for recorder (or flute or oboe or violin) and bass continuo

Work first published in 1982.

130 Premières Chansons folkloriques

1.Calandre; 2.Spipolette; 3.Farlouses

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime Sonata in C minor for Oboe is superbly arranged for Alto Saxophone by contemporary French saxophonist Jean-Marie Londeix. Telemann composed his Sonata in C minor for Oboe whilst in service to the German Royal family. During this time he composed a wealth of instrumental music including Sonatas and Concertos. Londeix 's arrangementfor Saxophone of Telemann 's Sonata includes adaptions for the instrument such as dynamics phrase marks performance and tempo directions articulation and breath marks making the baroque genre accessible to the Saxophone a relatively modern instrument.

with piano accompaniment by C.Pichaureau

for recorder (or flute or oboe or violin) and bass continuo

Includes contemporary Studies by: Aubain Brebbia Desmarets Montreuille and Tillous

for flute (or alto recorder) and piano

sur des Sentences de Lao-Tzu- ConB soli and brass quartet

English French and German text

for flute (or oboe or violin) and bass continuo

for percussion ensemble (minimum 5 players)

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Caprice No. 2 for Trumpet with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1978 Bozza 's Caprice No. 2 addresses advanced aspects of theTrumpet including complex rhythms exploited tonalilty and articulation. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

for 4 saxophones (1 player) and 6 percussion

for tuba and celeste (or piano)

For Alto Saxophone and Piano.

from '5 Ensembles de Percussion'

for clarinet (or alto saxophone) and piano

10 Ensembles from the 19th Century by Duvernoy Lefèvre Gebauer Mendelssohn Weber Adam and Donizetti