Le coeur sur la main (cycle 2) (5e) (4') pour flûte et piano. Par Sichler aux éditions Leduc. Partition / Livre de chansons pour Flûte

Lecture at Kyoto - Konferenz von Kyoto (texte anglais et allemand). Par Messiaen aux éditions Leduc. Partition / Livre de chansons et théorie musicale

Born in 1961 French composer Nicolas Bacri began learning the piano at age seven before entering the Paris Conservatoire. Bacri 's career has seen him winning many prizes for his compositions and with Melodías De La Melancolía composed as recently as 2012 he remains a prolific composer. Bacri 's catalogue contains a wide variety of compositions from 8 String Quartets to 6 Symphonies. Melodías De La Melancolía for Soprano and Piano Opus 119a is made up of four songs using the lyrics of Alvaro Escobar Molina a Colombian writer who currentlyresides in Paris. The songs are; 1) To the Sea 2) Hush my Child 3) Some Say and 4) Only. With the volume beginning with the lyrics in French English German or Spanish Bacri 's Melodías De La Melancolía is highly versatile and makes for an exciting performance work for advanced Sopranos.

No.18 from 'Miniatures'.

1600 Exercises - Intonation Rhythm And Tonality (Vol.1 - 1000 Exercises) is the first of a method in two volumes written by Jules Arnoud featuring 1000 exercises out of a set of 1600. This highly progressive method was written and tailored for music theory students starting from beginner level to help them acquire the basics of rhythm tonality and intonation. Its very first lesson is about discovering the different notes on the stave and each theme focuses on a special rhythm which gets introduced by a preparatory exercise before a lesson on the subject and more exercises for application. This first volume is followedby the second one which includes the last 600 exercises of the method.

The unacquainted listener upon hearing a piece from the Hahn piano repertoire is often surprised by its powerful charm - a testament to the composer's unique musical sensibility. Although some of Hahn's musical ideas have roots in the long tradition of Romanticism they also present a host of new images scarcely seen in earlier scores Each piece in this collection is based on a single formula that varies little from start to finish. An exception to this unique principle occurs in the IInd piece where the young woman takes fright at the flaming red eye of the setting sun watching her through the branches. As a conclusion Reynaldo Hahn offers avery free cadence that takes up and comments on the initial theme: the crackling notes culminate in a fortissimo blaze rapidly followed by a progressive lull that slowly fades away. The unacquainted listener upon hearing a piece from the Hahn piano repertoire is often surprised by its powerful charm - a testament to the composer's unique musical sensibility. Although some of Hahn's musical ideas have roots in the long tradition of Romanticism they also present a host of new images scarcely seen in earlier scores Each piece in this collection is based on a single formula that varies little from start to finish. An exception to this unique principle occurs in the IInd piece where the young woman takes fright at the flaming red eye of the setting sun watching her through the branches. As a conclusion ReynaldoHahn offers a very free cadence that takes up and comments on the initial theme: the crackling notes culminate in a fortissimo blaze rapidly followed by a progressive lull that slowly fades away.

Soli-Choeur - Ssattb-SSAT soli SSATTB chorus and orchestra

Hétéroclite (6') (9e) (collection vent de sax) pour saxophone alto et percussion. Par Clément D. aux éditions Leduc. Partition / Livre de chansons pour Saxophone

Or Organ-Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for oboe and piano (or organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux (1899-1961) whotaught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'. Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the Piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for Oboe and Piano (or Organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux(1899-1961) who taught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'.

Sonate en la mineur pour violoncelle et piano. Par Raykhelson aux éditions Leduc. Partition / Livre de chansons pour violoncelle

Ad Libitum - Volume 1 (IM1) is the first volume of three books preparing and teaching the basics of music theory published in 2012. The book presents guidance for the teachers in blue boxes along the exercises and also teaches how to read music by a relative reading of the position of each notes. The book contains lessons exercises and initial reading of G F and C keys. Learning is also facilitated thanks to the use of basic melodies and nursery rhymes. Content: 1.Relative reading and positioning 2.Keys G and F 3.Rhythms 4.Singing 5.Theory 6.Listening development Written by Martine Neumayer (born 1964) a French pianist and music theory teacher this method will enable a good and quick understanding of music theory basics.

Fredrika (6'40) (8e) (collection vent de sax) pour quatuor de saxophones (satb) (partition et parties). Par Cugny aux éditions Leduc. Partition / Livre de chansons pour Saxophone

Musique du soir (7e/8e) pour violoncelle et orgue. Par Vasks aux éditions Leduc. Partition / Livre de chansons pour violoncelle

Enzo Gieco composes a virtuosic work for Flute Quartet with optional Guitar accompaniment. From furious fast passages to legato lyrical melodies Impressions D'Argentine is an exciting addition to the ensemble repertoire. Gieco 's Impressions D'Argentine is in four movements; 1) Huayno 2) Chacarera 3) Procession and 4) Carnavalito and includes detailed diagrams indicating how the Latin-American rhythms should be played and performed. Furthermore the work has the option of additional 'ad lib' Guitar. For all aspiring advanced Flute Quartets Gieco 's ImpressionsD'Argentine provides an exciting alternative ensemble performance work.

Pages From A Love Diary- What's important in music that's based on a poem - on the emotion inspired by a poem - is the music and power of emotion it harbours within itself. These words written in 1949 by poet Pierre Reverdy would make a deep impression on composer Betsy Jolas . She'd just sent the writer her Six mélodies for mezzo-soprano and piano composed on poems from his masterwork Plupart du temps. The songs were accompanied by a letter that betrayed her fear of distorting his ideas. In creative terms there was no need to worry - Betsy Jolas must have placed this conviction at the heart of her reflection on therelation between text and music. Nearly sixty years later the musician decided to take several fragments of these beloved poems of Reverdy and place them in the form of quotations into new musical and theatrical perspectives. The exalted memory of the words led to D'Un Journal D'Amour a mini-cantata for Voice and Viola offered as a wedding gift to soprano Eliette Prévôt and violist Antoine Tamestit who premiered it together in Montreuil in 2010.

MUSIQUE FRANçAISE POUR CHOEUR MIXTE réunit une sélection des plus belles oeuvres originales pour choeur de compositeurs français et de superbes arrangements de quelques-unes des plus sublimes mélodies françaises. Ce volume qui conviendra aux choeurs de toutes tailles et de tous niveaux comprend des compositions originales de Hector Berlioz Gabriel Fauré Reynaldo Hahn et Camille Saint-Saëns. On trouvera également d'élégants arrangements de mélodies dont le Baïlèro de Joseph Canteloube Beau soir et Nuit d' étoiles de Claude Debussy àChloris de Reynaldo Hahn Deux Prières de Darius Milhaud Nos souvenirs qui chantent de Francis Poulenc Chanson française de Maurice Ravel et le Choral inappétissant d'Erik Satie.

Études Mignonnes (or Cute Studies) is the first in a series of three volumes of studies for the Violin. Compiled in 1878 by Auguste Samie the études allow students to work on basic technical concepts such as bowing and sound production. The 20 studies in Études Mignonnes each helpfully contain a title indicating the focus of the exercise followed by clear instructions regarding technique. Moreover this edition of Soixante Études is revised and annotated by Georges Catherine popular contemporary violinist and arranger. Edits by Catherine include bowing marks fingerings articulation dynamics and performance directions. Including input by two prolific players of theViolin Études Mignonnes is an obligatory guide for beginners of the instrument. études Mignonnes (or Cute Studies) is the first in a series of three volumes of studies for the Violin. Compiled in 1878 by Auguste Samie the études allow students to work on basic technical concepts such as bowing and sound production. The 20 studies in études Mignonnes each helpfully contain a title indicating the focus of the exercise followed by clear instructions regarding technique. Moreover this edition of Soixante études is revised and annotated by Georges Catherine popular contemporary violinist and arranger. Edits by Catherine include bowingmarks fingerings articulation dynamics and performance directions. Including input by two prolific players of the Violin études Mignonnes is an obligatory guide for beginners of the instrument.

Métronomia & twist Eugène (cycle 1) (1'50/1'40) 2 pièces pour batterie et piano. Par Druelle aux éditions Leduc. Partition / Livre de chansons pour Batterie

Le dos d'anne (2') (et) rakambole (1'53) (cycle 1 et 2) pour batterie et piano. Par Druelle aux éditions Leduc. Partition / Livre de chansons pour Batterie

Les franges du rêve I (8e) (10') pour flûte en sol et Harpee. Par Chen aux éditions Leduc. Partition / Livre de chansons pour Harpe