SATB score of the original Octavo Edition from Novello.

Purcell 'Magnificat And Nunc Dimittis' in the original key of E Minor for mixed voice choir with organ accompaniment.

Setting of the Evening Canticles for SATB Choir and Organ.

For ATB Soloists SATB Chorus and Orchestra.

The Music Makers (1912) and The Spirit Of England (1915-1917) were Elgar's last major choral works. In both he set verses by men adjudged considerable poets in their day. The Elgar Complete Edition brings together for the first time all of the composer's surviving music from printed and manuscript sources.

The three-movement Quo vadis by Erik Bergman is a typical example of his recent coloristic-improvisatory style. It is a dialogue-like duo in which the instruments speak both in turn and together. Their voices grow in a wedge of volume — from silence to passionate outbursts and from the middle to the outer registers. Each rejoinder is usually dominated by a particular mode of playing and figure the most marked being the highly dissonant crashes on the piano and the cello tremoli. The themes of the second movement are based on a medieval Dies irae melody. But their melodic type oscillating backwards and forwards over a small interval is characteristic of Bergman andaccordingly makes its appearance in the other movements too.

Bliss 'Ballads Of The Four Seasons' arranged for High Voice with piano accompaniment. Duration 8 minutes.

This piece is scored for Soprano and Piano. A Penny for a Song was written in Autumn 1981 for Penny Price Jones and Philip Martin who commissioned it with funds provided by the Arts Council of Great Britain. It consists of ten songs prefaced by a piano piece which acts as a refrain heard again between Nos. 6 and 7 and before the last song. All the texts are miniatures; some are haiku a Japanese Zen poetic form and they all have in common a number of Haiku characteristics such as vivid imagery seasonal or natural and allusive brevity. The poems are small but they have a resonance extending far beyond themselves. Zen artists love to play with space: through afew brush strokes they conjure up a world of detail; they suggest infinitely expanding space through the implications of a few lines on a nearly empty background. This has been my approach in the music of A Penny for a Song. The songs are fleeting momentary; they are echoes of a world that is always there if we stop to listen for it.

Songs for Mezzo-Soprano and Piano. Text: Stevie Smith.

Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. The playful and sensitive side of Bennett comes to the fore with this delightful setting of five songs of poems by Marjorie Fleming. Marjorie Fleming was a very young Scottish poetess who was born in Kirkcaldy in 1803 and died just eight years later leaving journals and a handful of poems. Her words are artless and evocative her spelling and language inventive. ‘Three Turkeys now their last have breathed And nowthis world forever leaved ’ she writes in A Melancholy Lay.This set of art songs is witty and poignant.

Eight Songs arranged for High Voice And Piano.

For SATB Choir (Mixed Voices) with Piano accompaniment and Guitar chords. Arranged by Hywel Davies.

For SATB chorus and Piano or Organ. Commissioned by the Genesis Foundation for The Sixteen and Harry Christophers. For SATB chorus and Piano or Organ. Commissioned by the Genesis Foundation for The Sixteen and Harry Christophers.

For High Voice with Piano Accompaniment. For High Voice with Piano Accompaniment.

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions the songs appear in their original keys and are most suitable for high voice.

These rounds are intended for a choir whose average age is about eleven. Most are suitable for a primary school choir but the last four are harder and intended for secondary choirs. The four easiest rounds are Paradise The Cherry The Parrot and The Cow and teachers are advised to begin with these. The rounds may be sung individually or in any selection they may be transposed and each may be repeated as often as seems appropriate.

Michael Flanders and Joseph Horovitz. This popular work for unison or two-part voices and piano with optional bass and drums opens with a splendid storm above which God can be heard muttering about the irritations he finds with mankind. Following the Old Testament story God then instructs Noah how to build the ark and select animals. In a profusion of fine solos and lively choruses we learn about the difficulty of living under hatches and the eventual drying-out of the world. Suggestions for vocal solos given in the score. Ideas for semi-dramatic effects or stagings suggest themselves. String bass and drum parts on hire.

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions the songs appear in their original keys and are most suitable for high voice.

Waltzes for piano duet with optional voices arranged for SSA by Reginald Johnson. English words by W.G. Rothery.

A Tender Light is a collection of new choral music by the Welsh composer Paul Mealor including the Ubi caritas made famous by its inclusion in the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton (now TRH The Duke and Duchess of Cambridge) at Westminster Abbey in April 2011. 2.5 billion people (the largest audience in broadcasting history) heard his Motet on that day and since then it has topped the Classical singles charts in the USA UK Australia France and New Zealand and has already entered the standard repertoire for many choirs. For singers wanting to explore further the music of Mealor this book also contains theluminous She Walks in Beauty the contemplative O vos omnes and the madrigal sequence Now Sleeps the Crimson Petal. Locus iste and Ave Maria are modern yet timeless settings of well-known texts. This is a must-have collection for any mixed voice choir wanting to explore the latest and best in choral repertoire. 'Serene and Beautful' Gramophone Magazine 'Mealor is the most important composer to have emerged in Welsh choral music since William Mathias' The New York Times Paul Mealor - A Tender Light by DeccaRecords