. The piece lasts around 2 minutes. This piece is number 31 from 'Catches' edited by Ian Spink [Purcell Society Edition Vol. 22A]. Since The Duke Is Return'd is a work by Henry Purcell a catch for three voices. The piece lasts around 2 minutes. This piece is number 31 from 'Catches' edited by Ian Spink (Purcell Society Edition Vol. 22A).

For SATB Choir A Cappella. Piano reduction provided for rehearsal purposes. For SATB Choir A Cappella. Piano reduction provided for rehearsal purposes.

The Lord Is In His Holy Temple an anthem composed by Edward Henry Thorne for SATB choir with Organ Accompaniment.

Mendelssohn 's ' How Lovely Are The Messengers ' arranged for SS or SA with Piano accompaniment.

This Christmas song for unaccompanied Female Voices SSA displays Phillips’s great gift for melody and his unerring taste in harmony.Composer Organist and teacher Montague Phillips was one of the many accomplished and talented British composers who published serious work but who were far better known for their light music. Phillips was married to a star of the early 20th century stage and together they had a great success with his operetta The Rebel Maid in 1921. Some of his light works are still performed.

Composed in 1902.

Work for Organ by the Nigerian concert organist.

A madrigal for the summer months by John Wilbye arranged for the upper voices by H.A. Chambers. Piano accompaniment is included for rehearsal.

John E. West's Allegretto Grazioso is a lively and spirited piece composed for solo Organ. John E. West's Allegretto Grazioso is a lively and spirited piece composed for solo Organ.

This short single-movement work for Organ published in 1931 invokes the healing balm of medicinal herbs through the use of a hymn-like melody over a steady underpinning of accompaniment. Benedictus has been a favourite among church Organists for decades.Twentieth century British composer Alec Rowley was also an Organist pianist and dedicated teacher. Many of his compositions are miniatures and works appropriate for amateur musicians though he also gained renown through his large-scale works performed at the Promenade Concerts and elsewhere.

Seven pieces for Organ (1919).

This pair of Organ works is clearly in Dyson’s later style when he displayed a leaner more modern aesthetic that is still tuneful and approachable.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s works for unison Voice and church music – in particular his two settings of the Magnificat and Nunc Dimittis – have remained active in the Anglican repertoire.