10 Sonatas Of Four Parts (Full Score)-The Works of Henry Purcell Volume 7 Full Score.

This is the Flute Part for Giles Swayne 's work Ophelia Drowning for Flute and SATB Chorus. The Flute in this work represents Ophelia and the voices are those of the horrified spectators of her death. This is a beautiful work and will provide an enjoyable challenge to the advancing and accomplished flautists alike. A performance lasts around 9 minutes. This is the Flute Part for Giles Swayne 's work Ophelia Drowning for Flute and SATB Chorus. The Flute in this work represents Ophelia and the voices are those of the horrified spectators of her death. This is a beautiful work and will provide an enjoyable challenge to the advancing and accomplished flautists alike. A performance lasts around 9 minutes.

Work for Organ

Spielend for two violins was written during the summer and early autumn of 2003 and is based on the idea of the two instruments not only playing the instruments but also playing in the sense of sport i.e. playing their themes off against each other and playing with the musical material. There are times for instance when they seem to be having a contest to see who can finish the themes first or who can divert the other’s attention to a new texture or rhythm. The title the German word for 'playing' also refers in a way to the composer himself exploring the themes harmonies and rhythms - particularly notable in this respect is the large central slow section which contraststwo altered reminiscences of the Violin Sonata of Poulenc (a composer whose music is very dear to me) with the gradual expansion of a fugue from two parts to eight (four in each violin). Fugue after all is in a sense an example of a composer making sport however seriously with the themes. So the work is a kind of extended musical pun lasting about fifteen minutes in all and being performed without a break. Though the central section is slow the outer ones are quick and energetic emphasizing especially the idea of activity and vigour - the ending however may catch the unwary listener by surprise. The first performance was given by Philippa Mo and Peter Sheppard Skærved in Leighton House London on 7th May 2004. 'John McCabe's new 'Spielend' strikes me as a miniature masterpiece: a highly charged 15-minute piece in which the violins chase or echo each other in a thousand different ways including a fugure in which as with Bach two instruments seemed to suggest a dozen voices.' - Richard Morrison The Times 11/05/2004

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

Gaudiana was first performed at L’Auditori Barcelona Spain on 2 3 and 4 December 2005 by the Orquestra Simfònica de Barcelona i Nacional de Catalunya conducted by Rumon Gamba.

POD-How Sweet I Roamed is a work by Julian Marshall for Unaccompanied SATB Choir. Setting two texts from poems by William Blake a full performance lasts around 5 and a half minutes. How Sweet I Roamed is a work by Julian Marshall for Unaccompanied SATB Choir. Setting two texts from poems by William Blake a full performance lasts around 5 and a half minutes.

Song for Medium Voice in the Key of F with Piano accompaniment by George Frideric Handel. With words by W.G Rothery.

This work was composed in 1951 for Piano and Strings. This edition is the Piano Solo part which also includes Piano II which is the reduction for Orchestra.

This is the Full Score for composer Patrick Hawes' beautiful work The Angel Of Mons featuring all six movements. This work is arranged for solo Soprano SATB Chorus Harp and Strings and was composed in memory of the British soldiers who supposedly witnessed an apparition of an angel during World War I. The premiere of The Angel Of Mons was on 23rd August 2014 in St Michael and All Angels Church Edenham Lincolnshire and conducted by Patrick Hawes himself on the exact centenary of the apparition of the angel. The inspiration comes from a mythical story around the Battle of Mons during World War One where a group of soldiers supposedly received divine help from'angels'. The story arose from a fictional short story by a writer that came to be known as fact despite the author's desperate pleas otherwise. The work lasts approximately 25 minutes and therefore would make for a hugely enjoyable concert especially a World War I memorial concert. The Vocal Score can also be purchased separately here. This is the Full Score for composer Patrick Hawes' beautiful work The Angel Of Mons featuring all six movements. This work is arranged for solo Soprano SATB Chorus Harp and Strings and was composed in memory of the British soldiers who supposedly witnessed an apparition of an angel during World War I. The premiere of The Angel Of Mons was on 23rd August 2014 in St Michael and All Angels Church Edenham Lincolnshire and conducted by Patrick Hawes himself on the exact centenary of the apparition of the angel. The inspiration comes from a mythical story around the Battle of Monsduring World War One where a group of soldiers supposedly received divine help from 'angels'. The story arose from a fictional short story by a writer that came to be known as fact despite the author's desperate pleas otherwise. The work lasts approximately 25 minutes and therefore would make for a hugely enjoyable concert especially a World War I memorial concert. The Vocal Score can also be purchased separately here.

Score for Choir 5 and Choir 6 only from this work for Cello and 8 Choirs.

Novello Choral Pops: Christmas Pops For Female Choirs features five superb arrangements of Christmas favourites for female voices guaranteed to add sparkle and glitz to every choral concert. Wonderful Christmastime is a typically melodic Paul McCartney number composed for the holiday season. All I Want for Christmas Is You evokes Mariah Carey or for devotees of the film 'Love Actually' the adolescent Olivia Olson. Santa Baby is Eartha Kitt’s Christmas wish list from 1953 while Little Saint Nick is The Beach Boys’ homage to Santa’s sled. Finally and gloriously comes The Pogues’sublime piece of musical domestic rivalry Fairytale Of New York . All are expertly arranged for SSA choir with Piano accompaniment and range from easy to intermediate level singing. This mix of fun and mischievous Christmas songs will put a smile on the faces of choir and audience alike.

for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in Two Movements for Cello and Chamber Orchestra was first performed on Sunday 4th March 2012 in St Mary’s Church Shrewsbury by the Northern Chamber Orchestra conducted by Jonathan Berman with cellist Raphael Wallfisch. This edition is for Cello and Piano (reduction from the chamber orchestra score). Written for the composer's daughter Anna. John Joubert’s Concerto in Two Movements for Cello and Chamber Orchestra was first performed on Sunday 4th March 2012 in St Mary’s Church Shrewsbury by the Northern Chamber Orchestra conducted by Jonathan Berman with cellist Raphael Wallfisch. This edition is for Cello and Piano (reduction from the chamber orchestra score). Written for the composer's daughter Anna.

An operatic frolic.

A huge hit for Adele in 2011 Someone Like You has here been expertly arranged by Chris Hussey for choirs seeking a powerful centrepiece to their repertoire. Full of gripping emotion and resolve this dignified tale of romantic reflection won Adele the 2012 Grammy for Best Pop Solo Performance and now choirs too can reap the rewards of this show stopping signature tune. Arranged here for SSA with piano accompaniment.

Philip Moore 's Paean (2010) for Organ. Duration: approx. 2 1/2 minutes. 'Every bar of philip Moore's Paean is beautifully considered.' - Geoffrey Webber of choirandorgan.com 'This cheerful piece by Philip Moore is another work extracted from the Organists' Charitable Trust Little Organ Book. As ever with one of the UK's finest composers of traditional modern' organ music the work is literate idiomatic and pleasing to the ear. Making only moderate technical demands yet being full of colour and character this would be an excellent voluntary or recitalwork for any organist.' Sunday By Sunday December 2017

Taken from Purcell Society Volume 1 Yorkshire Feast Song.

Full score for Henry Pucell's Praise The Lord O Jerusalem . Full score for Henry Pucell's Praise The Lord O Jerusalem .

28 pieces for flute ensembles-A tremendous bumper collection of pieces for flute ensembles from duos to quintets some with piano accompaniment making them ideal for any occasion - especially concerts. These twenty-eight entertaining pieces are complete with interesting background notes and make a delightful addition to any Flute ensemble's repertoire.

A series of the finest songs for close harmony TTBB singing taken from the bestselling Novello Barbershop Songbook . Renowned vocal arranger Nicholas Hare has added helpful performance notes to each of the songs which are given delightful fresh and modern-sounding treatments. Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir) the songs are notated on two staves for easy piano rehearsal.