a cura di Antonio Valentino-The fifty small compositions in this anthology follow on from the first volume and are especially aimed towards the younger beginner pianist. The anthology contains a varied collection of pieces including less well-known compositions that have been chosen to stimulate the student's interest in the early stages of learning the piano.

raccolte ed elaborate da A. Parisotti

raccolte ed elaborate da A. Parisotti

raccolte ed elaborate da A. Parisotti

Trascrizione Per Organo A Quattro Mani

Chamber arias for medium voice and piano or harp-Gaspare Spontini composer and conductor was celebrated for his operas in the late 1700s and early 1800s although he also composed several pieces of vocal chamber music at the same time.The chamber repertoire was composed with the amateur performer in mind: the tessitura of his melodies falls mostly within the medium/high range and does not call for any special techniques. This does not however diminish the artistic value of hischamber music; indeed it is a body of work of great interest and beauty. Each piece was written for a single voice accompanied by the piano or the harp - the two instruments most commonly found in salons of the time - and in a variety of forms:bagatelle barcarole chansonnette romance stances stances élégiaques élégie strophes Lied romanze ariette melodici accenti duetti and duetti notturni.In addition to a selection of compositions for medium-range voices - proposed here in the original tonic key - this book also includes the most celebrated and significant of Spontini’s compositions.

Piano reduction for Violin and Piano by Maurizio Carnelli

Sacred Masterpieces for Soprano Vol. 3-CANTOLOPERA is a publishing project that offers a completely new way of approaching the great vocal repertoire. CANTOLOPERA is made up of various series: the Favourite Opera Collection dedicated to operatic works organized by voice category; theComposers Collection devoted to individual composers; and the Songs Collection consisting of lyric songs romanzas an d traditional songs. The editions include a vocal score and one or more CDs containing for each number a complete versionand the respective orchestral accompaniment over which students enthusiasts and professionals can practise. Each volume also contains the texts to be sung in both ltalian and English accompanied by a note on their context as well as informationon the performers and the Compagnia d Opera Italiana with its orchestra of over 130 instrumentalists.

Riduzioni canto-pianoforte e CD con basi orchestrali-Cantolopera is a publishing project devoted to students professionals and enthusiasts who wish to approch the great vocal repertoire for practicing performing or simply singing opera arias sacred pieces songs standards. The editions include a vocal score and one or more CD containing orchestral accompaniment performed by Compagnia d’Opera Italiana with its orchestra of over 130 instrumentalists. Each volume also contains the texts to be sung in both Italian and English accompanied by a note on their context.

Opern-Arien-Four comprehensive anthologies of Mozarts opera arias. Includes Mozart’s complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages as well asItalian French and German.

25 trascrizioni facili di arie d'opera-This sensational collection contains easy piano arrangements of 25 songs from 8 Puccini operas: La Bohème La Fanciulla del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca and Turandot featuring the beloved “Nessundorma.” Includes plot notes for each opera information on its premiere listings of librettists pronunciation guides and more.

The songs on this anthology were chosen for their musical and historical value for teaching purposes representing the compositional renaissance in Italy in the first decades of the 20th Century.

Prefazione di Alfonso Alberti-As an orchestral conductor Victor de Sabata was indisputably one of the leading musical figures of his day. With this edition we hope to draw light upon the little-known but extremely interesting fruits of his second career that of composer with his Tre pezzi per pianoforte (Three pieces for piano) which bring together the influence of Early Twentieth-Century French repertoire with an unheard of originality.

Per Soli Coro due Pianoforti e Armonium - Ed. critica a cura di Davide Daolmi - Score Soft cover-The Petite messe solennelle Gioachino Rossini’s last composition which has been elevated to the rank of a kind of Last Work and Testament is presented here in its original version which calls for a chamber ensemble consisting of four solo voices choir two pianos and harmonium in a critical edition curated by Davide Daolmi for the Rossini Foundation of Pesaro. Performed for the first time on March 14 1864 in the Salon of Countess Louise Pillet-Will the dedicatee of the work it was orchestrated by Rossini between 1866 and 1868 (the year of his death) and has since become part of the standard repertoire. Introduction in Italian English and German.

Riduzione Per Canto E Pianoforte Dialoghi E Disposizioni Sceniche

Esercizi Per L'Acquisizione Del Linguaggio Vocale Moderno

E La Tecnica Appropriata. Nuova Edizione

Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin on 1 February 1896. Giuseppe Giacosa and Luigi Illica based their libretto for this opera on Scènes de la vie de Bohème by Henry Murger. It took Puccini only a fewmonths to complete a score brimming with wonderful melodic invention and orchestrational genius. The music is a surprisingly supple and sensitive medium for depicting a variety of emotions that animate the young: reckless living full of stop-gapexpedients erratic feelings and sudden explosions of noble sentiment the driving ambitions of one’s art. Puccini’s musical imagery illuminates the different moments and moods of the story with a delicate yet intense lyrical quality; just as therapid decline and death of Mimì subtle yet invincible remind us of the universal reality that all things must inevitably come to an end.On the cover: “Al Quartiere Latino” sketch by Riccardo Salvadori as a variation on the sketch by Adolf Hohenstein for the world premiere in Turin of Bohème 1896 © Archivio Storico Ricordi

Full Score

Per Pianoforte D'Amore (1991-2003) Rev. 2009