Per Voce E Pianoforte (Soprano/Tenore)- Tosti Francesco Paulo A Vucchella Soprano Or Tenor & Piano Book

Tosti's 'A vucchella for Piano Voice and Guitar.

Vivaldi's Gloria along with The Four Seasons is one of his best-known works and is very popular among the repertoire of sacred choral works. This Vocal Score has been thoroughly edited by Alfredo Casella with piano reduction by Maffeo Zanon and an English translation of the Latin text by Joseph Machlis.

Deh Vieni Alla Finestra is a delightful aria from Mozart's famous opera Don Giovanni available here for Baritone voice with Piano accompaniment.

Four sacred pieces by Giuseppe Verdi for Voice and Piano - edited for this volume by G. Luporini. Latin Text. Four sacred pieces by Giuseppe Verdi for Voice and Piano - edited for this volume by G. Luporini. Latin Text.

From the opera La Cenerentola and written for Contralto voice and Piano. From the opera La Cenerentola and written for Contralto voice and Piano.

From Puccini's Opera. Set for Voice and Piano. This work is in the key of E.

Raccolte ed elaborate da A. Parisotti - Collezione completa-For Mezzo-Soprano and Baritone. Volume 1 : Carissimi : Vittoria vittoria! • Cesti : Intorno all´idol mio • Legrenzi : Che fiero costume • Bononcini : Deh piu a me non v´ascondete • A. Scarlatti : O cessate di piagarmi - Se Florindo efedele - Son tutta duolo - Spesso vibra per suo gioco - Se tu della mia • Vivaldi : Un certo non so che • Lotti : Pur dicesti bocca bella • Caldara : Sebben crudele - Selve amiche - Come raggio di sol • D. Scarlatti : Consolati e spera! • Haendel: Affanni del pensier - Ah mio cor schernito sei • Marcello : Quella fiamma che m´accende • Leo : Dal tuo sogno luminoso • Pergolesi : Ogni pena piu spietata - Stizzoso mio stizzoso - Se tu m´ami • Gluck : O del mio dolce ardor • Jommelli : Chivuol comprar • Traetta : Ombra cara amorosa • Piccini : Notte dea del mister • Paisiello : Chi vuol la zingarella - Nel cor piu non mi sento - Il mio ben quandro verra • Martini : Piacer d´amor.Volume 1 of this fabulous Aria collection contains 30 arias by various composers for Voice and Piano as compiled and edited by A. Parisotti.

One of the world's most popular beginning classical guitar methods by South American guitar virtuoso Julio Sagreras and translated by Bernard Moore. Features carefully sequenced studies covering technique and theory through music etudes and pieces. Guitar Technique. One of the world's most popular beginning classical guitar methods by South American guitar virtuoso Julio Sagreras and translated by Bernard Moore. Features carefully sequenced studies covering technique and theory through music etudes and pieces.

Ed. Tradizionale - Testo Cantato Francese-Inglese-Opera Completa Per Canto E Pianoforte.

Vocal Score- This is the Complete Vocal score of the entire opera with singing text in Italian and English. A beautiful imaginative opera and it is one of Verdi's most famous works and most successful opera. The premiere occurred on 19 January 1853 at the Teatro Apollo in Rome and was an enormous success. The appreciation of the new work increased with each performance. The third performance was the last that Verdi was contractually obliged to attend: at the end of that evening the audience presented Verdi with two laurel wreaths.

Vocal Score-Its first performance at the San Carlo theatre in Naples on 26th September 1835 an acclaimed success Lucia Di Lammermoor was a real triumph for Gaetano Donizetti . The Bergamasque composer - who had returned to Naples that year where he was hailed as a maestro - had met Salvadore Cammarano and they quickly struck up good artistic relations. On the inspiration of Walter Scott's 'The Bride Of Lammermoor' Cammarano wrote a fast-moving libretto typical of a romantic ballad with a strong formal structure and boosted by first class melody. The love story as described by the two authors is beautiful yet sad and tragic. Lucia takes on an almost uniquerole in Italian Opera; a heroine completely bereft of human passion apart from her total dedication to love. The romantic female character par excellence capable of bewitching even Madame Bovary and Anna Karenina.

Ed. Critica A. Zedda - Testo cantato italiano e inglese-Revisione Di A. Zedda Con Prefazione In Italiano E Inglese Opera Completa Per Canto E Pianoforte

Testo Cantato In Italiano-Inglese-Opera Completa Per Canto E Pianooforte In Cartonato

Full Vocal score of Giuseppe Verdi's complete opera Luisa Miller . With Italian lyrics and synopsis in Italian English French and German. A short opera packed with interest movement and passion. It was was extremely well received and one contemporary critic Abramo Basevi even claimed that it inaugurated Verdi's second manner. The preparation of the libretto as documented by the abundant correspondence between Verdi and Cammarano is a topic of great interest in the study of Verdi's dramaturgy. Luisa Miller was first staged at the Teatro San Carlo of Naples on 8 December 1849.

Ed. Tradizionale - Opera Completa (Testo Cantato In Italiano-Inglese)- The Vocal Score for Il Tabarro the one-act Opera by Giacomo Puccini . With a libretto by Giuseppe Adami Il Tabarro is the first of three operas that make up Puccini 's triptych. Along with 'Suor Angelica' and 'Gianni Schicchi' Il Tabarro is one of Puccini 's most famous and best-loved works. Typically known as the 'tragic panel' of the triptych this work was composed in two stages - in 1913 and then between 1915 and 1916. Il Tabarro heralds a move towards an expressionist form of language and drama for Puccini a truly unique work ofart.

Edizione tradizionale - Testo Cantato Italiano-Inglese-The hidden sadness and frustration of living as a moral outcast the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish the destruction of all hope in an unrealistic love affair... this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music transforming her individual fate into a universal representation of human suffering. His compassion for her however met with bigoted censure: the bourgeois public scandalized by the presence of a kept woman as a character on the stage gave the opera an icy reception at its premiere in Venice (Teatro La Fenice 6 March 183).Certainly an inferior cast for the occasion did little to help. Only the following year when La traviata was revived for another production in Venice (Teatro San Benedetto) did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves. Full Vocal score of Giuseppe Verdi's succesful and ever popular opera La Traviata . With Italian and English lyrics and synopsis in Italian English French and German. The hidden sadness and frustration of living as a moral outcast the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish the destruction of all hope in an unrealistic love affair... this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music transforming her individual fate into a universal representation of human suffering.

Opera Completa Per Canto E Pianoforte In Brochure

Vocal Score- Opera Completa Per Canto E Pianoforte In Brochure

Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 1818 on commission from an unknown individual in Lisbon Adina was left to languish some years until its premiere in 1826 with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers and repurposed another three from Sigismondo Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources including a complete manuscript copy (housed at the British Library in London) various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels) and the first edition of the vocal score published by Ricordi between 1855 and 1859 additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera this Coro the music of which survives in the first vocal score is included as an Appendix to the edition. Composed in 1818 on commission from an unknown individual in Lisbon Adina was left to languish some years until its premiere in 1826 with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers andrepurposed another three from Sigismondo Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources including a complete manuscript copy (housed at the British Library in London) various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels) and the first ed