For female or boys' voices. Vocal score (in English and Latin) contains all voice parts and piano accompaniment edited by Desmond Ratcliffe. For female or boys' voices. Vocal score (in English and Latin) contains all voice parts and piano accompaniment edited by Desmond Ratcliffe.

A sequence of carols for three upper voices (male and/or female voices SSA) and instrumental ensemble (or piano). First performed by the Canadian Children's Opera Chorus on 5 December 1987 in Toronto Canada. Vocal score with piano accompaniment.

A collection of arrangements of piano works of Eric Satie arranged by Sidney Lawton for clarinet and piano. A collection of arrangements of piano works of Eric Satie arranged by Sidney Lawton for clarinet and piano.

Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edited by Martin Neary. 'An imaginative kaleidoscope of attractive pieces. There is much to enjoy in this wide-ranging collection.' - John Scott LVO Organist and Director of Music Saint Thomas Church Fifth Avenue New York 'A valuable collection for organists. The fact that it is published in aid of such an important cause makes it all the more appealing.' - James O'Donnell Organist & Master of the Choristers Westminster Abbey Visiting Professor of Organ Royal Academy of Music 'Containing stimulating music for professional and amateur alike thisbeautifully produced volume is one of the highest quality and useful Organ albums to have been released in years. You should buy a copy - you won't regret it.' - Jonathan Vaughn (Choir & Organ - March/April 2011) Produced in association with the Organists Charitable Trust with the support of the Ralph Vaughan Williams Trust this is a collection of 11 pieces for solo organ (ABRSM Grade 6-7). Featuring previously-unpublished works by Howells and Rutter and new works by Philip Moore and three 'rising stars' David Bednall Iain Farrington and Thomas Hewitt Jones. Selected and edited by Martin Neary.

Transcendental sequence Sobre un éxtasis de alta contemplación (Verses written after an ecstasy of high exultation) is a setting of the poem by St John of the Cross. Commissioned by Richard Marlow for the Cambridge University Chamber Choir premiered at Selwyn College in November 1975. The intense individuality of Harvey's music is characterised by emotional opulence and visionary symbolism showing the profound impact of Messiaen and Stockhausen. Harvey has attempted to recreate in musical terms the state of mysterious illusion enacted in the verses.

This was composed in 1978 and the first UK performance was at the Wigmore Hall London on 17 January 1979.

For SATB choirs and organ. For SATB choirs and organ.

The 2002 revised edition of Charles Villiers Stanford's Te Deum Laudamus In B Flat for SATB chorus and Organ accompaniment.

Trevor Wye has selected and arranged eight of Ravel's most famous melodic works creating a collection which will be valued and appreciated by flautists of varying degrees of technical ability. With piano accompaniment. Suitable for grades 3-5.

An anthem for SATB chorus with Organ commissioned by the Friends Of Music Holy Trinity Church Stratford-Upon Avon for 'Shakespeare Sunday' 27th April 2003.

For ATB Choir and Organ. Adapted from the Service in A for SATB Choir.

A sacred oratorio arranged for SATB with piano part. Edited with piano reduction by Watkins Shaw. Paperback Edition.

Written for clarinet violin and piano. Commissioned by the Verdehr Trio and Michigan State University.

The Trois Impressions shows Karg-Elert both at his most Romantic and his most impressionistic. The movements’ nocturnal names – Harmonies du Soir Claire de Lune and La Nuit – are in French as the work is dedicated to Alexandre Guilmant the great French Organist of Trinity church in Paris. Sigfrid Karg-Elert was a German composer active in the early twentieth century whose broad output is eclipsed almost entirely by his works for harmonium and Organ instruments for which he was a gifted and prolific composer. His Organ works include the highly-regarded Sixty-Six Choral Improvisations Twenty Choral Preludes and Postludes amongothers. Many of his works are active in Organ repertoire.

ATB Choir Version. With Organ.

Twenty-four graded pieces from the 13th to 18th centuries transcribed for alto (treble) and tenor recorder. Selected and transcribed by Gordon Saunders. Suitable for players of moderate to advanced level.

An oratorio for SATTB soli SATB chorus and orchestra edited and the piano accompaniment arranged by Vincent Novello.

A two-volume collection of short anthems from the Novello Choral Programme representing five hundred years of church music all suitable for SATB chorus with Organ. Familiar and long-established works are represented alongside many lesser-known and more recent works by composers such as Douglas Guest Philip Rose and Ralph Allwood. Many of the pieces are ideal as Introits and Anthems for general church use whilst other have a more specific intended function within the liturgical calendar. However all are well suited to both devotional and concert performance. The works here are short ranging from straight-forward to technically challenging and more exciting. As a whole the collection features an overwhelming number of choices for choirs of all different sizes and abilities.

James Galway introduces ten pieces by various master composers including Handel Bach Mendelssohn Chopin and Rachmaninov. All tunes are arranged for solo flute with piano accompaniment by Phillip Moll. James Galway introduces ten pieces by various master composers including Handel Bach Mendelssohn Chopin and Rachmaninov. All tunes are arranged for solo flute with piano accompaniment by Phillip Moll.

Both Te Deum and Jubilate Deo were first performed on St. Cecilia's Day 1694 in St Bride's Church London. They were subsequently adopted for use on all the principal festal occasions such as National Thanksgivings and provisional music meetings such as those of the Three Choirs. They retained their popularity until Handel's Dettingen setting superseded them fifty years later. For two sopranos two altos tenor and bass soli SATB chorus trumpets strings and organ. This vocal score includes the organ part. Edited by J.F. Bridge.