To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Hommage A Bach for Trombone and Piano is an exquisite addition to the repertoire. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1957 Bozza 's Hommage A Bach reflects thecomposer's admiration of the great J. S. Bach. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

From Works by: Beethoven Debussy Françaix Stravinsky Rabaud Tomasi Wagner Berlioz Saint-Saëns Delibes Lalo Chabrier Bozza and W.A.Mozart

for 12 saxophones (Sopranino SSAAAATTBarBarB)

N008: Siciliette Reine des Siciles-No.7 from Les Rêves de Janceline. No.7 from 'Les Rêves de Janceline'

for flute and bassoon

Born in Toulouse Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile composer Bitsch has composed orchestral works chamber works and numerous pieces and studies for wind instruments. Fifteen Rhythmical Studies comprise unique studies covering many technical aspects asked of Trombone players. Suited to advanced level trombonists Bitsch 's Fifteen Rhythmical Studies for Trombone covers a variety of musical aspects within the complex rhythmical exercises including articulation range time signatures scales and dynamics. The variety of rhythmic exercises as well as other musical elements included in this Marcel Bitsch study book is outstanding creating a necessary and progressive aid to Trombone player's rhythmical technique.

Le Banquet Celeste by Olivier Messiaen is one of his earliest compositions. Written for Organ this piece lasts 7 minutes because of its slow tempo that gives it a timeless feeling. This piece is quite challenging and would require an advanced technical level. Written in Octatonic mode Le Banquet Celeste used a theme that was transposed twice for less monotony Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music he had a very special way of composing andhis work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.

Volume 3- Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Catalogue D'Oiseaux for Piano is no exception to the composer's popular distinctive style. Messiaen became fascinated by birdsong from an early age however it wasn't until the 1950s that he took his passion to a new level incorporating birdsong into all of his compositions. Catalogue D'Oiseaux composed in 1958 comprises thirteen movements each depicting a specific bird. The third volume contains movements five and six; Tawny Owl and Woodlark. Catalogue D'Oiseaux is essential to all advanced pianists seeking to expand and vary their repertoire.

L'étoile Inconnue by Armando Ghidoni for Flute B Flat Clarinet (or Alto Saxophone) and Piano (or Harp). This is the Score and Part .

Caisse Claire - Ou Tambour- 5 Episodes (Le Divertissement des Baguettes; Rendez à Lenglet ce qui appartient à Lenglet!; Biper Marche; L'Accent chantant; Mystere et Boule de Gomme) for snare drum and bass drum

Japanese born Makoto Shinohara was born in 1931. He studied at the Tokyo University of Arts before moving to the Paris Conservatoire. His passion is for electronic music but his catalogue is varied and includes the sublime Obsession for Oboe and Piano. Composed in 1960 Shinohara had just completed his studies at the Paris Conservatoire under Olivier Messiaen and other experimental composers. Obsession exploits the Oboe and Piano through riveting uses of tonality rhythm dynamics tempo articulation and shared melody. For all advanced oboists seeking to include a challenging yet excitingly unique contemporary work in their repertoire Shinohara 's Obsession suitably fitsthe bill! Japanese born Makoto Shinohara was born in 1931. He studied at the Tokyo University of Arts before moving to the Paris Conservatoire. His passion is for electronic music but his catalogue is varied and includes the sublime Obsession for Oboe and Piano. Composed in 1960 Shinohara had just completed his studies at the Paris Conservatoire under Olivier Messiaen and other experimental composers. Obsession exploits the Oboe and Piano through riveting uses of tonality rhythm dynamics tempo articulation and shared melody. For all advanced oboists seeking to include a challenging yet excitingly uniquecontemporary work in their repertoire Shinohara 's Obsession suitably fits the bill!

Ballet pour six instruments (1927) - Édition critique de Christopher Hogwood-Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in composing Ballets. La Revue De Cuisine was composed in 1927 and remains popular to this day. Incoporating many jazz characteristics La Revue De Cuisine is composed for Clarinet Bassoon Trumpet Violin Cello and Piano . Martin experiments with expressionism and the ballet has been described as pantomime-esque for its humorous depiction of kitchen utensils. As a varied substantial work Martin 's La Revue De Cuisine isessential to the repertoire of any aspiring and enthusiastic ensemble of advanced musicians. Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in composing Ballets. La Revue De Cuisine was composed in 1927 and remains popular to this day. Incoporating many jazz characteristics La Revue De Cuisine is composed for Clarinet Bassoon Trumpet Violin Cello and Piano. Martin experiments with expressionism and the ballet has been described as pantomime-esque for its humorous depiction of kitchen utensils. As a varied substantial work Martin s La Revue De Cuisine isessential to the repertoire of any aspiring and enthusiastic ensemble of advanced musicians.

from '3 Hymnes pour la Sainte Vierge' (SSCon chorus and organ)

1.Notre-Dame de bonne Humeur; 2.Le Grand Envoi

Sarabande Et Finale is a nice piece by Raymond Gallois Montbrun for Bb or C Trumpet and Piano accompaniment. Quite difficult this piece is great for recitals or concert. Starting with the Piano for just six measures before the Trumpet Solo the sarabande has a slow tempo. The finale is faster Allegro and features a period with solo Piano before evolving into Vivo. It features the score and parts for Bb or C Trumpet. Raymond Gallois Montbrun (1918-1994) was a French violinist and composer who won the Premier Grand Prix de Rome and the Grand Prix de Paris. He later became the director of the ParisConservatoire. He composed many symphonic pieces an opera a quartet and many pieces for Solo Piano Violin and Piano and other instruments.

Work first published in 1953.

Work first published in 1952.

Composed by Theobald Boehm these 24 Studies For The Flute Op.37 were arranged by F. Caratgé. Written for advanced players they feature commentary in French English and German and last approximately over 2 pages. All in G key they are up to 5 flats or 5 sharps and are using high scales very fast rhythms and accidental alterations. These studies are perfect for mastering technique and endurance Theobald Boehm was a German inventor and musician. He conceived the Boehm system for Flute and was an inspiration for many other composers and musicians including Hyacinthe Klosé.

Pichnette (1'20) (cycle 1) pour flûte et piano. Par Sichler aux éditions Leduc. Partition / Livre de chansons pour Flûte

Ludovici-Soli-Choeur - Satb- SATB soli SATB chorus and orchestra