The intertwining of women’s voices in Gustav Holst ’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes. As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable – a compositional characteristic still well received and appreciated by performers and audiences today.

While Darke composed extensively for Choir and Organ he wrote many fewer works for solo Organ. The first of the set St Peter dedicated to Herbert Howells is the best known of the three atmospheric and improvisational and Orchestral in style. The second prelude a fantasia on Darwell’s 148th is a virtuosic piece that retains its musical integrity. The final on a theme by Tallis begins by tranquilly setting out its theme before moving into romantic Orchestral style. Harold E. Darke was an English composer and Organist of international renown. In 1916 he established the Monday lunchtime Organ recitals at St Michael’s Cornhillwhich continue to this day the longest-running such series in the world. His setting of Christina Rosetti’s poem In the Bleak Midwinter created a melody and lilting Organ accompaniment that have never fallen from favour. It is regarded as one of the greatest Christmas carols and is still sung at the service of Nine Lessons and Carols.

This work Jubilant March for Organ is one of many original works that Stainer composed for Novello. It suggests that the high esteem in which Stainer was held by his contemporaries for the excellence of his Organ playing was not misplaced and is quite a rare Stainer work by virtue of its non-religious nature.John Stainer’s life coincided almost exactly with the reign of Queen Victoria. From his humble beginnings as the son of a cabinet maker he rose through his own brilliant musical gifts application and vision to become one of the most celebrated musical persons of his time. He is still remembered for having reOrganized the St Paul’s choir and for raising musicalstandards among church musicians in general and for his pioneering musicological research into early music. His hymns and arrangements of carols retain some popularlity today as does his Passiontide oratorio The Crucifixion.

Part song for Unison Voices and Piano.

English Words By T Attwood Walmisley.

Composed in 1907.

Light Out Of Darkness for SATB and Organ from The Light of Life Op. 29 by Edward Elgar.

Written for unaccompanied SSATB choir. Also known as the Motet For The Circumcision. Text from Deuteronomy 30 vv.4-6 8.

for Upper Voices and Organ-Only selected works by this publisher are included in the catalogue. Preces And Responses is a work for Upper Voices and Organ Accompaniment by David Terry written for the trebles of the London Oratory School Chamber Choir.

Full Score for Faith's Call by Paul Mealor for baritone solo SATB chorus and orchestra. Full Score for Faith's Call by Paul Mealor for baritone solo SATB chorus and orchestra.

Away In A Manger is young composer Owain Park 's original composition that sets the text of the popular Christmas carol to a wonderful new melody. Lasting around 2 minutes this beautiful work is arranged for Upper Voices and Piano and would make an excellent addition to any festive carol concert. In the March 2016 edition of Organists' Review Rebecca Tavener writes that it is a most welcome re-invention of a carol and a great training exercise as well as fun to sing. As well as being an award-winning composer Park also conducts sings and plays the Organ currently holding the post of Organ Scholar at Trinity College Cambridge. Away In A Manger is young composer Owain Park 's original composition that sets the text of the popular Christmas carol to a wonderful new melody. Lasting around 2 minutes this beautiful work is arranged for Upper Voices and Piano and would make an excellent addition to any festive carol concert. In the March 2016 edition of Organists' Review Rebecca Tavener writes that 'it is a most welcome re-invention of a carol' and 'a great training exercise as well as fun to sing.' As well as being an award-winning composer Park also conducts sings and plays the Organ currently holding the post of Organ Scholarat Trinity College Cambridge.

First performed on 14th March 2008 at The Cadogan Hall London by The English Chamber Orchestra The Tallis Chamber Choir and Conventus conducted by the composer. For SATB divisi chorus and piano.

That Music Always Round Me was commissioned by the Cali School of Music Commissioning Project for the Montclair State University Singers conducted by Heather J. Buchanan to celebrate the opening of the new John J. Cali School of Music building.

The Lord Is My Shepherd Psalm 23 scored for female voices SSAA by Franz Schubert.

Nocturns' was written in 1990 and takes its title from one of the divisions of the old Church Office of Matins. The texts from Herrick Lamb and anonymous medieval verse are linked to form a fleeting anxious landscape immediately recognisable by the habitual insomiac. This work for mixed voices two pianos and percussion was commissioned by Manchester Chorale and was first performed in March 1991 at the Royal Northern College of Music. 'Nocturns' was written in 1990 and takes its title from one of the divisions of the old Church Office of Matins. The texts from Herrick Lamb and anonymous medieval verse are linked to form a fleeting anxious landscape immediately recognisable by the habitual insomiac. This work for mixed voices two pianos and percussion was commissioned by Manchester Chorale and was first performed in March 1991 at the Royal Northern College of Music.

Organ Part POD-Carl Rutti's De Virgine Maria for SATB divisi chorus with Organ accompaniment. Organ part. This work is dedicated to Stephen Cleobury and the Choir of King's College Cambridge. It was commissioned by the College for 'A Festival of Nine Lessons and Carols 2014'. Carl Rutti 's De Virgine Maria for SATB divisi chorus with Organ accompaniment. Organ part. This work is dedicated to Stephen Cleobury and the Choir of King's College Cambridge. It was commissioned by the College for 'A Festival of Nine Lessons and Carols 2014'.

John Joubert's O Eternal God arranged for SATB choir unaccompanied. Commissioned by Nicholas Fisher for the Choir of Gloucester Cathedral in celebration of the composer's 90th birthday on 20 March 2017 and dedicated to the memory of Michael Perham (died 17 April 2017) bishop and liturgist. John Joubert's O Eternal God arranged for SATB choir unaccompanied. Commissioned by Nicholas Fisher for the Choir of Gloucester Cathedral in celebration of the composer's 90th birthday on 20 March 2017 and dedicated to the memory of Michael Perham (died 17 April 2017) bishop and liturgist. 'John Joubert continues to produce choral gems'. Choir & Organ December 2017

Anthem for Soprano and Tenor soloists SATB Choir and Piano accompaniment taken from the larger work 'The Darkest Hour'.

Stand Up And Bless The Lord by Arthur Bliss for SATB choir with Organ accompaniment.

Written for SSA chorus and piano.