coll. Guitare No.75- 1.Anon.- Branle; Piece sans Titre; Gaillarde; God be with the Francs; A Toy; Ballet - Greensleeves; Dowland - My Lord Willobes Wellcome Home; Witfelde - The English Huntsuppe

Concerto no. 4 (Rode)- Pierre Rode's Premiers Solos Concertos Classiques No. 4 for Violin and Piano.

SSA chorus

Dans bien longtemps quand tout ceci ne sera plus... (No.3 from Les Poèmes du Brugnon)

Petite Suite for Flute and Piano is a piece written for the Paris Conservatoire contest by Pierre Petit . Really melodious it lasts eight minutes and is divided into three distinct movements. The first part “Gai et allant” is quite fast and has to be played joyfully. It uses the whole range of the instrument with some really high notes and includes a Cadenza. The second part “Lent et très chanté” is slower slightly lower in range and really melodious. It is quite short compared to the other parts. The third and final movement has the same kind of range as the first one. Fast it features apart to be played at Marzuka tempo and one to be played at the same tempo than the beginning. The piece ends on a really high trill. Petite Suite is really enjoyable to play and to listen to. It however requires some strong skills in terms of technique and sonority that would be acquired by advanced players: the difficulty is therefore rated at 7°.

Pièce initiative

1.La Meneuse de Tortues d'Or; 2.A Giddy Girl; 3.Bajo la Mesa

pour Quatre Trompettes et Batterie ad Libitum- for 4 trumpets and percussion

Mesures composées- étude du Rythme is an educational tool proposed by Georges Dandelot (1895-1975) a French composer agreeing with the concept that rhythm is the foundation on which melody and harmony are then layered. It was conceived to progressively teach musicians how to deal with complicated rhythms such as those used by Bartok or Ravel. This volume is the second of five composing a step-by-step method to learn and master rhythm in music. It introduces more complexity with simple exercises and melodies. The third one should help pianists to play different rhythms with each hand and the volumes four and five use complex combinations of rhythms and melody withbinary and tertiary tempos.

Concerto Solo no. 1- French composer pianist and teacher Paul Rougnon (1846-1934) studied at the Paris Conservatoire under many prolific musicians of the time including César Franck. Rougnon 's composition catalogue is extensive with many works remaining popular to this day including his First Concert Solo for Trumpet or Cornet and Piano. The date of composition is unknown however Rougnon 's First Concert Solo displays characteristics of early French romantic music such as chromaticism flourishing semiquaver passages complex rhythms and extensive use of performance directions. For all advanced aspiring Trumpetand Cornet players Rougnon provides an alternative exciting performance work.

for ondes martenot percussion and piano

pour la Flûte-Having studied the Flute with virtuosos Paul Taffanel Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. Etudes et Exercices Techniques For Flute was the first of many popular study books from the renowned flautist. During his career Moyse frequently played solo Flute with many orchestras including performing the main concertos of the repertory. As well as performing and composing Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI the composer moved to the United States where he continued to perform compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique including Etudes Et Exercices Techniques which today remain universally accepted and popular. Moyse's book is essential to all aspiring advanced flautists. Having studied the Flute with virtuosos Paul Taffanel Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. Etudes Et Exercices Techniques For Flute was the first of many popular study books from the renowned flautist. During his career Moyse frequently played solo Flute with many orchestras including performing the main concertos of the repertory. As well as performing and composing Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI the composer moved to theUnited States where he continued to perform compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique including Etudes Et Exercices Techniques which today remain universally accepted and popular. Moyse 's book is essential to all aspiring advanced flautists.

chorus and harp

For Flute (or Oboe) and Piano.

No. 31 no. 30 no. 28 and no. 35- Arranged for four violas by Miche le Penniello-Roudon and Jean Roudon.

La partition nommée Aquatintes pour harpe par Bernard Andrès (né en 1941).

from 'Dolly'

For voice and piano (or organ).

Work for solo flute first published in 1968.

for 1 - 3 flutes and 1 or 2 guitars