Studies for Rhythm 1 - Etüden zum Rhythmus- Georges Dandelot (1895-1975) who was a pupil of Widor Roussel and Dukas achieved posterity only through his educational manuals which seem to enjoy permanent success. Some may regret the fact that his compositions have fallen into oblivion but nobody can deny his tremend­ous talent for musical instruction. When it was published in 1935 the five-volume étude Du Rythme filled a glaring gap: for the first time a progressive method - graduated with minute care - set out to inculcate pupils with this vital element of all music. Dedicated to the simplest rhythms that are the basis of all tofollow the first volume now comes with a valuable addition: an audio version attached to the score in the form of a download card enabling budding musicians to monitor for themselves whether they have correctly reproduced the rhythms of the exercises. Of course this recording can also be used to carry out rhythm dictations - modern-day technology at the service of a timeless method.

SATB soli SATB chorus and orchestra

Tarantella (1'20) pour piano (cycle 1). Par Elsayary aux éditions Leduc. Partition / Livre de chansons pour Piano Tarantella (1'20) pour piano (cycle 1). Par Elsayary aux éditions Leduc. Partition / Livre de chansons pour Piano

French clarinetist and composer Hyacinthe Klosé (1808-1880) is predominantly known for his design improvements to the Clarinet and Flute. However his passion for the Clarinet is also apparent in his aids to the learning of the instrument as in this book Studies and Exercises . With revisions made by clarinetist and composer Paul Jeanjean (1874-1928) Studies and Exercises for Clarinet covers articulation breath control rhythm intervals accidentals ornamentation range scales and arpeggios among other aspects. Containing input from a prominent and well-established clarinetist this Klosé study and exercise book cannot be missed by aspiring advanced Clarinet players.

Pour Deux Pianos- At the time Reynaldo Hahn (1874-1947) tackled music for two pianos Belle époque salons were already vying for this gifted 17-year-old who had made himself known by publishing a song whose success was going to be crowned by a place in posterity: Si mes vers avaient des ailes . Dated 1891 the Scherzo lent surprises with its very title a veritable oxymoron since the scherzo is normally distinguished by its rapidity. From it the composer kept only the three-beat rhythmic pattern and the tripartite structure (ABA) with B serving as a trio. Previously unpublished this expressive dance with its moderate tempo had its world premiere recordingby Leslie Howard (with Mattia Ometto) who prefaced the present publication. Built on an improvised theme while dusk was wrestling with night the Caprice mélancolique of 1897 takes the form of a waltz-fantasy in quadruple time its originality being heightened by the contrasting central part. The moving triptych Pour bercer un convalescent dedicated in 1915 by Private Reynaldo to ' Henri Bardac sergeant in the 306 th infantry seriously wounded at the battle of the Aisne ' combines modesty and melancholy with infinite delicacy: its healing powers are of all times.

Monodrame triptyque en 5 mouvements miniaturisés. et plus si affinité. (8'30) (8e) (collection vent de sax) pour quatuor de saxophones (satb) (partition et parties). Par Gubitsch aux éditions Leduc. Partition / Livre de chansons pour Saxophone

Choeurs - Ssttbb- soli mixed chorus and orchestra

Exercices Caractéristiques- French clarinetist and composer Hyacinthe Klosé (1808-1880) is predominantly known for his design improvements to the Clarinet and Flute. However his passion for the Clarinet is also apparent in his aids to the learning of the instrument as in his book Studies and Exercises . With revisions made by clarinetist and composer Paul Jeanjean (1874-1928) Studies and Exercises Characteristic Studies for Clarinet covers in a variety of styles articulation breath control ornamentation range scales and arpeggios among other aspects. Containing input from two well-established clarinetists this study andexercise book cannot be missed by aspiring Clarinet players.

French English German and Spanish text.

Theme and Variations for Trombone and Piano.

Born in 1982 Jean-Charles Gandrille had composed his first work by age 10. As a prolific organist Gandrille composed significantly for his instrument Reflets being no exception. Reflets won Gandrille first prize at the Composition Competition of the Comminges Festival in 2006. With a typical performance lasting around 15 minutes Reflets is a highly modern work. The edition includes a helpful glossary of Organ sounds used in the piece. For all advanced organists Gandrille provides a challenging yet excitingand varied addition to the repertoire.

Au marché Saint-Paul j'irai (3') pour baryton et piano (poème G. Nouveau). Par Aboulker aux éditions Leduc. Partition / Livre de chansons pour Piano et voix

Douceur angélique (2'08) pour caisse claire cymbale et piano (cycle 1). Par Elsayary aux éditions Leduc. Partition / Livre de chansons pour Piano et voix

Chant - S.Ms- for voice organ continuo and string orchestra

For solo Flute-Ghost (7e-8e) (4') pour flûte seule. Par Ledeuil aux éditions Leduc. Partition / Livre de chansons pour Flûte Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Ghost for solo Flute. Suitable for Grade seven and eight flautists Ghost makes use of a wide range of extended techniques. These include timbral trills aeolian sounds harmonics sound and voice notes sounds of indeterminate lengths flutter tonguing pizzicato key percussion and variations in fingerings. Ghost is an exciting and varied addition to the advanced flautist's repertoire with a typical performance lasting around fourminutes. Ledeuil 's Ghost is essential to advanced flautists seeking to improve and expand their repertoire for performances.

Volume 1 - Clé de sol et fa- Yves Le Monnier compiles Simultaneous Reading for beginners in a three volume series. The first of these Simultaneous Reading of Treble and Bass Clef is a helpful aid for all instrumentalists. The understanding of reading the treble and bass clefs simultaneously is imperative to the harmonic knowledge of any musician. Simultaneous Reading of Treble and Bass Clef enables students to become confident in reading both clefs develop essential keyboard skills understand octaves recognise ascending and descending harmonies and comprehend all types of intervals among other aspects. For all beginnersto any instrument or voice Yves Le Monnier s Simultaneous Reading of Treble and Bass Clef enables students to develop and progress in their musical understanding and knowledge.

Composed by Giacomo Miluccio (1928-1999) Rhapsody is a piece for Solo Clarinet lasting three minutes. Really melodious yet quite slow it requires an advanced level (8° 9°) and some strong technique and skills. This melodious piece starting Passionale with a part Scherzando followed by a Tranquillo one is using the high range of the instruments. It finishes A Tempo with a morendo sound. The work features numerous accidentals some opportunity of improvisation and some long phrases for which the player will need to master their breathing skills. It is a really nice work to play in recitals and can also be used for contests. Composed by Giacomo Miluccio (1928-1999) Rhapsodie is a piece for Solo Clarinet lasting three minutes. Really melodious yet quite slow it requires an advanced level (8° 9°) and some strong technique and skills. This melodious piece starting Passionale with a part Scherzando followed by a Tranquillo one is using the high range of the instruments. It finishes A Tempo with a morendo sound. The work features numerous accidentals some opportunity of improvisation and some long phrases for which the player will need to master their breathing skills. It is a really nice work toplay in recitals and can also be used for contests.

for 4 trumpets

As a prestigious composer of the early 20th century Maurice Ravel 's Pièce En Forme De Habanera transcribed for Flute and Guitar by Janet Ketchum and Peter Segal contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies Pièce En Forme De Habanera clearly exemplifies these qualities through flourishing Flute lines and evocative chordal and rhythmic Guitar accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elements combined create ahighly enjoyable piece for the Flute and Guitar repertoire. In addition the clear print of separate solo and accompaniment parts in this edition of Pièce En Forme De Habanera add to an irresistible purchase for aspiring Flute players.

coll. Guitare No.102- Hornpipe Minuet a new Ground Jig Rondeau Rigadoon Prelude New Scotch Tune Canary A New Irish Tune Saraband and Gavotte