Anthem for Unison Voices (with Descant) and Organ.

An anthem written for harvest arranged for SATB choir and organ.

Four Characters for clarinet and piano arranged by Angela Morley is intended for the intermediate player (Grade 1V). This selection of pieces has been chosen for players to bridge the gap between learning an instrument and playing 'real'music. This collection is part of a series for many different instruments with limited technical ability. Four Characters for clarinet and piano arranged by Angela Morley is intended for the intermediate player (Grade 1V). This selection of pieces has been chosen for players to bridge the gap between learning an instrument and playing 'real'music. This collection is part of a series for many different instruments with limited technical ability.

O Come Quickly Sweetest Lord is a composition by J. Philip Marshall that sets words by poet Thomas Campian for Unaccompanied SATB chorus. O Come Quickly Sweetest Lord is a composition by J. Philip Marshall that sets words by poet Thomas Campian for Unaccompanied SATB chorus.

For solo voices SATB chorus and Orchestra. Score and parts are available on hire from the publisher which are newly engraved and correspond exactly with this vocal score. Edited with a new English translation by Neil Jenkins.

Designed specially for schools without an SATB choir this collection contains 21 settings for unison and two-part voices. These arrangements all compatible with The Novello Book Of Carols are scored for tuned and untuned percussion two melody parts (each in C and B flat) guitar chords bass line and simplified piano. These carols provide the ideal opportunity of junior and middle school choirs to join adult choirs in performance whilst fulfilling the need for ensemble music throughout the year. Edited by William Llewellyn.

Suite for Cello Oboe and Strings.

A setting of Psalm 109 for SATB soli and chorus string orchestra and organ continuo. Edited by John Steele. Vocal score with organ part.

A cantata for tenor solo SATB and orchestra with words by H.W. Longfellow. This vocal score contains a piano reduction of the orchestral score. A cantata for tenor solo SATB and orchestra with words by H.W. Longfellow. This vocal score contains a piano reduction of the orchestral score.

For SATB Choir. For SATB Choir.

Miniature Quartet No.2 In D Minor. Parts only. Score also available for sale (NOV120189).

The enduring classic Oratorio for SATB chorus and STB soli. This vocal score edited and arranged by Michael Pilkington contains a piano/organ accompaniment and English text.

Arranged by John W. Duarte.

Described by the composer as 'a prayer for sanity a cry in the wilderness to a god who may or may not be there' this unconventional Mass (with new words) is written in the context of a world where millions of people die of hunger every year where 10% of living species are under threat of extinction. The Mass is angrily critical of the intolerance injustice and corruption of our world and those who control it. Duration c. 24 mins. For SATB chorus a cappella. Vocal score.

This title is taken from Dvorak. However. The models from which the songs are derived are clearly identifiable as are the composers from whose language they have been derived. The piece appears to be in one movement though it is in fact two with a coda. The first is French in style a sort of Waltz. It is quick and harks upon the likes of Françaix and where its idiom becomes more advanced Messaien. The other is Germanic a slow movement with echoes of German expressionism - perhaps Richard Strauss perhaps Mahler. The two movements are partly complete; the cod reconciles their differences and completes them. I see the piece as my own version of En blanc et noir.

The Nativity displays Eric Thiman’s grasp of the abilities of amateur and church choirs in his use of themes from familiar hymns and his harmonies and employment of Vocal Quartet or Semi-Chorus. He also includes alternatives for use at Eastertide. The work is scored for Soprano and Tenor solo Chorus SATB and Organ.Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music andhe wrote many books on harmony counterpoint and musical form.

Alexander's Feast was composed by Handel in 1736. The words in celebration of St Cecilia patron saint of music were written by Dryden and first set to music by Jeremiah Clarke. This ode was written for STB (or SATB) soli SATB chorus and orchestra. This version edited by Donald Burrows contains all vocal parts and a piano accompaniment.

Taking a text from As You Like It for its lyrics Under The Greenwood Tree (Op.24 No.1) was written in 1917 by Herbert Howells . It is the first in a collection of 3 songs all of which are settings of poems from plays by Shakespeare. It is scored for two Voice parts (either soloists or choruses) with Piano accompaniment and dedicated to Brian. Herbert Howells (1892-1983) was an English composer and teacher who is perhaps best known for his choral music in the Anglican tradition.

A paper-bound full score of two of Elgar's slightly less well-known symphonic works recommended for study. This affordable volume brings you the authority of the scholarly Elgar Complete Edition in a clear large-format score.

Morley's early-Renaissance setting of the Magnificat And Nunc Dimittis alternates between the unison lines based upon Gregorian tones and an SATB chorale-style texture. Edited by Francis Burgess and Royle Shore.