Riduzioni canto-pianoforte e CD con basi orchestrali-Cantolopera is a publishing project devoted to students professionals and enthusiasts who wish to approch the great vocal repertoire for practicing performing or simply singing opera arias sacred pieces songs standards. The editions include a vocal score and one or more CD containing orchestral accompaniment performed by Compagnia d’Opera Italiana with its orchestra of over 130 instrumentalists. Each volume also contains the texts to be sung in both Italian and English accompanied by a note on their context.Cantolopera is a publishing project devoted to students professionals and enthusiasts who wish to approch the great vocal repertoire for practicing performing or simply singing opera arias sacred pieces songs standards. The editions include a vocal s

Liriche del XIX e XX secolo per voce acuta. A cura di Ilaria Narici-Designed for students teachers and professional singers. Ideal for competition use by soloists university students and professional singers it includes songs both in the original key or transposed. In addition the edition includes an historical introduction for each composers and all the lyrics both in Italian and in English. Art songs by Alfano Arditi Castelnuovo-Tedesco Donaudy Donizetti Mascagni Puccini Respighi Rossini Tosti Verdi & many more.Designed for students teachers and professional singers. Ideal for competition use by soloists university students and professional singers it includes songs both in the original key or transposed. In addition the edition includes an historical introdu

Opern-Arien-Four comprehensive anthologies of Mozart's opera arias. Includes Mozart’s complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages as well as Itali Four comprehensive anthologies of Mozart's opera arias. Includes Mozart’s complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages as well as Itali

Antologia di arie - Antologie d'arias - Arien-Anthology-A comprehensive anthology of ITALIAN OPERA arias for every singer’s library. All pieces are listed with historical notes plot notes and translations for study. Texts in Italian French and German. Arias from: Adriana Lecouvreur (Cilea); Alcina (Händel); Attila (Verdi); L’Amico Fritz (Mascagni); Anna L’Arlesiana (Cilea); Bajazet (Giacomelli); Un Ballo in Maschera (Verdi); Il Barbiere diSiviglia (Rossini); I Capuleti e i Montecchi (Bellini); La Cenerentola (Rossini); La Clemenza di Tito (Mozart); Cosè fan tutte (Mozart); Don Carlo (Verdi); La Donna del Lago (Puccini); Edgar (Puccini); La Favorita (Donizetti); La Forza del Destino (Verdi); Giulio Cesare (Händel); Idomeneo (Mozart); L’Incoronazione di Poppea (Monteverdi); L’Italiana in Algeri (Rossini); Linda di Chamounix (Donizetti); Le Nozze di Figaro (Mozart); Ordeo ed Euridice (Gluck); Orlando finto pazzo (Vivaldi); Semiramide (Rossini); Tancredi (Rossini); Il Trovatore (Verdi). A comprehensive anthology of ITALIAN OPERA arias for every singer's library. All pieces are listed with historical notes plot notes and translations for study.

Nino Rota was behind some of the greatest film soundtracks including 'The Godfather' 'War and Peace' and all of Federico Fellini's films. This compilation includes themes from Fellini's warming memory piece 'Amarcord' and 'IlBidone'. The compilation comes with a sample CD.

High Voice-Italian composer Franceso Paolo Tosti (1846-1916) wrote more than 350 songs among which were favorites of famous singers from Caruso and Tetrazzini in his day to Pavarotti and Carreras in ours. With a direct and simple grace andsensual Italianate vocal lines his works were in some ways an art music reply to the Neapolitan folk tradition. Featuring 30 Tosti songs available for the first time in two keys these editions present excellent material forteaching the basics of classical singing as well as for the recital stage. They also include translations for study a biography of the composer and a select discography.High Voice. Italian composer Franceso Paolo Tosti (1846-1916) wrote more than 350 songs among which were favorites of famous singers from Caruso and Tetrazzini in his day to Pavarotti and Carreras in ours. With a direct andsimple grace and sensual Italianate vocal lines his works were in some ways an art music reply to the Neapolitan folk tradition. Featuring 30 Tosti songs available for the first time in two keys these editions present excellentmaterial for teaching the basics of classical singing as well as for the recital stage. They also include translations for study a biography of the composer and a select discography.

Contains: BELLINI I Capuleti e i Montecchi Se Romeo t'uccise un figlio - MASSENET Werther Scena della lettera - PONCHIELLI La Gioconda Stella del marinar - VERDI Il trovatore Condotta allera in ceppi - VERDI Don Carlo La canzone del velo - BIZET Carmen En vain pour éviter - CILEA Arlesiana Esser madre è un inferno

Book/CD with Full Orchestra Accompaniments. With both recorded full performances and orchestra accompaniments this book presents the standard voice and piano reduction of each aria a short plot summary and translation.

For voice and Piano including two CDs of accompaniments and native speaker dicton lessons. For voice and Piano including two CDs of accompaniments and native speaker dicton lessons.

Ed. critica di Alessandro Borin - ril. brochure- La Gloria e Imeneo RV 687 belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice Jacques-Vincent Languet Count of Gergy on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This critical edition is based on the autographscore held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata the state of the sources and its musical content. The critical edition includes anapparatus that records all the variants between the autograph score and the secondary collate sources and a diplomatic- interpretative edition of the poetic text inferred – since no libretto has come down to us – by the words underlaid to the notesin the manuscript of the serenata. La Gloria E Imeneo RV 687 belongs to a group of so-called French serenatas' by Antonio Vivaldi namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice Jacques-Vincent Languet Count of Gergy on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska and was performed during a festa that took place inthe ambassador's garden on the evening of 12 September 1725. This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources and a diplomatic- interpretative edition of the poetic text inferred - since no libretto has come down to us - by the words underlaid to the notes in the manuscript of the serenata.

Parti Orchestra-The orchestral set contains: 3 copies of Vl I and 3 copies Vl II 2 copies of vla 2 copies of cello 1 copy of organ contrabass trumpet and oboe. Today the Gloria RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the Gloria as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the Gloria Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages. Thesame mastery has also been applied to the Kyrie RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass.

Arias by Mozart Paisiello Pergolesi Ponchielli Rossini and Sarti

An Italian-language practical study method for the Double Bass.

Ernesto Cavallini 's 30 Capricci for Clarinet.

Per Arpa

Vocal Score-Vivaldi's beautiful setting of the Magnificat is a mature work and blends a variety of choral styles in and around brief solo sections. Vivaldi's Magnificat along with his Gloria is among his best-known choral works and this vocal score has been edited by Gian Francesco Malipiero with piano reduction by Raffaele Cumar.

per violino e pianoforte- With five tempo variations and slow and fast sections this famous and celebrated piece was Monti's only outright success. For many people this enthralling piece epitomises the character of the Czardas a traditional Hungarian dance. This version for Violin and Piano.

F.Xiii/57

Per soprano e pianoforte

Trascrizione di Paul Reich